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A brilliant Rom-Com Performance

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 04 › along-came-polly-performance › 673912

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This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Good morning, and welcome back to The Daily’s Sunday culture edition, in which one Atlantic staffer reveals what’s keeping them entertained.

Today’s special guest is Damon Beres, an Atlantic senior editor who oversees our Technology section. Damon also recently wrote about the high-stakes bluster of Elon Musk for this newsletter, and covered BuzzFeed’s pivot to AI-generated personality quizzes in January. In today’s edition, he endorses the underappreciated comedic brilliance of the late Philip Seymour Hoffman in a certain 2000s rom-com, as well as a wise picture book about a sloth, and he makes a case for quiet-loud music.

First, here are three Sunday reads from The Atlantic:

Jerry Springer explained it all. John Mulaney's Baby J takes apart a likable comedian. I don’t want to smell you get high.

The Culture Survey: Damon Beres

Something I recently rewatched, reread, or otherwise revisited: Along Came Polly, the 2004 rom-com with Ben Stiller and Jennifer Aniston—and, much more important, Philip Seymour Hoffman. Everyone knows he was one of the great actors of his era, but if you haven’t seen him slip and fall on the hardwood floor at the start of this movie, well, you don’t really know anything at all. It’s pure comedic brilliance.

Something delightful introduced to me by a kid in my life: My 1-year-old is obsessed with books. He wakes up in the morning pointing to his bookshelf and repeating “Books, books, books,” like an incantation. He pronounces it like the end of “Malibu,” or like he’s trying to scare someone on Halloween. Boo-ks, boo-ks, boo-ks.

One of his favorites is “Slowly, Slowly, Slowly,” said the Sloth, by Eric Carle, the author of The Very Hungry Caterpillar. Sloth is all about owning who you are and navigating the perceptions of others. In the book, the sloth lives an existence that is truly its own. The other animals of the rainforest judge it. A rude jaguar comes up and asks why it’s so lazy. And on its own time, to no one in particular—the jaguar’s not even on the page anymore—the sloth eventually offers:

It is true that I am slow, quiet and boring. I am lackadaisical, I dawdle and I dillydally. I am also unflappable, languid, stoic, impassive, sluggish, lethargic, placid, calm, mellow, laid-back and, well, slothful! I am relaxed and tranquil, and I like to live in peace. But I am not lazy … That’s just how I am. I like to do things slowly, slowly, slowly.

It’s a beautiful message. Take your time. Be yourself. Don’t take any nonsense from cats.

A favorite story I’ve read in The Atlantic: I’ll never forget Ian Bogost’s 2022 article “The Internet Is Just Investment Banking Now.” When it published, I was working at a start-up that operated to some extent in the “web3” space, which I had mixed feelings about. Ian’s story put everything into perspective. It is, to this day, the smartest, most clear-headed and creative essay on the issues with that particular technological paradigm that I’ve come across—an outstanding piece of analytical writing. About one year later, I work here and get to call Ian a colleague. Happy ending.    

My favorite way of wasting time on my phone: If I really need to let my brain go soft and get the drool flowing, I’ll boot up Holedown, a simple game that involves aiming balls at numbered barriers that halt your progress through a tunnel. Sometimes you can ricochet off of the barriers just right to maximize your score. It’s satisfying and low-stakes, but just short of mindless—an ideal game, in other words.

An actor I would watch in anything: I very happily watched Ethan Hawke wander the aisles of a Blockbuster Video while he recited the famous “To be, or not to be” monologue in the 2000 film adaptation of Hamlet. I’m one of his ride-or-dies. I can’t wait to see him in the new Pedro Almodóvar short film Strange Way of Life. It looks divine.

A quiet song that I love, and a loud song that I love: Allow me a slight cheat. It’s “Rid of Me,” by PJ Harvey. It is the best quiet rock song. It is the best loud rock song. The balance is everything. Half of this track is like twisting the handle on the world’s heaviest jack-in-the-box, and the other half is the fireball that pops out.

I love music that plays with this dichotomy. The Japanese band Boris—definitely not for everyone—opens their album Pink with a song called “Farewell.” It has a gauzy, dreamlike lead-in that explodes into something much bigger and more cantankerous. Most of the tracks that follow are profoundly loud, complex metal music.

A gentler version of this is happening in popular music too. Mitski can pulverize you with “Your Best American Girl” or “A Pearl,” but she’s also tender and vibey. If anything, I’ve found her almost subdued the couple of times I’ve seen her on tour, but it’s also been clarifying to see how clearly she impacts the audience, which is younger and cooler than I am. People are crying and singing along. A similar thing seems to be happening with boygenius: Its music is quiet-loud.

Rather than allowing volume to be a stand-in for emotional communication—the “quiet” stuff is sad or wistful; the “loud” stuff is angry—listeners can find something valuable in a kind of commingling. It reminds me of the name of a Daniel Clowes comic, Like a Velvet Glove Cast in Iron: The soft and hard can go together. It’s the mood. [Related: “Rock and roll ain’t what it used to be.”]

Read past editions of the Culture Survey with Julie Beck, Faith Hill, Derek Thompson, Tom Nichols, Amy Weiss-Meyer, Kaitlyn Tiffany, and Bhumi Tharoor.

The Week Ahead

Chain Gang All Stars, the new novel by Nana Kwame Adjei-Brenyah in which convicted murderers fight to the death, on television, for the chance to win their freedom (on sale Tuesday) Guardians of the Galaxy Vol. 3, a “cheerful goodbye” to the Marvel franchise that shows what the superhero genre has been missing (in theaters nationwide Friday) The coronation of King Charles, which, according to the Royal Family’s official website, promises to “reflect the monarch’s role today and look towards the future, while being rooted in longstanding traditions and pageantry” (live coverage begins Saturday at 5 a.m. ET on ABC, CNN, NBC, SkyNews’ YouTube channel, and elsewhere)

Essay

Illustration by Diego Cadena Bejarano

The Painstaking Journey to a David Grann Book

By John Hendrickson

First, some swashbuckling. The journalist David Grann embarks on a multi-leg journey from New York to Florida to Santiago, an annoying combination of planes and customs and cars and ferries en route to Chiloé Island, a little strip off the coast of Chile. There, he meets the boat captain who has agreed to steer him hundreds of miles farther south, to Wager Island, a place where nobody lives.

Storms have rolled in. To Grann’s surprise, the captain’s vessel is much smaller than it appeared in the photos. The tiny crew needs to chop wood to keep it heated; they retrieve drinking water from nearby glaciers. Out at sea, the boat’s top-heaviness reveals itself. No combination of Dramamine and anti-nausea wristbands and behind-the-ear patches can save an uninitiated stomach against these waves near the bottom of the Earth.

Read the full article.

More in Culture

What to read when you need to start over The song that captures the evolution of Willie Nelson When you crave some comforting strangeness Kenan Orhan on exile and memory Short story: “The Renovation” A splashy drama about the diplomacy of marriage Why women never stop coming of age How Harry Belafonte transformed American music Tucker Carlson’s final moments on Fox were as dangerous as they were absurd. The most telling moments from the E. Jean Carroll–Donald Trump depositions

Catch Up on The Atlantic

The Kyrsten Sinema theory of American politics Long-haulers are trying to define themselves. AI is a waste of time.

Photo Album

Club members hold oars for a symbolic burial at sea in Currumbin, Australia, on April 25, 2023. (Chris Hyde / Getty)

An observation of Anzac Day in Australia (pictured), classic-car racing in England, and more of our editor’s selected photos of the week

It has been 70 years since the world last witnessed the crowning of a new British monarch. On Tuesday, May 2, The Atlantic’s editor in chief, Jeffrey Goldberg, will join our U.K.-based staff writers Sophie Gilbert and Helen Lewis to talk about the new era of the monarchy and its role both within the United Kingdom and on the international stage. Register for the event here.

Ron DeSantis’s Orwellian Redefinition of Freedom

The Atlantic

www.theatlantic.com › ideas › archive › 2023 › 04 › desantis-disney-lawsuit-free-speech-florida › 673903

Florida Governor Ron DeSantis has long presented himself as a principled champion of “freedom.” In Congress, he was a founding member of the Freedom Caucus. He refers to himself as “governor of the free state of Florida.” And while laying the groundwork for a possible presidential run, he is promoting a book on his approach that he titled The Courage to Be Free.

[Read: The forgotten Ron DeSantis book]

On Wednesday, Florida’s biggest employer, Walt Disney Parks and Resorts, filed a lawsuit alleging that DeSantis is violating its First Amendment right to freedom of speech. According to the complaint, “a targeted campaign of government retaliation—orchestrated at every step by Governor DeSantis as punishment for Disney’s protected speech—now threatens Disney’s business operations, jeopardizes its economic future in the region, and violates its constitutional rights.”

The case will subject DeSantis’s understanding of freedom and what protecting it requires to the crucible of constitutional law. And his position is likelier to shatter than to withstand the heat.

“The facts and law in this case are not good for Governor DeSantis,” former Representative Justin Amash, who was also a member of the Freedom Caucus, said on Twitter. “He and his allies took action not to make all companies live by the same rules but instead to target Disney with harsh conditions that apply to Disney alone—all as punishment for constitutionally protected speech.”

The controversy began in 2022, during DeSantis’s ultimately successful push to pass the Parental Rights in Education Act, which opponents have disparagingly dubbed the “Don’t Say Gay” law. Among other things, the law forbids public schools from engaging in any classroom discussion or instruction about sexual orientation or gender identity prior to fourth grade.  

After legislators passed the law, as it awaited DeSantis’s signature, Disney employees protested the company’s silence, prompting Disney’s then-CEO, Bob Chapek, to speak publicly against it.

Soon Disney was declaring, “Our goal as a company is for this law to be repealed by the legislature or struck down in the courts, and we remain committed to supporting the national and state organizations working to achieve that”––a lawful stance that DeSantis treated as illegitimate. “It is one thing to take a position opposing the bill, even if by doing so the company is perpetuating the left’s false narratives,” he wrote in his book. “But it is quite another for Disney to pledge to work to seek the repeal of legislation.” With that promise, “supposedly family-friendly Disney was moving beyond mere virtue signaling to liberal activists,” he continued. “Instead, the company was pledging a frontal assault on a duly enacted law of the state of Florida.”

That formulation is strange. Opposing a bill’s passage and favoring a law’s repeal are equally legitimate civic actions. Neither is equivalent to violating, let alone assaulting, the law. Yet according to Disney’s lawsuit, DeSantis has been retaliating against the company for its lawful advocacy. For example, when Disney World was created, the Tallahassee Democrat explains, “neither Orange nor Osceola counties had the services to provide power and water to the remote 25,000-acre property.” So in 1967, “the Florida Legislature, working with Walt Disney World Co., created a special taxing district—called the Reedy Creek Improvement District—that would act with the same authority and responsibility as a county government,” and allow Disney to levy extra taxes on itself to improve roads and other infrastructure. After Disney spoke out against DeSantis’s bill, the governor and his allies eliminated that arrangement. Of course, Florida is within its rights to reconsider and end any of the special districts it has created for businesses––but the Constitution does not permit the state to take even otherwise lawful actions in retaliation for engaging in protected speech.

Not only is the ability to engage in political speech without being punished by the state a right that the Supreme Court has recognized for individuals and corporate entities alike; it is at the core of the First Amendment’s freedom-of-speech guarantee. But DeSantis has described an alternative view of what it means for the state to protect freedom: all the usual things, plus shielding the public from the left’s activism.

[Edward Wasserman: My newspaper sued Florida for the same first-amendment abuses DeSantis is committing now]

To understand his position, consider remarks he delivered last week at the College of Charleston, during a stop on his book tour. For long stretches of his speech, it was easy to mistake him for a conventional supporter of expansive freedoms. “We’re No. 1 for economic freedom, we’re No. 1 for education freedom, we are No. 1 for parental involvement in education, we’re No. 1 for public higher education … and famously––and as long as I’m around, permanently––we have no state income tax,” he bragged of his record in Florida. “None of that would have been possible had we not stepped up to the plate when COVID arrived on the scene. When the world went mad, when common sense suddenly became an uncommon virtue, it was Florida that stood as a refuge of sanity and a citadel of freedom.”

As a Californian, I understand that pitch’s appeal. Despite better food, weather, and scenery, and fewer shark attacks, lightning strikes, and predatory reptiles creeping around public spaces, my state is losing residents while Florida gains them. Our dearth of freedom to build new dwellings has burdened us with punishing housing costs and immiserating homelessness. Our dearth of educational freedom consigns kids from poor families to failing schools. Our higher-than-average taxes do not yield better-than-average public services or assistance. And during the coronavirus pandemic, far from being a refuge of sanity, California responded with a lot of unscientific overzealousness, like the needless closure of beaches and parks.

Precisely because I value freedom highly, I was alarmed by other parts of DeSantis’s pitch, where he construes what it means for Floridians to be free so expansively that he winds up advocating for the use of state power in ways that would stymie the freedom of his ideological opponents. As DeSantis put it in his College of Charleston speech, the people of Florida are on his side insofar as they want an economy where businesses “focus on their core mission of providing whatever service or whatever they’re doing in the economy and not getting mired into woke political activism.” He specifically attacked Disney and a recent Bud Light campaign for aligning with LGBTQ activists in the culture wars.

This line on corporations echoed his perspective in his book. “Woke capital exerts a pernicious influence on society in several ways,” DeSantis wrote. “Of course, it is a free country, and they have the right to take these positions.” Of course. But onstage in Charleston, he didn’t just complain that “you have different institutions in society that are trying to advance the woke agenda.” “We fight it everywhere we can,” he said of wokeness in Florida, explaining: “I don’t think you have a truly free state just because you have low taxes, low regulation, and no COVID restrictions, if the left is able to impose its agenda through the education system, through the business sphere, through all these others. A free state means you’re protecting your people from the left’s pathologies across the board.” I’d describe that as an anti-woke nanny state, not a state that values and protects freedom.

[Yascha Mounk: How to save academic freedom from Ron DeSantis]

Neither my freedom nor yours requires the state to protect us from an entertainment company urging the state legislature to repeal a bill, or a beer company putting a trans influencer on a can, or whatever else DeSantis regards as a pathology. Indeed, we remain free in part because the First Amendment prevents the state from engaging in that sort of viewpoint discrimination.

In Charleston last week, DeSantis questioned the legitimacy of seeking change through civil society rather than elected legislatures, a practice that is inextricable from life in a liberal democracy. According to DeSantis, the “constitutional” way to change policy is, “You run elections and you can put people [in office] to influence policy.” Woke companies, in contrast, “know their policies would never be able to pass muster at the ballot box. So what they’re trying to do is an end run around the constitutional system, use their economic power to impose these policies outside the normal system,” with no electoral recourse. “If you want to preserve freedom in this country,” he said, “we need to be fighting back against woke capital.”

But working for cultural change through nongovernmental institutions and associations is not an end run around the constitutional system––the Constitution explicitly protects our ability to associate with whomever we like and to speak collectively on behalf of or against any policy or practice, whether as Disney or Hobby Lobby, the ACLU or the NRA, Dylan Mulvaney or Matt Walsh. In our constitutional system, politicians who don’t like that cannot lawfully do anything about it.

DeSantis is not alone among governors in transgressing such boundaries. For example, as David French complained last month in his New York Times column, ​​”Gov. Gavin Newsom announced that the State of California would not renew a multimillion-dollar contract with Walgreens—not because Walgreens had failed to comply with its contractual obligations but rather because it had responded to Republican legal warnings and decided not to dispense an abortion pill in 21 red states. Newsom used his political power to punish a corporate position he opposed.”

What’s more, denying that corporations have free-speech rights to influence the political process was coded as progressive until very recently. Much of the left was apoplectic in 2010 when the Supreme Court ruled in Citizens United that corporations have the same First Amendment rights that individuals do and that “there is simply no support for the view that the First Amendment, as originally understood, would permit the suppression of political speech by media corporations.” Regardless, that is the law of the land. In spite of it, DeSantis and his allies are treating opposition to their agenda as if it legitimates punishment. In doing so, they betray a dearth of confidence in their supposed conviction that we’re best off with freedom and shrink any faith I had in their willingness to respect mine.

The Preemptive Republican Surrender to Trump

The Atlantic

www.theatlantic.com › ideas › archive › 2023 › 04 › trump-2024-election-republican-primary-nomination-opponents › 673882

Donald Trump inspires an uncommon devotion among his most ardent followers, which can obscure a surprising fact about his present political position: Many, if not most, Republicans do not want him to be their party’s next nominee for president. As of today, according to the polling averages of both FiveThirtyEight and RealClearPolitics, Trump has consolidated only half of the Republican primary vote, with the rest split among Florida Governor Ron DeSantis, former United Nations Ambassador Nikki Haley, and a handful of other alternatives. The numbers suggest that despite the former president’s best efforts, half of his own party’s voters want to move on. What they can’t agree on is who should displace Trump as their standard-bearer.

If this sounds familiar, it should. In 2016, Trump was repeatedly outpolled by the field of Republican candidates, and hovered around 35 percent on the eve of the Iowa caucuses in February, which he then lost to Senator Ted Cruz. But as the campaign wore on, Trump’s devoted following of a third of GOP primary voters was enough to propel him to victory over a divided group of opponents. He was greatly helped by their tactics—or lack thereof. Instead of attacking Trump as the front-runner, his rivals assailed one another, hoping that Trump would collapse of his own accord and they would inherit his supporters. Rather than consolidate behind a single alternative to Trump, the other contenders fought onward in state after state. This infighting enabled Trump to scoop up the most delegates, even though he never won a state with more than 50 percent of the vote until New York’s primary, on April 19. Soon, Trump’s opponents were out of money and he was the presumptive nominee.

The primary worked out poorly for the GOP establishment and its professional politicians, who found themselves on the losing end of a hostile takeover by an outsider. Yet in the run-up to the 2024 election, the Republican Party looks set to repeat this pattern, with Trump cruising to renomination amid a splintered field. The question is why.

A week ago, conservatives gathered at the Iowa Faith and Freedom Coalition’s spring kickoff, a prelude to the presidential campaign. For Trump’s challengers, the event offered the opportunity to introduce themselves to an influential electorate and explain why they should succeed the former president as the Republican nominee. But that is not exactly what happened. “The candidates who bothered to make the trip barely bothered to try to knock the front-runner from his perch,” The New York Times reported. “Their strategy appeared straightforward: Avoid confrontation with the better-known, better-funded front-runners, hope Mr. Trump’s attacks take out—or at least take down—Ron DeSantis, the Florida governor who is second in most Republican polls, and hope outside forces, namely indictments, take out Mr. Trump.” Indeed, the only candidate who drew any fire at all was DeSantis, who did not attend the gathering, and ended up serving less as an alternative to Trump than as his human shield.

Trump enters the 2024 campaign with an array of new vulnerabilities that could be readily exploited by an ambitious opponent eager to appeal to the Republican primary electorate. You got rolled by Dr. Fauci and locked down the country, then lost to a doddering old man in an election you claimed was stolen but whose heist you proved powerless to prevent, they might say. Challengers like DeSantis might also point to national polls that show the Florida governor outperforming Trump in a matchup with President Joe Biden (who himself once rode an air of electability to the nomination). While you and your handpicked candidates in Arizona, Georgia, and Pennsylvania have been losing elections, I’ve been winning them by historic margins in Florida.

[Read: Just call Trump a loser]

So far, none of this has happened. The arguments may be there, but no one of consequence is making them. Instead, history seems poised to repeat, with Trump primed to win renomination against a divided field of opponents who refuse to take him on until it’s too late. This may appear baffling, but there are actually good reasons no challenger has been willing to take the fight to Trump.

To begin with, it’s easy to propose that Trump-skeptical Republicans should unite behind a single theoretical candidate. It’s a lot harder to find an actual candidate who can unite them. Ron DeSantis voters want something different than Nikki Haley voters, who want something different than voters for Senator Tim Scott. Back in 2020, the Democratic Party solved a similar problem by turning to Biden to defeat the surging socialist Bernie Sanders. But Biden was a popular former vice president whom most factions found acceptable, if not ideal. No candidate in today’s Republican Party has Biden’s broad shoulders and innocuous appeal.

Similarly, Biden’s success was made possible by his lock on a core constituency of the Democratic primary electorate: Black voters. He lost badly in the early primary states, but took 49 percent in South Carolina, buoyed by then–House Whip Jim Clyburn’s fulsome endorsement. In the 2024 Republican primary, only one candidate has the demonstrated devotion of a key constituency, and that’s Trump with his base.

This is also why tearing into Trump is such an imposing prospect. While it’s true that there are new lines of attack that might work on today’s Trump, whoever is the first to unleash them will likely bear the brunt of the backlash from his supporters. No candidate wants to be the first into the fray, because turning on Trump may doom their prospects, even if it opens up political space for others.

This is the reason Republican contenders have once again fallen back on the hope that Trump will collapse on his own, and that outside forces—the justice system, the media, even old age—will swoop in and take care of the former president for them. But Trump’s indictments won’t sway Republican primary voters who have already dismissed them, and the mainstream media’s critical coverage won’t persuade GOP loyalists who don’t read or trust it.

The hard truth that Republican challengers have yet to absorb is that if their strategy to beat Trump is to hope that someone else beats Trump for them, they are not serious alternatives to Trump. Likewise, expecting people outside the Republican Party to police the Republican Party is not a strategy; it’s a surrender. The only actors who have any chance of altering the primary’s trajectory are those with credibility in Republican politics, whether they are politicians or popular commentators. There’s no guarantee that taking on Trump will yield a different outcome, but refusing to do so guarantees him a glide path to the nomination.