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The Mysterious Return of a Soviet Statue in Russia

The Atlantic

www.theatlantic.com › ideas › archive › 2023 › 09 › russia-soviet-secret-police-dzerzhinsky › 675337

The thunder of war in Ukraine drowns out a lot of other news from Russia. A few days ago, however, the Russian foreign intelligence service quietly did something rather odd. Sergei Naryshkin, the director of the Sluzhba Vneshnei Razvedki, or SVR (the Russian version of the CIA), unveiled a statue of Feliks Dzerzhinsky, the founder of the Soviet secret police.

At first sight, this seems another sign of President Vladimir Putin’s nostalgia for the good old days of Soviet repression, when an aspiring young secret policeman could live a comfortable life by intimidating his neighbors and tormenting his fellow citizens. But the reappearance of a monument to this hated figure in Soviet history might be related more to Russia’s elite politics than to Putin’s nostalgia.

Before we get into the modern Kremlinology, let’s look back at the early days of the Soviet intelligence services.

Dzerzhinsky was a Polish national with a long history of revolutionary activity. He joined the Russian Bolsheviks, and shortly after the 1917 revolution, Vladimir Lenin put him in charge of creating a secret-police organization. (The czars had one, of course; the Bolsheviks wanted their own.) He became the director of the All-Russia Extraordinary Commission to Combat Counterrevolution and Sabotage, known by the Russian initials VChK, soon abbreviated to its last two letters, pronounced “che” and “ka,” which is why the secret police were called “the Cheka.” To this day, Russia’s spooks proudly call themselves “Chekists”—as do their enemies, pejoratively.

[Read: How to repurpose a bad statue]

Dzerzhinsky died in 1926 after gaining a reputation as a ruthless, incorruptible fanatic and setting the tone for his successors in the secret police. Over the years, the Cheka mutated into various Soviet government entities, some of them famous in Cold War lore (such as the People’s Commissariat for Internal Affairs, or the dreaded NKVD). For a time, Joseph Stalin split the foreign and domestic intelligence agencies into two ministries. As with many countries’ intelligence organizations, something of a rivalry existed between the cops who did internal security and the secret agents who operated against the Soviet Union’s enemies abroad. The Soviet military, too, had its own spy service, the coldly brutal GRU, which still exists today. To put this in American terms, think of the traditional tensions among the FBI, the CIA, and the DIA, the Defense Intelligence Agency (minus any democratic oversight).

In 1954, the Soviets decided to combine all of these organizations into a giant interagency group called the Komitet Gosudarstvennoi Bezopasnosti, the Committee for State Security, or KGB—an acronym well known to Americans during the Cold War and the organization that Putin joined in 1975. The foreign spies and the domestic goons were in different departments, and worked in different buildings, but they were all under one director.

After the fall of the U.S.S.R., in 1991, the new (and short-lived) Russian democracy decided to weaken the Soviet-era police-state monolith by once again splitting up the foreign and domestic services. The foreign spy agency became the SVR and remained in its modernist digs out in the southern reaches of the Russian capital, in Moscow’s Yasenevo neighborhood. The domestic service—the thugs whom Russians fear on a daily basis—became the Federal’naia Sluzhba Bezopasnosti, the Federal Security Service, or FSB, and it stayed in the old KGB building in central Moscow.

[Read: Is Stalin making a comeback in Russia?]

Here’s where the story of the new statue gets interesting. The original monument—at 15 tons, a hunk of metal so large that Muscovites attached Derzhinsky’s nickname, “Iron Feliks,” to the statue itself—was erected in front of the downtown KGB headquarters in 1958. (The imposing building in Lubyanka Square was also across the way from a big Soviet toy store called Child World, and Soviet citizens would joke darkly that someone in trouble with the authorities had “gone to Child World.”) After the 1991 coup attempt against the last Soviet leader, Mikhail Gorbachev, the statue was torn down on the demand of Moscow’s citizens.

So when I read the first reports that a new statue was being raised, I thought it was an aggressive message from Putin to the people of the capital. In 2021, the Moscow city government had scheduled a vote on whether to bring Iron Feliks back to the downtown location or to erect a new statue in its place of the 13th-century Russian saint and hero Alexander Nevsky. The city’s mayor, citing “deep divisions,” canceled the popular poll. To return Iron Feliks to his place of honor in front of Moscow’s most notorious stronghold of repression would have been heavy-handed symbolism even from Putin.

But Feliks isn’t back in his old neighborhood; he’s out in Yasenevo. (He’s also not as tall or as heavy as he used to be; the new statue is a replica of the original, but smaller.) So what’s going on? And who is this stunt’s intended audience?

One clue might be found in the remarks that the SVR’s director, Sergey Naryshkin, made at the unveiling. Instead of celebrating Dzerzhinsky’s harsh legacy, Naryshkin praised his honesty and dedication, and gushed that Dzerzhinsky “remained faithful to his ideals to the end—the ideals of goodness and justice.” He then noted that the statue was facing toward the NATO members neighboring Russia—Poland and the Baltic states—which he identified as the source of foreign threats:

The erected monument is an exact, somewhat scaled-down copy of the famous monument of an outstanding Soviet sculptor, and that’s why we simply didn’t have the right to change the direction of the view of the monument’s hero. And the fact is that threats remain to our country, to our citizens, from the northwest—yes, this is obvious.

Dzerzhinsky is a progenitor of sorts of the foreign intelligence agency, but this bit of theater is strange—something akin to the CIA erecting a statue of the FBI director J. Edgar Hoover in front of its headquarters and extolling Hoover’s noble struggles against the Soviet enemy. (In case you’re wondering, a statue already stands outside the agency’s Langley front door—of America’s first spy, Nathan Hale, from the Revolutionary War era.) You could argue, I suppose, that Hoover did his part by setting the bureau’s agents on Soviet spies in America, but looking east and facing down the Reds is not really how we remember him.

[Read or listen: How Putin thinks]

Without getting too in the weeds, other clues about what’s going on may lie in recent machinations within the Russian government.

In a February 2020 meeting just days before the invasion of Ukraine, Putin humiliated Naryshkin on national television when the SVR chief seemed caught off guard by Putin’s questions during an audience with the president. The FSB, at that moment, was riding high; its spies were supposed to have paved the way for the collapse of Kyiv that Putin expected in the first days of the war.

We all know how that went, and Putin turned his fury on the incompetent agents in Lubyanka Square who had promised much and delivered nothing. Possibly, then, Naryshkin is now making a play for the SVR to eclipse the FSB as Russia’s premier intelligence service. Or he might be signaling his agency’s commitment to opposing NATO as part of fighting the war in Ukraine. Or maybe he’s just reminding everyone that he hasn’t forgotten that his job, regardless of the Ukraine war, is to combat Western spies. Either way, Naryshkin may be doing a bit of “managing up.”

Who knows, though? Perhaps the SVR had a spare copy of the Iron Feliks statue sitting in the basement and just decided to make a day of it. (Or perhaps Dzerzhinsky’s admirers hope it’s less likely to be vandalized out in Yasenevo.)

One thing is certain: Neither Naryshkin nor Putin—nor indeed the FSB’s chief, Alexander Bortnikov, who remains close to Putin despite his agency’s colossal screwup over Ukraine—risked putting Iron Feliks up in central Moscow. Putin’s power is not limitless, and he would have nothing to gain by antagonizing citizens in the capital with a statue few of them would want. And perhaps not even the president wants to see Iron Feliks through his limo window and be reminded of better days, when the Soviet Union still existed, the KGB was nearly omnipotent, and Vladimir Putin wasn’t one of the most hated people in Russia.