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Is Influencing the New American Dream?

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 04 › social-media-influencers-american-economy › 673762

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Professional influencing—put simply, making a living from creating and sharing content about one’s personal life—can seem like a bizarre career choice. In some ways it is. But taking the influencer economy seriously can help us better understand how the contours of the “American dream” are shifting for a new generation.

First, here are three new stories from The Atlantic:

What your favorite personality test says about you Fox News lost the lawsuit but won the war. This country will break our hearts again.

Love and Hate

Fifty-four percent of young Americans would become an influencer if given the chance. This statistic, from a 2019 Morning Consult report, has made the rounds and been profusely ridiculed by people online. But if you look a little deeper, this desire reflects a deep economic pessimism on the part of Gen Z. A 2022 survey found that 23 percent of the generation never expects to retire, while 59 percent does not own or expect to own a home in their lifetime, numbers that were higher than for any other generation surveyed. Gen Z was also more likely to work multiple jobs and do independent work, despite many of them wanting more permanent roles.

We haven’t yet seen how Gen Z’s financial prospects will shake out. But homeownership and retirement are much more distant goals than they were a few decades ago. Although Gen Z could make a financial comeback, like Millennials have, their current uncertainty is shaping how they approach traditional work norms, and how they might transform the labor system as they age further into the workforce.

Influencing, in the context of inflation and mass layoffs, can appear to be the new American dream for Gen Z. Watching someone film their own life and make a disproportionate amount of money from doing so, without being beholden to anyone, seems like an appealing way to avoid financial uncertainty. The payoff can be life-changing. Seeing the rise of successful influencers (or even your high-school friend who decided to start regularly posting on TikTok), you might be easily convinced that if you keep posting videos, follow other creators, and engage with your viewers, you, too, could pull in $20,000 for a single Instagram post.

But the dream is deceptive. Influencing may appear to be a different type of labor—or not be labor at all—but it still falls into the same traps as traditional work. Not everyone succeeds, for one. As Alice Marwick, an associate communication professor at the University of North Carolina at Chapel Hill, explains, most discussions around influencers focus on mega influencers (commonly defined as those with more than 1 million followers): the kind who can live in luxury based solely on their content. “But that’s the tiniest tip of the pyramid,” Marwick told me. “Beneath them, there’s thousands and thousands and thousands of people who are trying to do the same thing, but not succeeding.” For those people, she explains, it’s one of many stressful careers with long hours and no guarantee of success.

Although influencing is certainly a privileged form of labor, it is work. The social-media economy, whether society takes it seriously or not, is a crucial part of broader systems of American capital. As my colleague Kaitlyn Tiffany recently wrote, creators have become vital assets for social-media companies and advertisers, but they generally lack worker protections, despite having similar concerns as more traditional workers. As Kaitlyn explains, creators are concerned about pay transparency, discussing unionization, and even starting to strike when they feel they are being taken advantage of or discriminated against. Despite their freedom from an employer, they are also reliant on platforms and institutions that they may not agree with. As I wrote yesterday, some influencers have become skeptical of social-media platforms and their effects on people’s mental health, but will typically only go so far as to discuss these concerns on those same platforms—which are, unfortunately, the foundation of their livelihood.

Influencing also puts concerns about class in America into stark relief. Even for young Americans who don’t want to become an influencer, odds are that they at least follow one. Content can be merely a form of entertainment, but it’s also possible that the act of watching someone else vlog their beautiful, comfortable life is rooted in a deeper belief that you may never attain what they have. Instead of improving our own lives, we continue to watch, as their subscriber numbers grow and their houses get larger, and our circumstances remain the same.

Influencers occupy a space between traditional and nontraditional paths to success, between an alternative to 9-to-5 American capitalism and an embodiment of it. As Marwick explained to me, a number of people enjoy lifestyle vlogs because “if you have a really difficult life, sometimes you just want to sit and watch someone do something in a pretty house.” It’s a way to remove yourself from the stress of day-to-day life, or even long-term thoughts about your economic stability. But at the same time, Marwick notes, many viewers are holding on to “very real class resentment that is based on very real issues, and that can rear its head at any time.” Influencers are hated and loved for the same reasons—a double-edged sword of the worst kind.

Related:

Even influencers are scared of the internet. The influencer industry is having an existential crisis.

Today’s News

Fox News agreed to settle for $787.5 million in the defamation case brought by Dominion Voting Systems. A Moscow court upheld the detention of the Wall Street Journal reporter Evan Gershkovich, who was arrested during a reporting trip to Russia last month. Today is the deadline to submit individual tax returns in the United States.

Evening Read

Paul Spella / The Atlantic; Wikimedia

A History of Humanity in Which Humans Are Secondary

By Katherine J. Wu

Most accounts of humanity’s origins, and our evolution since, have understandably put Homo sapiens center stage. It was our ingenuity, our tools, our cultural savvy that enabled our species to survive long past others—that allowed wars to be won, religions to blossom, and empires to rise and expand while others crumbled and fell. But despite what the schoolbooks tell us, humans might not be the main protagonists in our own history. As Jonathan Kennedy argues in his new book, Pathogenesis: A History of the World in Eight Plagues, the microscopic agents behind our deadliest infectious diseases should be taking center stage instead. Germs and pestilence—and not merely the people who bore them—have shaped inflection point after inflection point in our species’ timeline, from our first major successful foray out of Africa to the rise of Christianity, to even the United States’ bloody bid for independence.

Read the full article.

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P.S.

I’ve been watching influencers for almost a decade now. Bethany Mota (formerly known as Macbarbie07) and Michelle Phan, for instance, have a deep grip on my psyche. As someone who thinks often about the delusions of the internet, I find it fascinating how much I enjoy watching lifestyle vlogs, where people go grocery shopping and organize their fridges in aesthetic, edited ways. I recently interviewed one of my favorite beauty influencers, Jenn Im, for my article about the phenomenon of “meta-content,” where influencers post on social media about the harms of social media. One of the first things I did to relax after the story published was to watch her most recent vlog about life as a mom—my brain melted into goo, which is exactly what I needed.

If you want to read more about influencers and the internet, I’d recommend starting with Trick Mirror, by Jia Tolentino, which I recommended to Jenn recently (and am secretly hoping she discusses on her YouTube channel). Amusing Ourselves to Death, by Neil Postman is also a classic. Lastly, I’d recommend anything by Megan Garber, a staff writer here at The Atlantic. Megan has a talent for explaining everything that I’ve been noticing but can’t quite describe, and her recent cover story, “We’re Already Living in the Metaverse,” is no exception.

— Kat

Isabel Fattal contributed to this newsletter.

‘Meta-Content’ Is Taking Over the Internet

The Atlantic

www.theatlantic.com › technology › archive › 2023 › 04 › influencer-social-media-authenticity-jenn-im › 673739

My longest parasocial relationship, with a popular beauty influencer named Jenn Im, is going eight years strong. I discovered her in a vlog titled “Meet My Boyfriend” and have, along with more than 3 million other subscribers, kept up with what she eats in a day and her monthly beauty favorites ever since. Her videos have become a salve for my brain, allowing me to relax by watching someone else’s productive, aesthetic life.

Jenn, however, has complicated things by adding an unexpected topic to her repertoire: the dangers of social media. She recently spoke about disengaging from it for her well-being; she also posted an Instagram Story about the risks of ChatGPT and, in none other than a YouTube video, recommended Neil Postman’s Amusing Ourselves to Death, a seminal piece of media critique from 1985 that denounces television’s reduction of life to entertainment. (Her other book recommendations included Stolen Focus, by Johann Hari, and Recapture the Rapture, by Jamie Wheal.)

Social-media platforms are “preying on your insecurities; they’re preying on your temptations,” Jenn explained to me in an interview that shifted our parasocial connection, at least for an hour, to a mere relationship. “And, you know, I do play a role in this.” Jenn makes money through aspirational advertising, after all—a familiar part of any influencer’s job. “This is how I pay my bills; this is how I support my family,” she said. “But that’s only a small portion of it.”

I first noticed Jenn’s social-media critiques in a video Q&A, where she discussed parasocial relationships. The video is exceptionally aesthetic. Jenn is dressed to the nines in her California kitchen, wearing a pair of diamond knocker earrings from 8 Other Reasons; she fluidly carries out an Estée Lauder ad in a Parachute robe before the first two minutes are over. She’s pro–parasocial relationships, she explains to the camera, but only if we remain aware that we’re in one. “This relationship does not replace existing friendships, existing relationships,” she emphasizes. “This is all supplementary. Like, it should be in addition to your life, not a replacement.” I sat there watching her talk about parasocial relationships while absorbing the irony of being in one with her.

[Read: The influencer industry is having an existential crisis]

Lifestyle vlogs romanticize the most mundane parts of daily existence in a way that can feel nonsensical to the uninitiated. People record themselves grocery shopping and brushing their teeth, but aesthetically, with soothing background music and voice-overs of the influencer’s thoughts. Watching someone else live their life is easier than living my own, and it gives me ideas on how to optimize my existence. But the more aware I become of the scaffolding beneath the facade, the more disoriented I feel.

The open acknowledgment of social media’s inner workings, with content creators exposing the foundations of their content within the content itself, is what Alice Marwick, an associate communications professor at the University of North Carolina at Chapel Hill, described to me as “meta-content.” Meta-content can be overt, such as the vlogger Casey Neistat wondering, in a vlog, if vlogging your life prevents you from being fully present in it; Meghan Markle explaining, in a selfie-style video for the Harry & Meghan docuseries, why she and Prince Harry recorded so many videos amid a family breakup; or the YouTuber Jackie Aina noting, in a video about YouTube burnout, that making videos is fundamentally about getting views. But meta-content can also be subtle: a vlogger walking across the frame before running back to get the camera. Or influencers vlogging themselves editing the very video you’re watching, in a moment of space-time distortion.

Viewers don’t seem to care. We keep watching, fully accepting the performance. Perhaps that’s because the rise of meta-content promises a way to grasp authenticity by acknowledging artifice; especially in a moment when artifice is easier to create than ever before, audiences want to know what’s “real” and what isn’t. As Susan Murray, a media-studies professor at NYU, explains, “The idea of a space where you can trust no sources, there’s no place to sort of land, everything is put into question, is a very unsettling, unsatisfying way to live.” So we continue to search for, as Murray observes, the “agreed-upon things, our basic understandings of what’s real, what’s true.” But when the content we watch becomes self-aware and even self-critical, it raises the question of whether we can truly escape the machinations of social media. Maybe when we stare directly into the abyss, we begin to enjoy its company.

Digital authenticity—which Marwick noted is “culturally constructed” to begin with—has shifted over the years. On Tumblr and early Instagram circa 2014, curated perfection was the preferred way to exist online—an image of the back of a girl’s head, for instance, with bouncy ringlets and a robin’s-egg-blue bow. The next few years brought the no-makeup selfie and the confessional, long-form Instagram caption to the fore, indicating a desire to accomplish authenticity through transparency and introspection. Those genres were eventually questioned too: Cultural critics began to argue that being online is always a performance and thus inherently a fabrication. In her 2019 book, Trick Mirror, Jia Tolentino described how online spaces, unlike physical ones, lack a backstage where performance can be suspended. “Online,” she writes, “your audience can hypothetically keep expanding forever, and the performance never has to end.” Online scams of this period, such as Fyre Festival and the Caroline Calloway moment, relied on the social-media presentations of doctored realities. If everything is fake anyway, why bother with the truth?

Then came BeReal, a social app that sends users once-a-day push notifications to take simultaneous front- and back-camera photos without filters or captions. It was positioned as a counter to online inauthenticity, but as R. E. Hawley wrote, “The difference between BeReal and the social-media giants isn’t the former’s relationship to truth but the size and scale of its deceptions.” BeReal users still angle their camera and wait to take their daily photo at an aesthetic time of day. The snapshots merely remind us how impossible it is to stop performing online.

It can be difficult, in this context, to imagine how much further the frontiers of our digital world can stretch. Jenn’s concern over the future of the internet stems, in part, from motherhood. She recently had a son, Lennon (whose first birthday party I watched on YouTube), and worries about the digital world he’s going to inherit. Back in the age of MySpace, she had her own internet friends and would sneak out to parking lots at 1 a.m. to meet them in real life: “I think this was when technology was really used as a tool to connect us.” Now, she explained, it’s beginning to ensnare us. Posting content online is no longer a means to an end so much as the end itself.

[Read: ‘Scar girl’ is a sign that the internet is broken]

I asked Jenn if she ever worried about discussing the risks of social media, given her position as an influencer. She told me that, to the contrary, this is exactly what motivates her: “I can’t change the world, but if I can affect my sphere of reach, then I’m going to try and do that.” But it’s not that simple. Meta-content reminds us that a performance of authenticity is still a performance. The artifice of the internet stays, even when we fold it in upon itself. It’s easy to think of our online self as just one of the many versions of us—who we are at work is not the same as who we are with our parents or friends. But the online version can be edited in ways that the others can’t.

Audiences, likely familiar with posting on social media themselves, recognize these constructions. There are times where I look at the tiny digital version of myself on Instagram that looks and acts like me but remains a bit too polished—an uncanny valley between me and myself. “There’s still a question and interrogation of what’s real at the base, but [audiences are] more willing to accept … distortions or performance” than they were in the past, Murray says.

We used to view influencers’ lives as aspirational, a reality that we could reach toward. Now both sides acknowledge that they’re part of a perfect product that the viewer understands is unattainable and the influencer acknowledges is not fully real.

A few weeks after our call, Jenn put up a vlog. I watched a clip of our interview in it, a different angle of our Zoom call than I had experienced. “As you saw, we just had an extremely long conversation about social media, parasocial relationships, and the future,” she says in the clip, later adding, “I forgot to say this to her in the interview, but I truly think that my videos are less about me and more of a reflection of where you are currently … You are kind of reflecting on your own life and seeing what resonates [with] you, and you’re discarding what doesn’t. And I think that’s what’s beautiful about it.”

As I watched a video of her being interviewed by me for the article on meta-content you’re reading on this very page, I found that this sentiment rang true. Watching Jenn’s wedding video made me seriously consider marriage as a choice I would one day make; watching and bookmarking her newborn-essentials video made me feel more prepared for the daunting task of pregnancy (despite having no plans to undertake it anytime soon).

But meta-content is fundamentally a compromise. Recognizing the delusion of the internet doesn’t alter our course within it so much as remind us how trapped we truly are—and how we wouldn’t have it any other way.  

Photos of the Week: Florida Flood, Reindeer Race, Ghost Forest

The Atlantic

www.theatlantic.com › photo › 2023 › 04 › photos-of-the-week-florida-flood-reindeer-race-ghost-forest › 673722

Barrel racing in Maryland, an azalea festival in Tokyo, medieval battle re-enactments in Poland, the Dance of Death in Spain, Songkran water fights in Thailand, a record-setting dance in India, Easter fires in Germany, a communal iftar in Egypt, and much more

An Institution That’s Been Broken for 200 Years

The Atlantic

www.theatlantic.com › books › archive › 2023 › 04 › ghost-of-the-orphanage-we-were-once-a-family-book-review › 673704

When I was a teenager in the early 2000s, my parents both died. Like many American children, I had been steeped in stories about orphans for years, but the books I had read and movies I had watched (Jane Eyre, Annie) failed to mirror my experience of parental loss. They also contributed to my mistaken understanding of orphanhood and the makeup of our child-welfare system—misconceptions that many Americans hold today.

For one, I believed that orphanages were still common in the United States—the reality is that most closed in the years following World War II. And I had only the vaguest sense of what foster care was, even though that’s where my brother and I would have likely ended up were it not for certain facts of our situation: We were middle-class, white, and had extended family ready to care for us. It wasn’t until I began researching my book on American orphanhood that I came to fully appreciate how much class and race have always determined who gets to have a family.

The two primary ways that the American child-welfare system has functioned over the past couple of centuries—through orphanages and foster care—are the subjects of two new books: Ghosts of the Orphanage: A Story of Mysterious Deaths, a Conspiracy of Silence, and a Search for Justice, by Christine Kenneally, and We Were Once a Family: A Story of Love, Death, and Child Removal in America, by Roxanna Asgarian. These books make clear how both systems have largely disregarded the problem that most families within them face: not necessarily the death of parents, but poverty. This was true even in the mid-to-late 19th century, when the number of American orphanages grew rapidly because of the confluence of mass immigration, a series of epidemics, the Civil War, and the rise of industrialism, which created an unreliable labor market and, in turn, poverty on a new scale. During this period, few children in orphanages—most of which were Catholic or Protestant and housed only white children—were orphans at all. Most had one or two living parents who were simply too poor to take care of them.

The child-welfare system underwent a massive transformation in the mid-20th century when it mostly moved away from private institutions and supplanted them with publicly funded in-home foster care. Now the top reason Child Protective Services removes children from their biological parents and places them in foster care is neglect, a loose category—cited in about two-thirds of cases—that varies by state, but that typically is defined as a failure to meet a child’s basic needs or prevent them from experiencing serious harm. Of course, poverty can make fulfilling those needs—adequate and nutritious food, clothing, and shelter—more difficult. There are also clear racial disparities in the system: Out of the approximately 400,000 children who are in foster care each year, Black and Indigenous children make up a disproportionate share.

Though there are certainly individuals who are committed to their work and have helped kids in dangerous situations, the child-welfare system at large has too often failed to keep safe the children it is supposed to care for. Many children are removed from their families only to experience trauma, neglect, and abuse. Though Kenneally’s and Asgarian’s books focus on specific stories, they help illuminate the repercussions of America’s broken child-welfare system and the ways it has failed to best serve kids and families—showing how urgently the country needs to reimagine it.

In Ghosts of the Orphanage, Christine Kenneally builds on her bombshell 2018 feature for BuzzFeed News, which exposed how Catholic nuns and priests abused children at St. Joseph’s Orphanage in Burlington, Vermont, for most of the 20th century. Though the experiences of St. Joseph’s survivors form the book’s backbone, Kenneally zooms out to develop a broader condemnation of Catholic orphanages across the U.S., and even worldwide. The result is a damning reckoning with a tragedy she calls a “mass catastrophe.”

[Read: 30 years ago, Romania deprived thousands of babies of human contact]

As Kenneally writes, “the cloistered and cruel world of the orphanage may seem utterly fantastical, but the events that took place there belong very much to reality.” She notes that it was common for nuns to force children to eat their own vomit and to humiliate them by draping damp sheets around them after they wet the bed. Survivors describe nuns and priests hitting them with paddles, locking them in attics, and pulling them out of bed to sexually abuse them. Harrowingly, Kenneally even recounts allegations of at least half a dozen deaths at St. Joseph’s—some of which seemed to be preventable accidents, and some which were alleged murders. A task force composed of state and local authorities, convened after the publication of Kenneally’s BuzzFeed article, ultimately could not corroborate the murder charges; the Sisters of Providence, who ran the orphanage, did not furnish documents requested by the investigators.

Although Kenneally’s focus is on finding out what happened to children at orphanages rather than exploring how they ended up there in the first place, the picture she paints of St. Joseph’s fits neatly into the larger history of orphanhood in America. First, she confirms that in many cases poverty, not parentlessness, forced these children into the institution. Many children were left at St. Joseph’s by their desperate parents or delivered there by authorities who had found their homes “unacceptable.” “Most were extremely poor,” Kenneally writes. “One girl drank milk for the first time at St. Joseph’s and thought it was the most delicious thing she had ever tasted.” St. Joseph’s also represents the outsize role the Catholic Church has played in shaping American child welfare. The orphanage opened in 1854 as part of a nationwide surge that reflected the Church’s efforts to help poor Catholic immigrants, protecting them from competing Protestant organizations that might try to convert and Americanize their children. Its doors closed only in 1974, well after the establishment of the foster-care system.

The eventual fall of orphanages after World War II came as the result of a campaign that began in the Progressive era, when activists decried them as regimented, overcrowded places that provided inadequate care. In 1909, a meeting of child-welfare professionals and advocates at the White House reached the consensus that home life was best for children. But it would be decades before that ideal started to materialize. As Kenneally notes, the number of American orphanages actually peaked in the 1930s, when as many as 1,600 were in operation. Some hung on far into the post–World War II era, and continued to rely on the labor of untrained nuns. Not until the 1990s did former St. Joseph’s residents—by then in their 40s and older—begin to collectively reckon with what had happened to them, pursuing lawsuits against the diocese, Vermont Catholic Charities, and the Sisters of Providence.

Kenneally’s book makes a strong case for the importance of studying this history, arguing that America’s 20th-century orphanages are the “immediate ancestor of its modern foster-care system”—an institution we can’t understand while remaining “blind to the stark realities of the system that preceded it.” She argues that the general public’s murky knowledge of orphanages ensured that what was perpetrated within them stayed hidden. A similar kind of ignorance surrounding foster care might well be obscuring many of the problems in that system.

We Were Once a Family uncovers the failures of modern foster care through the story of the notorious Hart-family murder-suicides. In March 2018, a white lesbian couple drove their SUV off a cliff in California, killing themselves and their six adopted Black children. Jennifer and Sarah Hart had adopted these children from foster care, welcoming them into what had seemed like a happy family whose social-media presence gave the impression of a loving environment. In reality, as Asgarian reveals, the pair mistreated and neglected the children for years, evading CPS in several states.

The media focused mostly on Jennifer and Sarah’s motives and backgrounds, overlooking what Asgarian calls “major questions about the child welfare system’s role in the deaths.” We Were Once a Family fills in this crucial gap by tracing how two Texas sibling groups—first Markis, Hannah, and Abigail, and then Devonte, Jeremiah, and Ciera—came to be removed from their families and adopted by the Harts, even though the children had family members who were willing and able to take care of them.

Asgarian forged remarkable connections with the birth families, both of whom were largely ignored in the aftermath of the murders. She writes that she was “struck by the lack of dignity in the way these families were treated, as they repeatedly grieved the loss of their children—first to the state, and then to their murderers.” By meticulously showing how social workers, legal officials, and other authorities repeatedly failed the families, We Were Once a Family powerfully uses this one story—though clearly an extreme case—to expose how what happened to these children is indicative of the classism and racism still baked into the institution.

When the United States began looking beyond orphanages, a new profession—social work—emerged. Within a few decades, when state-sponsored CPS was established, caseworkers would investigate families who had been accused of maltreatment. If caseworkers deemed that the children were being harmed, they would place them in foster care until birth parents could prove to family-court judges that they were worthy of getting their children back—or not, triggering the termination of parental rights and making the children adoptable.

This practice is in many ways more logical than the orphanage system, and there are undoubtedly children who have been removed from unsafe homes. But as Asgarian demonstrates, it is also rife with pitfalls. After all, it was CPS caseworkers and judges who took these six children from their birth families and placed them with the women who would eventually kill them. In the early 2000s, when both Texas families’ CPS cases were active, the state comptroller found that caseworkers were saddled with up to 35 children at a time, “more than double the recommended amount,” meaning that some children weren’t visited by a caseworker for months. The family-court situation was also problematic. Asgarian spoke with a number of people who worked with the district-court judge responsible for Devonte, Jeremiah, and Ciera’s case, finding that they all agreed on one thing: He “prized quick resolutions to cases above all else.”

As Asgarian reconstructs how the children came to be adopted by the Harts, she methodically lays out how federal policies such as the Adoption and Safe Families Act—which accelerated the timeline for termination of parental rights—have disproportionately affected Black children, whose parents are more than twice as likely to lose parental rights as white parents. While the birth families were subjected to intense scrutiny by caseworkers and judges, the Harts received “glowing reports” and had their adoption of Devonte, Jeremiah, and Ciera fast-tracked—even though the children’s aunt was simultaneously trying to adopt them, and even though one of Hannah’s teachers had already called CPS out of concern for her safety. Asgarian notes that “many people, both inside and outside the child welfare system, held a common assumption: that these six Black children must be better off with the white women who adopted them” than with their birth families.

[Read: The U.S. leaves parents on their own for a reason]

As We Were Once a Family attests, although the country has evolved away from the nightmarish sectarian institutions that haunt Ghosts of the Orphanage, the progress is far from unmitigated. Asgarian explains that most CPS cases deal with families who are “already marginalized” by factors including race, class, and disability. Our country’s “punitive approach” to these families means that often, the root cause of families’ struggles goes unaddressed.

Stories like Kenneally’s and Asgarian’s help show that the government hasn’t provided vulnerable families with the kind of material assistance they need. During the heyday of orphanages, the state ceded this responsibility to private charities; the price paid was, in many instances, the terrible treatment of children. Now families are hurt when they get caught in the dysfunctional web of the foster-care system, and many children are still experiencing mistreatment in government care. Both Kenneally and Asgarian argue that our child-welfare system has never served the best interests of children and families. Fixing it would require a “radical reimagining of what support for parents looks like,” as Asgarian writes. But it also demands something she deems even more difficult for many people to let go of: “the urge to judge and blame parents and … punish them for their failures.”

Death row inmate Richard Glossip's murder conviction could be vacated after he avoided execution 3 times

CNN

www.cnn.com › 2023 › 04 › 06 › us › richard-glossip-oklahoma-death-row-case › index.html

Oklahoma's attorney general is asking for a new trial in the case of death row inmate Richard Glossip, who has spent a quarter of a century in prison for the death of his boss in 1997.