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Annie Lowrey

Kevin McCarthy Finally Defies the Right

The Atlantic

www.theatlantic.com › politics › archive › 2023 › 09 › congress-government-shutdown-mccarthy-house › 675512

For weeks, Speaker Kevin McCarthy seemed to face an impossible choice as he haggled over spending bills with his party’s most hard-line members: He could keep the government open, or he could keep his job. At every turn, McCarthy’s behavior suggested that he favored the latter option. He continued accepting the demands of far-right Republicans to deepen spending cuts and dig in against the Democrats, making a shutdown at tonight’s midnight deadline all but a certainty.

[Read: Why Republicans can’t keep the government open]

With just hours to go, however, the speaker abruptly changed course, defying his conservative tormentors and partnering with Democrats to avert a shutdown. The House this afternoon overwhelmingly approved a temporary extension of federal funding. If the Senate approves the House legislation tonight, as it is expected to, the deal will put off a shutdown for at least 45 days and buy both parties more time to negotiate spending for the next fiscal year.

The question now is whether McCarthy’s pivot will end his nine-month tenure as speaker. By folding—for now—on the shutdown fight, he is effectively daring Representative Matt Gaetz of Florida and other hard-line Republicans to make good on their threats to depose him. “If somebody wants to remove [me] because I want to be the adult in the room, go ahead and try,” McCarthy told reporters before the vote. “But I think this country is too important.”

The stopgap bill includes disaster-relief money sought by both parties, but McCarthy refused to add $6 billion in Ukraine aid that the Biden administration and a bipartisan majority of senators wanted. The Senate had been on the verge of passing its own extension that included the Ukraine money, but after the House vote it was expected to accept McCarthy’s proposal instead. Whether House Republicans agree to include Ukraine assistance in the next major spending bill is unclear, but Democrats and Senate Minority Leader Mitch McConnell are likely to make an aggressive push for it.

McCarthy’s surprising about-face set off a wild few hours in the Capitol. Democrats were caught off guard and stalled for time to read the new bill, unsure if Republicans were trying to sneak conservative policy priorities into the legislation without anyone noticing. (In the end, only a single Democrat voted against it.) Representative Jamaal Bowman of New York, a second-term Democrat, caused the evacuation of an entire House office building when he pulled a fire alarm just before the vote, in what Republicans said was a deliberate—and possibly criminal—effort to delay the proceedings. (Bowman’s chief of staff said that the representative “did not realize he would trigger a building alarm as he was rushing to make an urgent vote. The Congressman regrets any confusion.”)

[Annie Lowrey: How to end government shutdowns, forever]

On the right, the criticism of McCarthy was predictable and immediate. “Should he remain Speaker of the House?” one of his Republican opponents, Representative Andy Biggs of Arizona, tweeted after the vote, seemingly rhetorically. Yet to more moderate Republicans, the speaker’s decision was a long time coming. McCarthy’s months-long kowtowing to the right had frustrated more pragmatic and politically vulnerable House Republicans, a few of whom threatened to join Democratic efforts to avert, or end, a shutdown. But many Republicans are even more furious at Gaetz and his allies. “Why live in fear of these guys? If they want to have the fight, have the fight,” former Representative Charlie Dent of Pennsylvania, a moderate who served in the House with McCarthy for 12 years, told me. “I don’t understand why you would appease people who are doing nothing but trying to hurt and humiliate you.”

This morning, the speaker finally came to the same conclusion. His move to relent on a shutdown only kicks the stalemate over federal spending to another day. Now it’s up to House Republicans to decide if McCarthy gets to stick around to resolve it.

Are Driverless Cars the Future?

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 09 › are-driverless-cars-the-future › 675413

Welcome to Up for Debate. Each week, Conor Friedersdorf rounds up timely conversations and solicits reader responses to one thought-provoking question. Later, he publishes some thoughtful replies. Sign up for the newsletter here.

Question of the Week

Earlier this month in San Francisco, two friends and I wanted to imbibe strong rum drinks at the bar Smuggler’s Cove, so we used a phone app to summon a car. It arrived without a driver, we climbed into the back seat, and a trivia app entertained us on the way to our destination while distracting us, at least a little bit, from the fact that no one was in the driver’s seat.

The driving was safe and efficient. But at the end of the ride, the car stopped in the middle lane of a three-lane street, forcing us to cross a lane of traffic to reach safety on the sidewalk.

So … not yet ready for prime time, but pretty close.

Are driverless cars the future? Should cities allow them to be tested on the street now? Even in your neighborhood? What about the multiton driverless trucks that the Teamsters want to ban? (I am pro-innovation, but when sober, I also like driving. I hope I’m never forced to give it up.)

Send your responses to conor@theatlantic.com or simply reply to this email.

Conversations of Note

Laughs, Lies, and Fabulist Hate

Last week, Clare Malone published an article in The New Yorker revealing that the comedian Hasan Minhaj, who came of age as a practicing Muslim in post-9/11 America, made up various stories he has told about bigots engaging in prejudicial or abusive behavior toward him.

For example, in a 2022 Netflix special, he speaks about the reaction to his talk show, Patriot Act. Malone describes the scene from the special:

The big screen displays threatening tweets that were sent to Minhaj. Most disturbing, he tells the story of a letter sent to his home which was filled with white powder. The contents accidentally spilled onto his young daughter. The child was rushed to the hospital. It turned out not to be anthrax, but it’s a sobering reminder that Minhaj’s comedic actions have real-world consequences. Later that night, his wife, in a fury, told him that she was pregnant with their second child. “ ‘You get to say whatever you want onstage, and we have to live with the consequences,’ ” Minhaj recalls her saying. “ ‘I don’t give a shit that Time magazine thinks you’re an “influencer.” If you ever put my kids in danger again, I will leave you in a second.’ ”

Powerful stuff. But it didn’t happen, Malone reports:

The New York Police Department, which investigates incidents of possible Bacillus anthracis, has no record of an incident like the one Minhaj describes, nor do area hospitals. Front-desk and mailroom employees at Minhaj’s former residence don’t remember such an incident, nor do “Patriot Act” employees involved with the show’s security or Minhaj’s security guard from the time.

During our conversation, Minhaj admitted that his daughter had never been exposed to a white powder, and that she hadn’t been hospitalized. He had opened up a letter delivered to his apartment, he said, and it had contained some sort of powder. Minhaj said that he had made a joke to his wife, saying, “Holy shit. What if this was anthrax?” He said that he’d never told anyone on the show about this letter, despite the fact that there were concerns for his security at the time and that Netflix had hired protection for Minhaj.

The article describes other similar instances of fabulism, and Minhaj’s explanation for them: The stories are based on “emotional truths” and “the punch line is worth the fictionalized premise.”

The revelations have prompted a lot of journalistic reactions. Few have defended the falsehoods. Yet as Kat Rosenfield put it at UnHerd, “It is understood that for comedians, the question of truth, as in authenticity, is something separate from what is true, as in accurate. Comedians will do anything for a laugh, lying included, and everybody knows this—even if the precise ethical boundaries of untruth are sometimes the subject of debate, including by comedians themselves.” So many observers have had a hard time describing why Minhaj crossed the line, even though most of them are committed to the proposition that something is amiss.

In fact, I’ve yet to see anyone pinpoint what I see as the strongest case against Minhaj’s style. But before I tip my hand, here’s a quick rundown of some alternative indictments. In The New York Times, Jason Zinoman argues, “When stories told about racism, religious profiling or transgender identity are exposed as inventions, that can lead to doubt about the experiences of real people.”

For Nitish Pahwa at Slate, the problem was something to akin to stolen valor:

There are more than enough brown people across the country who’ve actually had their loved ones and livelihoods attacked in those very ways. If those same Americans were fans of Minhaj, it was because he effected a nationwide breakthrough of the truth that many of us have, in fact, been abused in our personal and professional lives thanks to our skin color or faith … The people he claimed to be speaking for were led to believe he really did get it on a visceral, fundamental level. This was a rare public figure who could be a high-profile voice for our fears, who could get people in the highest levels of society to hear and pass on his onstage and offstage anecdotes … Minhaj never even hinted that he was doing a character, or giving voice to stories he’d heard from others, or gesturing toward the broader landscape of Muslim Americans. Minhaj took what real, everyday brown folks were going through and led those people to believe that he’d also been there—earning his fame and plaudits from that very trust, as well as the trust that engendered among those who wished to understand brown Americans.

My own take?

Hate crimes carry an additional legal penalty. And there’s a strong argument in favor of hate-crime enhancements: Robbing or assaulting or murdering someone because they are Muslim or Black or gay sows fear in whole communities, harming many beyond the primary victim. When a person fabricates a hate crime or adjacent acts of bigotry, they do similar second-order harm. The gang-rape hoax that Rolling Stone published in 2014 scared many women on college campuses. Chicagoans who believed Jussie Smollett were frightened at the prospect of MAGA zealots beating Black pedestrians. Obviously, gang rapes and street assaults do happen; nevertheless, fabulist accounts of such incidents cause many to erroneously believe they are a bigger threat, or a different one, than they had previously judged.

Imagine the ripples of fear an Islamophobic bigot would cause––to Muslim Americans, and to Muslim public figures and their families especially––by mailing mysterious white powder to the house of a prominent Muslim comic. Imagine how such an act might chill the speech of some Muslims. The ripples of fear such a bigot would cause are the same ripples that Minhaj himself caused! And that, in my estimation, is the strongest case against Minhaj’s “emotional truths.”

A Debt Unpaid

In The Atlantic, Adam Harris flags an attempt to quantify a particular kind of racial discrimination:

On Monday, the Biden administration sent letters with a clear message to 16 governors: Over the past 30 years, their states have underfunded their historically Black land-grant colleges by hundreds of millions—or, in some cases, billions—of dollars … the first time the federal government has attempted to put a comprehensive number on the financial discrimination against these institutions.

He goes on to note “the exact amounts each land-grant Black college would have received from 1987 to 2020 if the institutions had been funded at the same level per student as the 1862 land grant stipulated.”

For example:

If Alabama A&M University had received its fair share in comparison to Auburn University, which has been dogged for decades by low enrollment figures for Black students, it would have had an additional $527 million over the period; meanwhile, Tennessee State University may have had an additional $2.1 billion if it had received an equitable share of the pie.

“There is now a number attached to the legacy of discrimination at historically Black colleges, at least for the most recent decades,” he concludes. “The lingering question is whether states will actually atone for it.”

Wonder Wall

At Wisdom of Crowds, Damir Marusic makes a claim about an aspect of aging:

I found myself outside of a bar with a friend. As we stood outside on the sidewalk, we remarked how funny it is to see all the people out, walking around, going to one place after another, clearly anticipating a great night ahead. “I remember what that used to be like—that excitement,” I said. “Sure, it was just a bar or a club we were heading to, but it represented a kind of energy.” I personally never went out to bars to meet new people, just to meet up with my people. So that feeling wasn’t so much a sense of possibility at serendipitous encounters with strangers as it was being surrounded by an electric charge. Drinking in loud crowded places amplifies the inherent buzz of alcohol. And for whatever reason, the novelty of that amplified buzz felt like it would never wear off.

But wear off it did. I don’t drink much these days, as it makes me slow the next day. And as I grow older, I don’t want to squander days on useless things like recovery. Beyond being more gun-shy, however, is a more banal truth: it got repetitive. All senses, if overstimulated, dull out. Looking at all the happy buzzing people out on 14th street that night, it struck me that what separated me from them is a sense of wonder. When you’re younger, you have more capacity for it. You don’t recognize patterns quite so well, so you believe that things are more mutable than they are. As you discover the world, it seems limitless, and limitlessly astonishing.

But as you experience more and more of it, you start to figure out how things work. Not in the sense of gaining ultimate and total knowledge—that’s hubris. Hard-won wisdom is the opposite: figuring out what is unknowable, and appreciating how chance works. Still, as the patterns become a little more recognizable, the world becomes a little less enchanted.

How the First Amendment Works

In Politico, Adam Cancryn reports, “Biden officials have felt handcuffed for the past two years by a Republican lawsuit over the administration’s initial attempt to clamp down on anti-vaxxers, who alleged the White House violated the First Amendment in encouraging social media companies to crack down on anti-vaccine posts. That suit, they believe, has limited their ability to police disinformation online.” To which National Review’s Charles C. W. Cooke responds, the suit has limited the Biden administration’s speech-policing “as opposed to what?”

He writes:

The First Amendment’s protection of the progenitors of “misinformation” is not an esoteric loophole or a marginal technicality or the remnant of a bygone era. It is not vestigial, or contingent, or the product of a quirky mistranslation. It is one of the foundations of our society. In the United States, it is the authorities, not the citizens, who are cabined by the law. The Constitution grants no enumerated power to the federal government with which it might legitimately police lies, and, as if to make the matter as clear as possible, the Bill of Rights explicitly prohibits such policing. In totalitarian nations, the state is permitted to determine what it considers to be authoritatively true, to disseminate its resolutions across the country, and to punish anyone who dissents. Here, the state must allow individuals to speak irrespective of the contempt in which it holds their opinions. Remarkably, this applies even when the president is a Democrat and the topic is vaccines.

The frame that both the Biden administration and Politico have adopted is thus defective. The White House has not “felt handcuffed”; it is handcuffed. The limits on its power are not the consequence of “a Republican lawsuit”; the Republican lawsuit is meant to uphold the constitutional limits on its power. Biden’s compliance with the ruling has not given those whom he disdains “more space to promote their views”; that space existed beforehand and was being temporarily invaded by the executive branch. Throughout, Politico implies that those who have benefited from the verdict are not really exercising their rights: The lack of force, the outlet sneers, has allowed them to “tout themselves as free speech warriors.” But there’s no “tout themselves” about it. They are free-speech warriors. They’re engaged in “free speech,” which, in America, includes misinformation, and they’re “warriors” because the government is trying to shut them up. That the content of their speech is often preposterous is no more important to the case than it would be if it were “hateful.” There are no classes of expression in the First Amendment.

Provocation of the Week

In The Atlantic, Annie Lowrey writes:

Being vegan means forgoing many of life’s pleasures—cheeseburgers, peppermint ice cream, warm sourdough with cold butter. It means absenting yourself from your own culture—not taking the piece of birthday cake, not going to the amazing new restaurant. It means constantly feeling like you are failing, given the difficulty of avoiding animal products in a world where animals are a commodity. It means living in a way that makes other people feel judged and uncomfortable. It is exhausting, abstemious, weird. One paper found that omnivores view vegans more negatively than any other stigmatized group except for drug addicts.

It is not surprising that the share of people forgoing animal products has barely changed since at least the late 1990s. Just 5 percent of Americans say they are vegetarian, and only a sliver of the population, perhaps 1 percent, truly never eats meat. Globally, the number of animals consumed per capita has nearly doubled in the past five decades, as has the share of animals raised in confined, industrial environments.

DxE believes it can change that, not by turning omnivores into vegans but by turning vegans into vegan activists. It has attracted thousands of donors and participants, mostly Millennials and Gen Zers, over its 10 years of existence. (There’s no formal membership count, as there’s no formal membership process.) But it has also amassed plenty of detractors, who see the group as cultish and its activities as pointless and obnoxious. Social change is hard enough for movements that don’t ask people to give up anything, let alone their grandmother’s brisket …

Focusing on radicalizing vegans rather than converting meat-eaters allowed DxE to embrace a revolutionary message: “Animal liberation in one generation!” rather than “Try out meatless Monday!” But the activists adopted some tactics that were unpopular even with vegans. In addition to targeting big grocery chains, DxE went after small businesses devoted to slow food and humane meat, including Chez Panisse, the beloved originator of California cuisine. The group stopped weekly protests outside a revered Berkeley butcher shop only when the owners agreed to put up a sign reading “Animals’ lives are their right. Killing them is violent and unjust.” (The owners described this as “extortion.”)

Read the rest for some harrowing scenes of animal abuse by factory farms and an interesting exploration of what drives radical activism even when, as here, it may be ineffective or even counterproductive.

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Americans Are Sleepwalking Through a National Emergency

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 09 › trump-biden-impeachment-kristen-welker-interview › 675365

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

The United States of America is facing a threat from a sometimes violent cult while a nuclear armed power wages war on the border of our closest allies. And yet, many Americans sleepwalk as if they are living in normal times instead of in an ongoing crisis.

First, here are four new stories from The Atlantic:

Airbnb really is different now. The bizarre story behind Shinzo Abe’s assassination An intellectual and a moral failure Rory Stewart: What to do when your political party loses its mind

The Fragility of Freedom

Americans have become accustomed to so much in public life that they would have once found shocking. But many of these events are not only shameful; they are a warning, a kind of static energy filling the air just before a lightning strike. America is in a state of emergency, yet few of its citizens seem to realize it.

For example, a single senator, Tommy Tuberville of Alabama, has been holding up hundreds of military promotions for months, endangering the national security of the United States. The acting chief of naval operations says it will take years for the Navy to recover from the damage. (Welcome news, no doubt, in Beijing.) Few people outside of America’s senior military leadership seem particularly concerned.

Meanwhile, the House of Representatives is going to open an impeachment inquiry into President Joe Biden. Why? Well, why not? Speaker Kevin McCarthy promised the extremists in his party that if they made him speaker, he would do what he was told. And so he has; the People’s House is now effectively being run by members such as Matt Gaetz and Marjorie Taylor Greene, fringe figures who in better times might never have been elected, and in a sensible House would have been relegated to the backbenches so far away from the rostrum that their seats would be in a different time zone. (And let us not even speak of Lauren Boebert.)

Elsewhere, the governor of Florida and his vaccine-skeptic surgeon general are telling people under 65 not to get boosted against COVID. He apparently thinks that anti-science extremism will help him wrest the Republican presidential nomination away from Donald Trump, and so he is resorting to a deeply cynical ploy that could cost lives.

And then there is Trump himself, the wellspring of all this chaos. In a country that understood the fragility of its own freedoms, we would see him for what he is: the leader of a dangerous cult who has admitted to his attempts to subvert American democracy.

Last week, Special Counsel Jack Smith filed a request for a gag order on Trump to stop him from making more public attacks on prosecutors, witnesses, and potential jurors. As they say on social media, let that sink in:

A federal prosecutor has asked a judge to stop the former president of the United States from threatening lawyers and witnesses in his case, and intimidating potential jurors.

As I wrote recently, this is not a normal election. (We haven’t had one of those in almost a decade now.) The GOP is not a normal political organization; the party withdrew into itself years ago and has now emerged from its rotting chrysalis as a nihilistic, seditionist movement in thrall to Trump. And Trump is not a normal candidate in any way: He regularly expresses his intention to continue his attacks on the American system and has made so many threats in so many different directions that we’ve lost track of them. Yet millions of Americans simply accept such behavior as Trump being Trump, much as they did in 2016.

Trump has shown his willingness to endanger anyone who gets in his way—as Smith’s recent motion shows—and so we might at least expect the media to report on Trump not merely as a candidate but as if they were following the developments around a dangerous conspiracy or the ongoing trial of the leader of a major crime syndicate.

Instead, we have Kristen Welker inaugurating the reboot of Meet the Press by leaning forward with focused sincerity and asking Trump, “Tell me—Mr. President, tell me what you see when you look at your mug shot?”
That wasn’t even the worst of it. Like Kaitlan Collins in her disastrous town hall with Trump on CNN this past spring, Welker lost control of the interview, because she, too, insisted on treating Trump like an ordinary political candidate instead of the seditious menace he’s become.

Many of my colleagues in the media have already dissected Welker’s failure, and I won’t pile on, because I agree with my friend Jonathan Last at The Bulwark, who wrote this morning, “I’m being hard on Kristen Welker, but this isn’t really about Kristen Welker. It’s about the mainstream broadcast media. All of them. In 2016 broadcast media was totally inadequate to the job of covering an aspiring authoritarian … Today—even after witnessing an insurrection—they still don’t seem to understand the situation and their complicity in it.”

Democrats and their liberal allies claim to be in full mobilization mode to stop Trump and defang his threat to the constitutional order. But are they? How much more hand-wringing will they do over Biden’s age, over whether he’s doing enough for climate change or to forgive student loans? Do we really need Biden to visit the UAW picket lines (as some have suggested)? How many more times will Trump’s opponents in the pro-democracy coalition internalize the right’s criticisms—about inflation, about spending, about gasoline—and respond to them as if Republicans care one whit about policy?

Yes, gas is expensive. So is food. These are real issues, and people deserve to hear how their government will assist them. The solution to these problems, however, is not to normalize an authoritarian and thus pretend that one party, dysfunctional as it can be, is the same as a reactionary, anti-constitutional, and sometimes violent movement.

We don’t have to live in panic. Americans need not walk around all day with their hair on fire, talking about nothing else but the gathering dangers. In times of crisis, whether World War II or 9/11, we married and divorced, we carped about prices, we partied, we took vacations. (Heck, I’m off to Las Vegas myself shortly.) We did all the things normal people do in the course of a normal life.

But we don’t have to live this way, either, with voters and institutions—and especially the media—pretending that all is well while charlatans, aspiring theocrats, and would-be authoritarians set fire to American democracy.

Related:

CNN went full Jerry Springer. American democracy perseveres—for now.

Today’s News

Five Americans who were imprisoned in Iran were freed today as part of a prisoner-swap deal between Washington and Tehran. Hunter Biden has sued the Internal Revenue Service, alleging that agency investigators violated his privacy rights in testimony and public comments. The IRS has declined to comment on the suit, and the agents have said that they made their disclosures legally. China flew 103 warplanes near Taiwan in a 24-hour period, a notable escalation of a near-daily practice.

Evening Read

Sally Anscombe / Gallery Stock

A Driver of Inequality That Not Enough People Are Talking About

By Melissa Kearney

Earlier this year, I was at a conference on fighting poverty, and a member of the audience asked a question that made the experts visibly uncomfortable.

“What about family structure?” he asked. “Single-parent families are more likely to be poor than two-parent ones. Does family structure play a role in poverty?”

The scholar to whom the question was directed looked annoyed and struggled to formulate an answer. The panelists shifted in their seats. The moderator stepped in, quickly pointing out that poverty makes it harder for people to form stable marriages. She promptly called on someone else.

Read the full article.

More From The Atlantic

What I most regret about my decades of legal activism The agony of the school car line COVID drugs are a miracle cure for cats.

Culture Break

Photograph by Philip Montgomery for The Atlantic

Read. Jonathan Lethem’s Brooklyn Crime Novel presents an unsentimental story of gentrification.

Listen. Max Richter’s recomposition of Vivaldi’s The Four Seasons, which our staff writer Annie Lowrey loves.

Play our daily crossword.

P.S.

I mentioned that I’m going off to Vegas for the rest of the week. In my pursuit of the perfect American cultural experience, I am going to see Barry Manilow. (Yes, I will write about it when I get back.)

Last night, however, I came across Spenser: For Hire, the television adaptation of Robert B. Parker’s series of novels about a tough but cultured Boston private eye. The series, starring Robert Urich and Avery Brooks, was fine, especially within the limits of network programming in the mid-1980s. But my recommendation is to read the books—and read them in order. They are a lovely time capsule (especially of Boston) from the early ’70s through the ’80s.

The books are funny yet dark; I won’t tell you that they’re great literature, but they do raise issues about honor, manhood, friendship, loyalty, and love, all while unraveling some excellent private-eye plots. In later years, Parker lost a step (he died in 2010), and I am not a fan of the series’ continuations by other authors, but if you start with God Save the Child (written in 1974 and one of the best books in the series, especially if you remember the ’70s) and make your way through to A Catskill Eagle (1985), I think you’ll enjoy the ride.

— Tom

Katherine Hu contributed to this newsletter.

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Mozart’s Most Metal Moment

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 09 › mozart-requiem-music-recommendations › 675347

This story seems to be about:

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer reveals what’s keeping them entertained. Today’s special guest is staff writer Annie Lowrey, who covers economic policy, housing, and other related topics. She recently wrote about how Montana performed a housing miracle, and why you have to care about these 12 elite colleges.

Annie just moved to New York and already has tickets to both a Fleetwood Mac dance night and a Mozart performance. When she’s not out seeing shows, you might find her walking the streets and listening to Metallica—the ideal working-mom soundtrack.

First, here are three Sunday reads from The Atlantic:

Cover story: “I never called her momma.” What Mitt Romney saw in the Senate “The only productivity hack that works on me”

The Culture Survey: Annie Lowrey

The upcoming event I’m most looking forward to: I just moved to New York with my family; gosh, is there a better city for music? Among the many things I have tickets to and am pumped to go see: this small experimental-music festival, this Fleetwood Mac–heavy dance night, this performance of Mozart’s Requiem. (Fun fact: Mozart died prematurely while he was writing his Requiem. The guy functionally wrote his own funeral mass! That’s got to be the most metal musical act of all time. It is also the music playing when Jeffrey “The Big” Lebowski gives his “strong men also cry” monologue, by the way.) [Related: The secret to Mozart’s lasting appeal]

An actor I would watch in anything: Helen Mirren.

My favorite blockbuster and favorite art movie: Jurassic Park for the blockbuster. I must have seen it a hundred times by now; I can recite pretty much the entire thing. I’d argue that it’s not just a great movie; it’s a perfect movie: perfectly structured and perfectly paced, with perfectly formed characters whose arcs wrap up perfectly, in several cases because the character gets eaten by a dinosaur, as they fully deserve. As for the art film, I’m going with Into Great Silence, a documentary about monks living in an isolated monastery in the French Alps. [Related: The high tension and pure camp of Jurassic Park]   

Best novel I’ve recently read, and the best work of nonfiction: I am terrible at picking favorites! I love everything. I pick good stuff to read! As for novels, I adored Hamnet. I adored Convenience Store Woman. I adored The Love Songs of W. E. B. Du Bois. I loved Matrix. I loved All This Could Be Different. In terms of nonfiction, I’m mostly reading books that have to do with the book I am writing, which is about administrative complexity, bureaucracy, administrative harassment, and paperwork. Protecting Soldiers and Mothers, Slavery by Another Name—there are so many astonishing books that touch on the subject. I just read a great book about Pakistan called Government of Paper.

An author I will read anything by: Namwali Serpell.

A quiet song that I love, and a loud song that I love: For a quiet song, I really like the Max Richter recomposition of Vivaldi’s Four Seasons. For a loud song, I love “Creeping Death,” by Metallica. I often listen to it while walking around the city. Working moms deserve soundtracks that capture their desire to pour gasoline in a public trash can and light it on fire, you know?

The last museum or gallery show that I loved: Nam June Paik at the San Francisco Museum of Modern Art. What a showstopper. What a sense of humor! I wanted to live in that exhibit for the rest of my life.

A painting, sculpture, or other piece of visual art that I cherish: My older son is full of malapropisms. For a long time, he’d sing, “You are my shinecone, my only shinecone” instead of “You are my sunshine, my only sunshine.” And he insisted that there was a bird called a “peagle,” a combination of a peacock and an eagle. A good bird! I had a little oil painting made and framed.

The last arts/culture/entertainment thing that made me cry: I feel lucky to be a person who cries easily; it is a wonderful, cathartic thing to do. I sobbed while watching the “Sleepytime” episode of Bluey for the 78th time. I cry every time. Holst! What a majestic composer. [Related: In praise of Bluey, the most grown-up television show for children]

A poem, or line of poetry, that I return to: I read tons of poetry. It’s so great for when you’re tired, stressed out, short on time. You read a poem; it takes three minutes or 20 minutes; you get drop-kicked out of the galaxy and torn apart and rebuilt and returned home anew. I think about this Aracelis Girmay poem all the time. I mumble, “I translate the Bible into velociraptor” often. I love this Sophie Robinson poem. Is it possible not to tear up reading the last line of this Nicole Sealey stunner? Or not laugh at the last line of this David Berman poem?

I have also been reading and rereading and rereading poetry about or that includes administrative and bureaucratic language: Tracy K. Smith’s “I Will Tell You the Truth About This, I Will Tell You All About It.” Claire Schwartz’s Civil Service. Solmaz Sharif’s Customs.

The Week Ahead

Wellness, a new novel by Nathan Hill (the author of The Nix), features a couple trying to repair their marriage as the idealism of their youth fades (on sale Tuesday). The 12th season of American Horror Story features Emma Roberts, Kim Kardashian, and Cara Delevingne (premieres Wednesday on FX). In Spy Kids: Armageddon, a game developer unleashes a computer virus that threatens the world (streaming on Netflix this Friday).

Essay

Illustration by Katie Martin

Why Are Women Freezing Their Eggs? Look to the Men.

By Anna Louie Sussman

The struggling American man is one of the few objects of bipartisan concern. Both conservatives and liberals bemoan men’s underrepresentation in higher education, their greater likelihood to die a “death of despair,” and the growing share of them who are not working or looking for work. But the chorus of concern rarely touches on how male decline shapes the lives of the people most likely to date or marry them—that is to say, women.

In Motherhood on Ice: The Mating Gap and Why Women Freeze Their Eggs, Marcia C. Inhorn, a medical anthropologist at Yale, tells this side of the story. Beginning in 2014, she conducted interviews with 150 American women who had frozen their eggs—most of them heterosexual women who wanted a partner they could have and raise children with. She concluded that, contrary to the commonly held notion that most professional women were freezing their eggs so they could lean into their jobs, “Egg freezing was not about their careers. It was about being single or in very unstable relationships with men who were unwilling to commit to them.”

Read the full article.

More in Culture

Don’t let love take over your life. The problems that marriage can’t fix Political art isn’t always better art. The Morning Show has a star problem. Lauren Groff has written a new gospel. The man who became Uncle Tom The secret to appreciating Garfield From feminist to right-wing conspiracist America has a private-beach problem. Ada Limón: “The Origin Revisited” Poem: “Rainbow Queen Encyclopedia” Editor’s note: A warning from another time

Catch Up on The Atlantic

America just hit the lithium jackpot. The truth about Hunter Biden’s indictment America gave up on the best home technology there is.

Photo Album

Surfing dogs compete in Helen Woodward Animal Center’s 18th Annual Surf Dog Surf-A-Thon, in Del Mar, California. (Daniel Knighton / Getty)

A new volcanic eruption in Hawaii, an end-of-summer cattle drive in Germany, and more, in our editor’s selection of the week’s best photos.

Katherine Hu contributed to this newsletter.

Explore all of our newsletters.

Why Persuading People to Give Up Meat Is So Hard

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 09 › meat-lab-grown-persuasion-vegetarianism › 675263

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

For many years, choosing to give up meat meant choosing to stop experiencing its taste. Vegan and vegetarian food had many merits, but tasting like meat was not one of them. In the past half decade, though, some new meat substitutes have come impressively close to the original. When plant-based meat companies and independent testers conducted blindfolded tastings in recent years, my colleague Annie Lowrey reported, they found that many tasters couldn’t tell the difference. Even some chefs have gotten confused.

But despite science’s breakthroughs in developing juicy, delicious meat substitutes, persuading Americans to go vegetarian or vegan still isn’t easy; even many people who claim to believe in the ethical value of vegetarianism persist in eating meat. Today’s newsletter explores the future of meat, the prospects of its competitors, and what giving it up would mean for Americans.

On Meat

The Meat Paradox

By Peter Singer

Vegetarianism is more popular than ever—but so is meat consumption. How can this be?

Open Your Mind to Unicorn Meat

By Annie Lowrey

Entrepreneurs have invested billions in plant-based and lab-grown meats, and the possibilities are endless.

If Everyone Ate Beans Instead of Beef

By James Hamblin

With one dietary change, the U.S. could almost meet greenhouse-gas emission goals. (From 2017)

Still Curious?

The joyful, punk world of plant-based eating: Alicia Kennedy’s new book is a paean to a life without meat. But she’s driven more by curiosity than a desire to convert her readers. Your diet is cooking the planet, but two simple changes can help, Annie Lowrey wrote in 2021.

Other Diversions

“Some have yoga. I have Montaigne.” A knockout technique for achieving more happiness Chores are the worst.

P.S.

This past spring, the Australian lab-grown-meat company Vow unveiled a food stunt that my colleague Yasmin Tayag couldn’t stop thinking about: the woolly-mammoth meatball. “Meat from a long-extinct behemoth that lived during the Ice Age—how could I not want to try it?”

— Isabel

The Atlantic Announces Hillary Rodham Clinton and New Speakers for the 15th Annual Atlantic Festival

The Atlantic

www.theatlantic.com › press-releases › archive › 2023 › 09 › atlantic-festival-announces-hillary-rodham-clinton › 675247

This story seems to be about:

The Atlantic is today announcing new speakers––including former Secretary of State and United States Senator Hillary Rodham Clinton––appearing at the 15th annual Atlantic Festival, taking place on Thursday, September 28, and Friday, September 29, at The Wharf in Washington, D.C. Clinton will be in conversation with The Atlantic’s editor in chief, Jeffrey Goldberg, discussing existential threats to democracy. Goldberg will also interview Secretary of State Antony Blinken and former House Speaker Nancy Pelosi. Also announced today are an interview with Secretary of the Department of Health and Human Services Xavier Becerra with senior editor Vann R. Newkirk II; and a conversation led by Laurene Powell Jobs, the founder and president of Emerson Collective, with the secretary of the Smithsonian Institution, Lonnie G. Bunch III.

The Atlantic is pleased to welcome and announce CBS News as the exclusive broadcast media partner for The Atlantic Festival. CBS News journalists will moderate a number of conversations at the festival, and the network will have a presence throughout the event.

The festival’s two days will feature interviews with the actor, producer, and activist Kerry Washington; Governor Josh Shapiro of Pennsylvania; Governor Spencer Cox of Utah; Representative Joaquin Castro; the 2024 Republican presidential candidate Will Hurd; former Representative Gabby Giffords; the chief technology officer of OpenAI, Mira Murati; and the authors Chimamanda Ngozi Adichie, Lauren Groff, and Jake Tapper. The evening of September 28 will feature the debut of Netflix’s forthcoming docuseries Big Vape: The Rise and Fall of Juul, followed by a conversation featuring the series’s director and renowned documentarian, R. J. Cutler. September 29 will feature a night of live storytelling with the filmmaker Spike Lee, in conversation with the Atlantic contributing writer Jemele Hill.

Additional program announcements include:

Along with Goldberg, Newkirk, and Hill, many of The Atlantic’s journalists will lead and participate in conversation across the festival, including Tim Alberta, Ross Andersen, Julie Beck, Gal Beckerman, Ron Brownstein, McKay Coppins, Caitlin Dickerson, David Frum, Claudine Ebeid, Franklin Foer, Megan Garber, Adam Harris, Sarah Laskow, Helen Lewis, Shirley Li, Mark Leibovich, Annie Lowrey, Tom Nichols, Elaina Plott Calabro, Rebecca Rosen, Hanna Rosin, Clint Smith, Andrea Valdez, and many more.

CBS News’ anchors and correspondents who will moderate festival events are John Dickerson, anchor of CBS News Prime Time with John Dickerson; Nancy Cordes, chief White House correspondent; Weijia Jiang, senior White House correspondent; and correspondent Christina Ruffini.

The Big Story: The Future of Major League Baseball (September 28, 4:30–5:30 p.m.)
The Atlantic staff writer Mark Leibovich will be in conversation with Major League Baseball executives Morgan Sword and Raúl Ibañez for a discussion on the league’s recent innovations and the future of America’s pastime.

Radio Atlantic LIVE (September 29, 5:30–6:30 p.m.)
The host of Radio Atlantic, Hanna Rosin, will lead a live podcast taping with the Atlantic staff writers Elaina Plott Calabro and Franklin Foer to talk about their in-depth reporting on the Biden administration and look ahead to the 2024 presidential election.

The Climate Summit (September 28, 2:30–4 p.m.)
This session will address today’s most urgent climate challenges and offer solutions for a more resilient future. Summit participants include David M. Turk, deputy secretary of the U.S. Department of Energy; and Rohit Aggarwala, commissioner of the Department of Environmental Protection, and chief climate officer of New York City.

The Small-Business Summit: Scaling Sustainability (September 29, 12:45–2:15 p.m.)
The Atlantic staff writer Annie Lowrey will moderate this newly announced summit with speakers including Omi Shelly Bell, the founder and CEO of Black Girl Ventures; Emi Reyes, the CEO of the Latino Economic Development Center; Amir Tarighat, a co-founder and the CEO of Agency; Celena Gill, a co-founder and the CEO of Frères Branchiaux; and Ramunda Lark Young, a co-founder and owner of MahoganyBooks.

In Pursuit of Happiness Forum (September 29, 1–3 p.m.)
Cleo Wade and freestyle+ (part of Freestyle Love Supreme) have both been added to the In Pursuit of Happiness forum, which is led by the Atlantic contributing writer Arthur C. Brooks, and which also features the author Cheryl Strayed.

Atlantic Watch: Bad Press (September 29, 2:45–5:30 p.m.)
A screening of the new documentary Bad Press. Out of 574 federally recognized tribes, the Muscogee Nation was one of only five to establish a free and independent press—until the tribe’s legislative branch abruptly repealed the landmark Free Press Act in advance of an election, prompting a rogue reporter to take matters into her own hands. The screening will be followed by a conversation with the co-directors Rebecca Landsberry-Baker and Joe Peeler, and Angel Ellis, the journalist at the center of the story.

In a session produced by our underwriter, supermodel, entrepreneur, and philanthropist Karlie Kloss and Mustafa Suleyman, a co-founder and the CEO of Inflection AI, will be interviewed by The Atlantic’s CEO, Nicholas Thompson, during “Leaps by Bayer Presents: Mind to Machine.” (September 28, 12:15–1 p.m.)

The 2023 Atlantic Festival is made possible through the generous support of Presenting Level Underwriters Leaps by Bayer, Pfizer, and Southern Company; Supporting Level Underwriter Allstate; and Contributing Level Underwriters AHIP, Barbour, Boston Consulting Group, City of Hope, Eli Lilly and Company, Genentech, Goldman Sachs, the John D. and Catherine T. MacArthur Foundation, and Visit Seattle.

The Atlantic Festival
September 28–29, 2023
The Wharf, D.C., and Virtually
For Passes: https://theatlanticfestival.com

Great Reads From Our Editors

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 09 › labor-day-reading-list › 675226

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Today, spend time with a collection of stories selected by our writers and editors.

Many of the below stories have narrated versions, if you prefer to listen to them; just click the link and scroll to the audio player below the headline.

Your Reading List

The New Old Age


By David Brooks

What a new life stage can teach the rest of us about how to find meaning and purpose—before it’s too late.

What Happened to Wirecutter?

By Charlie Warzel

Longtime fans have turned against the product-recommendation website. An evolving internet may be to blame.

The Ones We Sent Away

By Jennifer Senior

I thought my mother was an only child. I was wrong.

The End Will Come for the Cult of MAGA

By Peter Sagal

The next generation isn’t buying it.

The Longest Relationships of Our Lives

By Angela Chen

As brothers and sisters grow up, what they do can determine whether they stay stuck in their childhood roles—or break free of them.

The Misunderstood Reason Millions of Americans Stopped Going to Church

By Jake Meador

The defining problem driving people out is ... just how American life works in the 21st century.

Should We All Be Eating Like The Rock?

By Katherine J. Wu

Some researchers say Americans should eat double or triple the protein recommended by government guidelines.

I also asked the lead writers of this newsletter, Tom Nichols and Lora Kelley, to choose one story from recent months that has stuck with them.

Peter Wehner’s essay from May about why good people support a bad man was both uncompromising and compassionate. It made me think—and still does—about the danger of turning people with whom we disagree into caricatures.

— Tom

“Annie Lowrey’s June article “Is Crypto Dead?” examines with genuine curiosity how crypto’s promises to revolutionize money fell short. “Crypto is a casino, for the most part, and one without the free drinks,” she writes.

— Lora

You can now also save our stories on both TheAtlantic.com and our mobile app, creating a library of stories for whenever you’re ready to read.

Culture Break

Shane Brown / FX

Read. Check out a series of short(er) stories on the theme of desire from Kiese Laymon, Tess Gunty, Diane Williams, and others.

Or try one of these six books that will make you feel less alone.

Watch. Bottoms, in theaters, is a bawdy film that marries the boisterousness and misanthropy of its predecessors.

And on TV, the final season of FX’s Reservation Dogs is a resonant coming-of-age-story for its teenaged and adult characters alike.

Play our daily crossword.

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