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Black Americans

The Joys of Carole Lombard, Zadie Smith, and High-School Movies

The Atlantic

www.theatlantic.com › newsletters › archive › 2023 › 11 › the-joys-of-carole-lombard-zadie-smith-and-high-school-movies › 676108

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This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer reveals what’s keeping them entertained. Today’s special guest is Jennifer Senior, a staff writer at The Atlantic and the winner of the 2022 Pulitzer Prize for Feature Writing. She has written for The Atlantic about one family’s search for meaning in the aftermath of 9/11, the singular heartbreak of adult friendships, and the aunt she barely knew.

Jennifer was stunned by Daniel Radcliffe in the revival of Merrily We Roll Along, knows most of the theme song to Phineas and Ferb by heart, and is a sucker for a movie or TV show about high school—“especially if it involves nerds.”

First, here are three Sunday reads from The Atlantic:

No, you shouldn’t ‘date ’em ’til you hate ’em.’ Six books that might change how you think about mental illness There is no good way to travel anywhere in America.

The Culture Survey: Jennifer Senior

The entertainment product my friends are talking about most right now: The revival of Stephen Sondheim’s Merrily We Roll Along. Jonathan Groff and Lindsay Mendez blew our doors off, which came as no surprise (they’re old pros, practically made of charisma—all that). It was Daniel Radcliffe who stunned everyone, making us forget after maybe 15 seconds that we were staring at Harry Potter and convincing us that we were staring at an angry, long-suffering writer instead. He has impeccable comic timing and a mordant way about him that works painfully (and all too familiarly) well.

The upcoming event I’m most looking forward to: Here We Are, the final and not-quite-complete Sondheim musical, staged posthumously at the Shed.

The television show I’m most enjoying right now: Ramy, which is old, but I never watched it (its secret: It isn’t a comedy), and Never Have I Ever, because I’m a sucker for anything set in high school, especially if it involves nerds. [Related: Ramy meditates on the pitfalls of self-righteousness.]

An actor I would watch in anything: No longer living: Carole Lombard. Still with us: David Strathairn, Wendell Pierce, Sarah Lancashire. (Sorry, that’s four, but c’mon. One actor?)

My favorite blockbuster and favorite art movie: I’m changing the terms and naming my favorite movie in black-and-white and my favorite movie in color, respectively: Ernst Lubitsch’s To Be or Not to Be (see? Carole Lombard!) and Amy Heckerling’s Clueless (see? high school!). Or, okay, fine—any of the first two Godfathers.

Best novel I’ve recently read, and the best work of nonfiction: Fiction: Paul Beatty’s The Sellout. I’m eight years late to it, but now I’m positively evangelical. Nonfiction: Inside Story, which Martin Amis coyly billed as a novel, but isn’t—or isn’t exactly, isn’t consistently, isn’t generally. Like lots of people, I have a love-hate relationship with Amis, who could do magic tricks with words but put them in the mouths of repellent misanthropes. Yet he wrote with real tenderness here, about both his family and his loved ones (Christopher Hitchens in particular—I’m obsessed with their friendship), and he articulated a lot of my own inchoate thoughts about writing. One particularly vindicating remark, which I think explains my overreliance on colons: “Most sentences have a burden, something to impart or get across: put that bit last.” [Related: A world without Martin Amis]

An author I will read anything by: Again: one? Seriously? I’m getting around this problem by naming an author whose works I hope to complete when I retire: Anthony Trollope. (I know. Hopeless. More realistically: Graham Greene.)

A quiet song that I love, and a loud song that I love: “Angel From Montgomery,” Bonnie Raitt’s version (though John Prine’s is also melancholy-beautiful, probably because he wrote it); “Superman,” by R.E.M., which may not be the loudest song, but it’s loud enough, and it’s a great psych-up tune if you play it on full blast.

The last museum or gallery show that I loved: When we were in Spain this spring (which I did in spite of my long COVID; it’s a miracle what steroids can do), I saw the Lucian Freud show at the Thyssen. Freud, Schiele, Bacon—I don’t know why I’m so responsive to their pathos and darkness (a certain frankness, maybe? A willingness to look hard at the unlovely?), but I am.

Something I recently revisited: I am always rereading Kenneth Tynan—not just his criticism and profiles but his diaries. His April 4 entry from 1974 may be my favorite line about writing and productivity of all time: “I have now been working non-start since January.”

My favorite way of wasting time on my phone: The puzzles of The New York Times will be responsible for my undoing. Wordle. Connections. And, of course, the Spelling Bee. When my friend Shaila told me about the “Hints” link, I lost another half hour each day, because now I’m maniacally determined to find every word unless there are, like, 80 of them.

Something delightful introduced to me by a kid in my life: My almost-16-year-old son has long since aged out of it, but Phineas and Ferb is easily as inspired as The Simpsons, which is saying something. I can still sing the theme song in its entirety. “Like maybe / Building a rocket or fighting a mummy / Or climbing up the Eiffel Tower …”

The last debate I had about culture: Me asking my friend Steve Metcalf, one of the hosts of Slate’s Culture Gabfest podcast, to explain all the fuss about Rachel Cusk. I’ve tried and tried and tried to love her, and I can’t. (This wasn’t a debate, I realize, so much as a confession and a cry for help.)

A good recommendation I recently received: The audio version of Zadie Smith’s White Teeth, which features four different readers. Like a radio play you never want to end. Perfect marriage of material and narrators—all sophisticated, witty, capable of speaking in multiple registers.

The last thing that made me cry: See: Merrily We Roll Along. One of the finest works ever about friendship and time, right up there with Wallace Stegner’s Crossing to Safety.

The last thing that made me snort with laughter: Bottoms. Have I mentioned I’m a sucker for any movie or television show about high school?

The Week Ahead

Saltburn, a film by the director Emerald Fennell, follows an Oxford student who spends a dark summer with a classmate, played by Jacob Elordi (in theaters now). The Fabulist tells the outrageous tale of George Santos—and is written by a Long Island reporter who has been following him since 2019 (on sale Tuesday). South to Black Power, a documentary featuring the New York Times columnist Charles M. Blow, calls for a “reverse Great Migration” of Black Americans (premieres Tuesday on HBO).

Essay

Apple TV+

An Enjoyable Extravaganza About … Napoleon?

By David Sims

When it comes to battle tactics, Napoleon Bonaparte (as played by Joaquin Phoenix) is very gun forward. There are few conflicts he marches into that don’t involve the firing of many cannons, an instinct befitting his status as an artillery commander in the French military—the organization he quickly transcended to become the leader of his country by the age of 30. But it also mirrors his rash, preening, sometimes awkward charm in Ridley Scott’s new film, Napoleon, a biography that fast-forwards through the major events of Napoleon’s life and presents him as equal parts confident and arrogant, making for a roller coaster of the ego that’s surprisingly full of laughs.

Making a movie about Napoleon is the kind of consuming effort that drives even the greatest filmmakers to ruin. Stanley Kubrick spent half of his career trying to make a Napoleon and never succeeded; the best-regarded biopic remains a 1927 silent epic that runs more than five hours and ends well before Napoleon becomes the ruler of France.

Read the full article.

More in Culture

The problem with turkey trots Jason Momoa’s manliness overwhelms SNL. Revisiting hidden pasts at the National Book Awards Have you listened lately to what Trump is saying? OpenAI’s chief scientist made a tragic miscalculation. What did hip-hop do to women’s minds?

Catch Up on The Atlantic

Have you listened lately to what Trump is saying? OpenAI’s chief scientist made a tragic miscalculation. What did hip-hop do to women’s minds?

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Autumn trees in the Canadian Rockies (Adam Gibbs / Natural Landscape Photography Awards)

See more in our editor’s selection of photos from the Natural Landscape Photography Awards.

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How Black Americans Kept Reconstruction Alive

The Atlantic

www.theatlantic.com › magazine › archive › 2023 › 12 › how-long-reconstruction-period-black-americans › 675805

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Editor’s Note: This article is part of “On Reconstruction,” a project about America’s most radical experiment.

The Civil War produced two competing narratives, each an attempt to make sense of a conflict that had eradicated the pestilence of slavery.

Black Americans who believed in multiracial democracy extolled the emancipationist legacy of the war. These Reconstructionists envisioned a new America finally capable of safeguarding Black dignity and claims of citizenship. Black women and men created new civic, religious, political, educational, and economic institutions. They built thriving towns and districts, churches and schools. In so doing, they helped reimagine the purpose and promise of American democracy.

For a time after the war, Black Reconstructionists also shaped the American government. They found allies in the Republican Party, where white abolitionists hoped to honor freedpeople’s demands and to create a progressive country in which all workers earned wages. Republicans in Congress pushed through amendments abolishing slavery, granting citizenship, and giving Black men the ballot. Congress also created the Freedmen’s Bureau, which offered provisions, clothing, fuel, and medical assistance to the formerly enslaved, and negotiated contracts to protect their newly won rights. With backing from the Union army, millions of Black people in the South received education, performed paid labor, voted in presidential elections, and held some of the highest offices in the country—all for the first time.

Black Reconstructionists told the country a new story about itself. These were people who believed in freedom beyond emancipation. They shared an expansive vision of a compassionate nation with a true democratic ethos.

Those who longed for the days of antebellum slavery felt differently. Advocates of the Lost Cause—who believed that the South’s defeat did nothing to diminish its moral superiority—sought to “redeem” their fellow white citizens from the scourge of “Negro rule.” Redemptionists did more than offer a different story about the nation. They demanded that their point of view be sanctified with blood. They threatened the nation’s infrastructure and institutions, and backed up their threats with violence.

The Redemption campaign was astoundingly successful. Intimidation and lynchings of Black voters and politicians quickly reversed gains in turnout. Reprisals against any white person who supported Black civil rights largely silenced dissent. This second rebellion hastened the national retreat from Reconstruction. Federal troops effectively withdrew from the Confederate states in 1877. White southerners soon dominated state legislatures once again, and passed Jim Crow laws designed to subjugate Black people and destroy their political power.

The official Reconstruction timeline usually ends there, in 1877. But this implies that the Reconstructionist vision of American democracy ceased to exist, or went dormant, without the backing of federal troops. Instead, we should consider a long Reconstruction—one that stretches well beyond 1877, and offers a view that transcends false binaries of political failure and success.

This view allows us to follow the travails of the Black activists and ordinary citizens who kept the struggle for freedom and dignity alive long after the Republican Party and white abolitionists had abandoned it. Black institutions, including the church, the schoolhouse, and the press, kept public vigil over promises made, broken, and, in some instances, renewed during the long march toward liberation. Their stories show that freedom’s flame, once boldly lit, could not be extinguished by the specter of white violence.

The concept of a long Reconstruction recognizes that a nation can be two things at once. After 1877, freedom and repression journeyed along parallel paths. Black Americans preserved a vision of a truly free nation in an archipelago of communities and institutions. Many of them exist today, and continue their work. This, perhaps, is the most important reason to resist the idea that Reconstruction ended when the North withdrew from the South: In a sense, the work of Reconstruction never ended, because the goal of a multiracial democracy has never been fully realized. And America has made its greatest gains toward that goal when it has rejected the Redemptionist narrative.

That the work of Reconstruction continued well after 1877 is illustrated by the life of Ida B. Wells, a woman who witnessed the death of slavery and fought against the beginning of Jim Crow. Wells kept alive the radical ideals of the Reconstructionists and punctured, through her journalism, the virulent mythology peddled by the Redemptionists. When Wells was born—in Holly Springs, Mississippi, on July 16, 1862—her parents, Jim and Lizzie Wells, were enslaved. Later that year, the Union army took control of the town while staging an attack on Vicksburg. As they did elsewhere across the dying Confederacy, enslaved people in and around Holly Springs fled plantations for Union lines and emancipated themselves. But freedom proved contingent. Even when Union General Ulysses S. Grant made his headquarters in the town, Black refugees feared reprisals from their former enslavers. Their vulnerability to white violence, even under the watch of Union troops, foreshadowed the coming era.

After the war, Jim and Lizzie Wells chose to stay in Holly Springs. Jim joined the local Union League, which supported Republican Party politics and was committed to advancing Black male suffrage. In fall 1867, when Ida was 5 years old, her father cast his first ballot. Ida remembered her mother as an exemplar of domestic rectitude whose achievements were reflected in her children’s perfect Sunday-school attendance and good manners.

Ida grew up in a Mississippi full of miraculous change. She attended the first “colored” school in Holly Springs, a remarkable opportunity in a state that had been considered the most inhospitable to Black education and aspiration in the entire Confederacy. As a young girl, Ida read the newspaper aloud to her father’s admiring friends; just a few years earlier, it would have been illegal in Mississippi to teach her the alphabet.

In 1874, when Wells was 12, 69 Black men were serving in the Mississippi legislature, and a white governor, Adelbert Ames—placed in office partly by the votes of the formerly enslaved—promised to commit the state to equality for all. Around that time, Mississippi’s secretary of state, superintendent of education, and speaker of the House were all Black men.

The world around Ida was full of fiercely independent and economically prosperous Black citizens. These attainments buoyed her optimism for the rest of her life.

But the idyll of her childhood was brief. Redemptionist forces in Mississippi struck back against Black political power with naked racist terror. In December 1874, a white mob in Vicksburg killed as many as 300 Black citizens after forcing the elected Black sheriff, Peter Crosby, to resign. Massacres and lynchings continued unabated across the state through 1875. By 1876, the number of Black men in the state legislature had fallen by more than half. Following the contested election that year, the new president, the Republican Rutherford B. Hayes, ordered the remaining active northern troops in the South to return to their barracks. Without the protection of federal troops, and with the symbolic abandonment by the president, Black people were on their own, completely vulnerable to voting restrictions, economic reprisals, and racial violence.

For Wells, the collapse of Reconstruction came at a moment of profound personal struggles. In 1878, her parents and one of her brothers died in a yellow-fever outbreak that killed hundreds in Holly Springs, leaving her, at 16, to care for five siblings, including her disabled sister, Eugenia. After Eugenia died, Wells moved to Memphis at the invitation of an aunt.

Wells’s escape from Mississippi did not protect her from the indignities of racism. In 1883, after a visit to Holly Springs, Wells purchased a train ticket back to Memphis, riding first class on a segregated train. She moved to the first-class car for white ladies after being bothered by another passenger’s smoking, and refused to go back to Black first class. Though barely five feet tall, Wells stood her ground until the white conductor physically removed her. She promptly filed suit and, initially at least, won $700 in damages before her two cases were reversed on appeal by the Tennessee State Supreme Court.

The defeat spurred Wells to find another means of fighting Jim Crow. She longed to attend Fisk University, and took summer classes there. By the end of the decade, she had become the editor and a co-owner of the Memphis Free Speech and Headlight, the newspaper founded by the Beale Street Church pastor Taylor Nightingale.

Wells took over editorial duties amid a surge of anti-Black violence, which had remained a feature of the South even after the Redemptionists achieved their goal of removing federal troops from the region. In the 1880s, the incidents began to intensify. In 1886, at least 13 Black citizens were lynched in a Mississippi courthouse, where free Black men were testifying against a white lawyer accused of assault. Attacks on Reconstructionists continued from there. The more that Black men and women engaged in political self-determination—choosing to own homes and businesses, to defend their families—the more thunderbolts of violence struck them. The bloodshed of Redemption was intended to touch the lives of all Black people in the South.

On March 9, 1892, that violence came to Wells’s life, when a mob of 75 white men in Memphis kidnapped three Black men: Thomas Moss, Calvin McDowell, and Will Stewart. Moss was an owner of the People’s Grocery, an upstart Black cooperative that competed with the local grocery owned by William Barrett, who was white. The rivalry between the stores had escalated into a larger racial conflict, and Moss, McDowell, and Stewart had been sent to jail after guns were fired at a white mob that had attacked the People’s Grocery. Wells knew Moss and his wife, Betty, whom she considered one of her best friends. She was godmother to their daughter Maurine.

Moss, McDowell, and Stewart were given no due process or trial. Another mob took the men from jail and shot each to death, refusing Moss’s plea to spare his life for the sake of his daughter and pregnant wife. Their bodies were left in the Chesapeake & Ohio rail yard. The white-owned Memphis Appeal-Avalanche documented the horrors as fair justice for the troublesome Black men who had dared to fight white men.

In the Free Speech, Wells wrote a series of editorials decrying the killings and the constant threat of violence that Black Americans faced in the South, and urged northerners to renew their support for full Black citizenship. In one of those editorials, Wells called out the “threadbare lie that Negro men rape white women,” which was the justification for many lynchings. She filed the editorial shortly before a trip to the North. While she was gone, a group of men went to the Free Speech’s offices and destroyed the printing press, leaving a note warning that “anyone trying to publish the paper again would be punished with death.” She chose not to return to Memphis, and continued her campaign from New York.

That June, Wells wrote an essay, “The Truth About Lynching,” in the influential Black newspaper The New York Age. Wells reasoned that most anti-Black violence claimed its roots in economic competition, personal jealousy, and white supremacy. She also dispelled, again, the myth of Black-male sexual violence against white women. Wells pointed instead to the number of mixed-race children in the old Confederacy—evidence of the sexual violence that white men had inflicted on Black women.

Wells’s activism was more than a crusade to end lynching. She traveled the country and Great Britain to describe her vision of multiracial democracy. Frederick Douglass, who had escaped slavery and become the foremost civil-rights activist and journalist of the antebellum and Reconstruction eras, admired Wells and characterized her contributions as a “service which can neither be weighed nor measured.”

Wells first met Douglass in the summer of 1892, when he was 74; Douglass had written a letter to her saying he was inspired by her courage. The two developed a close friendship. “There has been no word equal to it in convincing power,” Douglass wrote of Southern Horrors, a pamphlet Wells published in 1892 based on her groundbreaking anti-lynching essay. The pair corresponded and worked together for the rest of Douglass’s life. With his death, in 1895, a torch was passed.

Wells’s efforts, in a period of racial fatigue among white audiences, helped continue the central political struggle of Reconstruction. She delivered hundreds of speeches, organized anti-lynching campaigns, and worked to galvanize the public against the Redemptionists. Wells told America a story it needed, but did not want, to hear.

Wells’s work also intersected with that of W. E. B. Du Bois, the scholar, journalist, and civil-rights activist who took a forceful stand against lynching. Their relationship was sometimes collegial, sometimes contentious; Wells never found with Du Bois the same rapport she’d had with Douglass. But she supported Du Bois’s then-radical view of the importance of Black liberal-arts education, and Du Bois was shaped by Wells’s advocacy and critiques.

Du Bois viewed the legacy of Reconstruction as crucial to understanding America. At the behest of another Black intellectual and scholar, Anna Julia Cooper, he published in 1935 his monumental Black Reconstruction. The book traced the origins of the violence that Wells denounced. He wrote that “inter-racial sex jealousy and accompanying sadism” were the main basis of lynching, and echoed Wells’s argument that white men’s violence against Black women had been the true scourge of the South. Du Bois also wrote that the Reconstructionists were engaged in “abolition-democracy,” which he defined as a broader movement for social equality that went beyond political rights.

Du Bois’s scholarship paved the way for a reconsideration of the era. He challenged the Redemptionist narrative of venal corruption and Black men who were either in over their head or merely served white northern puppet masters and southern race traitors.

[Read: What if Reconstruction hadn’t failed?]

Du Bois’s work is a starting point for contemporary histories. Eric Foner’s magisterial Reconstruction: America’s Unfinished Revolution, 1863–1877, published more than half a century after Black Reconstruction, added texture to the story of the period, then largely untold. Foner’s work reframed the era as an unfinished experiment in multiracial democracy.

In this tradition of expansion, the historian Steven Hahn’s Pulitzer Prize–winning A Nation Under Our Feet, published in 2003, widens earlier historical frameworks by looking beyond Reconstruction’s constitutional reforms. Hahn sought out the Black men and women who shaped Reconstruction at the state and local levels. More recently, the historian Kidada E. Williams’s I Saw Death Coming focuses on the daily lives of Black men and women during Reconstruction—witnesses to the violence of Redemption.

All of these works expand our conception of what Reconstruction was, and challenge the notion that the era came to an abrupt ending in 1877. They portray the era as a contested epic, where parallel movements for Reconstruction and Redemption rise, fall, and are recovered.

I first learned about Reconstruction from my late mother, Germaine Joseph, a Haitian immigrant turned American citizen whose love of history could be gauged by the crammed bookcases in our home in Queens, New York. My first lesson on Reconstruction came in the form of a story about Haiti’s revolution. Mom proudly informed me that Haiti had been the key to unlocking freedom for Black Americans: The Haitian Revolution, she explained, led to revolts of the enslaved, frightened so-called masters, and inspired Frederick Douglass.

Later, I found my way back to Reconstruction through an interest in the Black radical tradition, especially post–World War II movements for racial justice and equality. My mentor, the late historian Manning Marable, described the civil-rights movement, and the age of Black Power that followed, as a second Reconstruction. During this time, with a renewed interest in slavery and its aftermath, scholars rediscovered Du Bois’s work.

My research and writing of late has revolved around interpreting the past 15 years of American history, from Barack Obama’s ascent to the White House in 2008, to the rise of the Black Lives Matter movement in 2013, to Donald Trump’s 2016 presidential election, to the events that followed George Floyd’s murder in 2020. In my 2022 book, The Third Reconstruction, I argued that we might be living through another era filled with the kind of dizzying possibility and intense backlash that whipsawed the South during Wells’s life.

Today’s Reconstructionists have a vision for multiracial democracy that might astonish even Douglass, Wells, and Du Bois. Black women, queer folk, poor people, disabled people, prisoners, and formerly incarcerated people have adopted the term abolition from Du Bois’s idea of abolition-democracy, and now use it to refer to a broad movement to dismantle interlocking systems of oppression—many of which originated in Redemption policy. They have achieved important victories in taking down Confederate monuments; sharing a more accurate telling of America’s origin story and its relationship to slavery; and questioning systems of punishment, surveillance, and poverty.

But today’s Redemptionists have had their victories as well. Their apocalyptic story of the present, one in which crime and moral decay threaten to destroy America, rationalizes a return to a past America and aims to dismantle the Reconstruction amendments that underpin fundamental civil rights. Redemptionists promote a regime of education that reverses the gains historians have made since the revival of Black Reconstruction.

The health of American democracy continues to rest upon whether we believe the Reconstructionist or Redemptionist version of history. Reconstruction, as a belief, as an ideal, outlasted the federal government’s political commitments by decades. Black people, the country’s most improbable architects, continued to make and shape history by preserving this rich legacy, and bequeathing it to their children. Their story has remained the heart of the American experiment both when the country has acknowledged them—and, most especially, when it has not.

This article appears in the December 2023 print edition with the headline “The Revolution Never Ended.” When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.

“To Reconstruct The Nation”: Special issue of The Atlantic examines America’s most radical experiment and its aftermath

The Atlantic

www.theatlantic.com › press-releases › archive › 2023 › 11 › atlantics-december-issue-reconstruct-nation › 675982

The Atlantic is releasing in full “To Reconstruct The Nation,” a special issue that, as editor in chief Jeffrey Goldberg writes today, is “meant to examine the enduring consequences of Reconstruction’s tragic fall at a moment—­yet another moment—when the cause of racial progress faces sustained pressure.”

The centerpiece of the issue, which is led by senior editor Vann R. Newkirk II, is a new feature-length play by the actor, playwright, and Atlantic contributing writer Anna Deavere Smith, which appears along with essays by writers, historians, and scholars including Secretary of the Smithsonian Lonnie G. Bunch III, Jordan Virtue, Peniel E. Joseph, Drew Gilpin Faust, Eric Foner, and The Atlantic’s Vann R. Newkirk II, Adam Harris, and Yoni Appelbaum.

The issue arrives 157 years after The Atlantic published Frederick Douglass’s famed essay on “Reconstruction,” and explores the fleeting time after the Civil War when the country undertook a radical transformation in an effort to become a true democracy. But the backlash against Reconstruction, and its effective end in 1877, prevented its proponents from achieving their aspirations. This issue addresses how the intense battles currently being waged in our politics and culture—over voting rights, access to education, criminal justice, and what it means to have equal protection under the law—can all trace their roots to the unfinished business of Reconstruction.

Anna Deavere Smith’s play, This Ghost of Slavery, runs across 32 pages and is the first play The Atlantic has published in nearly a century. Set in Baltimore and Annapolis in the 1850s-60s and the present, the play explores the power of historical trauma to persist for generations. It interrogates the contemporary failures of our juvenile justice system, (“How did we get here?” one character repeatedly asks), finding the origins of the problem in the aftermath of emancipation, when former slaveowners in Maryland used the state’s “Black Code” to immediately re-indenture children under the guise of “apprenticeship.” This functionally extended slavery for adolescents. As with much of Deavere Smith’s work, the play draws from her own contemporary interviews with activists, social-justice workers, and young people whose lives have been affected by the carceral system.

For This Ghost of Slavery, she supplemented these interviews with primary-source historical materials, mining 19th-century archives, transcripts, and diaries, and has woven dialogue from these historical sources into the play, which features historical figures such as President Abraham Lincoln, Frederick Douglass, General Lew Wallace, and Elizabeth Turner, whose court case brought by her mother against her enslaver turned out to be a hinge on which history turned.

The result is a searing drama of great emotional and historical complexity set in two time periods. The play brings history vividly (and at times painfully) to life, makes plain the injustices meted out to Black Americans across centuries, and allows readers to see anew the connections between past and present.

“To Reconstruct the Nation” includes the following pieces, all online today:

Lonnie G. Bunch III: “The Archive of Emancipation
In the papers of the Freedmen’s Bureau, Lonnie G. Bunch III, the secretary of the Smithsonian, found the hopes and disappointments of a people on the cusp of freedom—including his own family’s. Bunch explores a public transcription and digitization project that is making much of the Freedmen’s Bureau documents available widely for the first time, and what it tells us about the lives of enslaved people, especially after freedom.

Vann R. Newkirk II: “The Years of Jubilee
In 1871, the choir of the struggling Fisk University engaged in a gambit to save the school: It decided to go on a singing tour of America. Senior editor Vann R. Newkirk II writes about how the choir achieved more than its members could have imagined.

David W. Blight: “The Annotated Frederick Douglass
In 1866, at the dawn of Reconstruction, Frederick Douglass published an essay in The Atlantic wrestling with the promise of the moment and the shortcomings he could already anticipate. Reprinted in full for the December issue, the essay is newly annotated by Douglass’s biographer David W. Blight.

Jordan Virtue: “Kennedy and the Lost Cause
In his 1956 book, Profiles in Courage, future president John F. Kennedy promoted the southern mythology of Reconstruction, praising a racist, slave-holding senator while tarnishing the reputation and legacy of his political rival, Adelbart Ames, an ardent supporter of Black suffrage and Mississippi’s governor during Reconstruction. Virtue writes about the efforts of Ames’s daughter throughout her life to correct the historical record and clear her father’s name. Profiles in Courage remains, as of now, uncorrected.

Adam Harris: “The Black Roots of American Education
Staff writer Adam Harris writes about how freedpeople and their advocates persuaded the nation to embrace public schooling for all.

Yoni Applebaum: “The Atlantic and Reconstruction
Deputy editor Yoni Applebaum writes about what The Atlantic got wrong in 1901, when the magazine last reckoned with Reconstruction in a sustained way.

Drew Gilpin Faust: “The Men Who Started the War
John Brown and the Secret Six—the abolitionists who funded the raid on Harpers Ferry—confronted a question as old as America: When is violence justified?

Peniel E. Joseph: “The Revolution Never Ended
The federal government abandoned Reconstruction in 1877, but, Peniel Joseph writes, Black people didn’t give up on the moment’s promise.

Eric Foner: “A Traitor to the Traitors
The Reconstruction scholar Eric Foner writes about how—and why—the Confederate general James Longstreet became a champion of Reconstruction.

The Atlantic’s December issue is published today at TheAtlantic.com. Please reach out with any questions or requests to interview the issue’s contributors.

Press Contacts:
Anna Bross and Paul Jackson | The Atlantic
press@theatlantic.com

When Is Political Violence Justified?

The Atlantic

www.theatlantic.com › magazine › archive › 2023 › 12 › harpers-ferry-raid-john-brown-abolition › 675814

This story seems to be about:

Editor’s Note: This article is part of “On Reconstruction,” a project about America’s most radical experiment.

Harpers Ferry seemed almost a part of the neighborhood when I was growing up. Granted, it was across the state line, in West Virginia, and slightly more than a half-hour drive away from our Virginia farm. But it took us almost that long to get to the nearest supermarket. And I felt connected by more than roads. The placid, slow-moving Shenandoah River, which flowed past our bottom pasture, becomes raging white water by the time it joins the Potomac River at Harpers Ferry, 35 miles downstream.

Nature itself seems to have designed Harpers Ferry to be a violent place. Cliffs border the confluence of the two rivers, and the raw power generated by their angry convergence made the site ideal for the national armory established there around 1800. It manufactured some 600,000 firearms before Union troops burned it down in 1861 to keep it out of Confederate hands. Five battles took place at Harpers Ferry, and the town changed hands 12 times.

But none of this is what Harpers Ferry is primarily remembered for. It is known instead for an event referred to at the time as an “insurrection,” a “rebellion,” or a “crusade,” but today most often called just a “raid.” On October 16, 1859, a year and a half before the attack on Fort Sumter, in South Carolina, the white abolitionist John Brown set out to seize the federal arsenal and distribute arms to enable the enslaved to claim their freedom. His effort ended quickly and ignominiously. Badly wounded, he was carted off to jail in nearby Charles Town to be tried and executed, as were a number of his followers. In a sense, though, his insurrection was never put down.

Brown, a brilliant publicist, made himself a martyr. He used the six weeks between his capture and his execution to define and defend his actions. He grounded them in a moral imperative to free the enslaved, invoked the nation’s revolutionary legacies, and warned of the conflagration to come. The “crimes of this guilty land,” he scrawled in a note he pressed on a guard shortly before his hanging, “will never be purged away; but with Blood.”

Within just a few years, Americans would look back at Brown across the gulf of the Civil War and identify him as a sign of what was ahead, imbuing his sacrifice with almost supernatural meaning. Showers of meteors had filled the skies in the weeks between Brown’s capture and his execution, reinforcing perceptions that his life and death had been a singular, numinous occurrence. In the words of a song improvised by a battalion of Union soldiers as they headed south to war not two years after his death, “John Brown’s body lies a-mouldering in the grave, but his soul goes marching on.” Even the attendees at his hanging seemed in retrospect to prefigure the future: Brevet Colonel Robert E. Lee was present as the commander of the U.S. troops who had captured Brown. Thomas J. (not yet “Stonewall”) Jackson led a unit of Virginia Military Institute cadets. John Wilkes Booth, President Abraham Lincoln’s future assassin, hurried from Richmond to Charles Town in a borrowed uniform to join a militia troop sent to police the hanging. He hated Brown’s cause but admired his audacity.

Many upstanding northern citizens—as well as much of the press—condemned Brown’s lawlessness. But others, Black and white, hailed his attack on slavery and mourned his death. On the day of his execution, 3,000 people gathered in Worcester, Massachusetts, to honor Brown; 1,400 attended a service in Cleveland. A gathering of Black Americans in Detroit honored the “martyr” who had “freely delivered up his life for the liberty of our race in this country.” The celebration of John Brown by Black Americans rested in the hope, and later the conviction, that his actions had set an irreversible course toward freedom—a second founding, its birth in violence as legitimate as the first one had been.

When does war start? When does violence become justified? When does it shift from prohibited to permitted and even necessary? Those questions hang in the air at Harpers Ferry, compelling us to ask: When did the Civil War actually begin—and end?

Brown drew the admiring attention of almost every prominent American writer—Emerson, Thoreau, Whitman, Melville, Longfellow, Whittier. But some among the nation’s northern elite did more than praise and defend Brown. Thinking back in his autobiography to events half a century earlier, and relying on a diary he kept in the 1850s, the abolitionist and writer Thomas Wentworth Higginson reflected on what a duty to morality demands when “law and order” stand on “the wrong side” of right and justice.

For him, this was not a theoretical question. He was thinking about the role he’d played long before armies massed on battlefields. He was thinking about the process by which “honest American men” had evolved into “conscientious law-breakers,” until “good citizenship” became a “sin” and bad citizenship a “duty.” Higginson was one among a small group of prominent white men who had known about the Harpers Ferry raid in advance and provided the financial support that enabled Brown to buy weapons and equipment. They came to be known as the Secret Six.

During the 1850s, a succession of legislative and judicial measures had tightened slavery’s grip on the nation. The Fugitive Slave Act of 1850 compelled the North to become complicit in returning those who had escaped slavery to southern bondage. The Kansas-Nebraska Act of 1854 overturned the Missouri Compromise of a generation earlier, which had restricted the expansion of slavery into the northern territories. The Supreme Court’s Dred Scott decision, in 1857, established that no Black person could be considered a citizen or hold any “rights which the white man was bound to respect.” The perpetuation of slavery and racial injustice appeared to have become enshrined as an enduring national commitment, with the federal government assuming the role of active enforcer. Faced with such developments, the Black abolitionist Frederick Douglass found himself losing hope of ending slavery through moral suasion or political action; he came to see violence as necessary if emancipation was ever to be accomplished. Slavery itself, he believed, represented an act of war. The justification for violence already existed; whether—and how—to use it became more a pragmatic decision than a moral one.

White abolitionists, too, became radicalized by the developments of the 1850s. The group that became the Secret Six included five Boston Brahmins and a lone New Yorker, all highly respectable citizens, well educated, of good families and heritage; all men of means and in several cases very substantial means. The path that the Six took toward violence began with the passage of the Fugitive Slave Act. The prospect and, soon, the reality of Black people being apprehended on the streets of Boston or New York and summarily shipped to the South brought the cruelty and arbitrariness of slavery directly before northerners’ eyes. Three men who would later be part of the Six were early members of the Boston Vigilance Committee, established to prevent the enforcement of fugitive-slave legislation.

Samuel Gridley Howe was a graduate of Brown University and Harvard Medical School. He claimed descent from a participant in the Boston Tea Party, and had demonstrated his commitment to republican government by serving as a surgeon in the Greek Revolution in the 1820s.

Theodore Parker was a powerful preacher and Transcendentalist whose radicalism so marginalized him within Unitarianism that he established his own independent congregation of some 2,000 members. His oratory attracted legions of followers, who shared his reformist and antislavery views.

Higginson, descended from one of the original settlers of the Massachusetts Bay Colony, was a graduate of Harvard College and Harvard Divinity School and held a pulpit with a fervently antislavery Worcester congregation. He suffered his first battle wound in the unsuccessful effort to free Anthony Burns, who had fled enslavement in Virginia and was seized in Boston in 1854 under the provisions of the new act. With the encouragement of the Boston Vigilance Committee, the city erupted. Parker incited a crowd with a fiery speech at Faneuil Hall, and Higginson distributed axes to those assembled outside the courthouse where Burns was being held. He himself led an assault on the building with a battering ram. In the ensuing melee, a courthouse guard was killed and Higginson suffered a saber wound on his chin, leaving a scar he proudly displayed for the rest of his life. Higginson viewed the effort to free Burns as the beginning of a “revolution”—the shift from words to action he had sought. The killing of the guard, he later reflected, was “proof that war had really begun.” Violence had become both necessary and legitimate. (Burns was captured and returned to Virginia, but his freedom was eventually purchased by northern abolitionists. He attended Oberlin and became a minister.)

Higginson, Parker, and Howe soon turned their attention to Kansas, where a battle was escalating over whether the territory should become a slave state or a free state. In the spring of 1856, proslavery forces attacked a town founded by antislavery settlers from Massachusetts. John Brown, a longtime opponent of slavery who had joined his sons in Kansas with the intention of preventing its permanent establishment there, sought retribution; he and his allies killed five proslavery men in front of their families in a place called Pottawatomie. This murderous act hovered over Brown’s reputation—and later his legacy—instilling doubts in some potential supporters and leading others simply to deny that Brown had played a role in the killings, a stance that was aided by Brown’s own misrepresentations.

But to many, Brown’s extremism was a source of attraction, not revulsion. The newly created Massachusetts State Kansas Aid Committee channeled outside support. Higginson sent crates of rifles, revolvers, knives, and ammunition, as well as a cannon, to Kansas. He celebrated Kansas as the equivalent of Bunker Hill—a “rehearsal,” he later called it, for the more extensive violence to come.

It was because of Kansas that the six men who would conspire to support the Harpers Ferry raid found one another and identified Brown as the instrument of what they had come to regard as necessary violence. Like Parker, Higginson, and Howe, Franklin Benjamin Sanborn and George Luther Stearns had become active supporters of the Massachusetts State Kansas Aid Committee. A Harvard graduate who was a schoolteacher in Concord, Sanborn had been deeply influenced by Parker’s preaching while he was in college. Sanborn’s Transcendentalist ideas, with their skepticism about existing social structures and institutions, were further reinforced by his Concord neighbors Ralph Waldo Emerson and Henry David Thoreau. Stearns was a wealthy manufacturer whose ancestors included some of the original settlers of the Massachusetts Bay Colony as well as an officer in the American Revolution. Long active in abolition, he had established a station of the Underground Railroad near his Medford home and drew on his considerable fortune to send weapons to Kansas free-state settlers.

The last of the Six was Gerrit Smith, said to be the wealthiest man in New York State. Smith, like Stearns, would supply significant financial support to Brown. He had long been active in politics, seeking the destruction of slavery through political means, but by 1856 he had come to believe that it was time, as he put it, to move beyond ballots and start “looking to bayonets.” Parker, too, was preaching more forceful measures. “I used to think this terrible question of freedom or slavery in America would be settled without bloodshed,” he wrote to Higginson. “I believe it no longer.”

The attempted arrest, in April 1860, of the Secret Six member Franklin Benjamin Sanborn by federal authorities—which the citizens of Concord, Massachusetts, prevented. A contemporaneous etching from Harper’s Weekly. (Wikimedia)

By the end of 1856, under the leadership of a commanding new territorial governor, violence in Kansas had begun to subside, and a free-state electoral victory seemed all but assured. The following year, Brown began traveling throughout New England and New York to raise money for a fresh attack on human bondage—his new plan as yet unspecified. In Boston, he presented Sanborn with a letter of introduction from Smith. Sanborn in turn arranged for Stearns, Howe, and Parker to meet Brown. Uncertain what Brown intended, Higginson at first kept his distance, even though Sanborn pressed him, insisting that Brown could do “more to split the Union than any man alive.” The ideals of the once noble American experiment could be sustained only by separating from slavery or by destroying it.

In February 1858, Brown revealed his plan for the Harpers Ferry attack to Smith and Sanborn. Not long after, all of the Massachusetts conspirators met with Brown in his Boston hotel room and formally constituted themselves as the Secret Committee of Six to support Brown in planning and financing the raid. Stearns was to be the official chair, Sanborn the secretary. They would keep careful records, with an elaborate ledger and a dues schedule. It was as if a clandestine organization of accountants had set to planning an uprising.

The raid’s actual occurrence surprised them—with both its timing and its swift and disastrous outcome. On October 16, 1859, Brown and a party of 21 seized the federal arsenal, eventually taking several dozen hostages. The uprising of the enslaved that Brown expected never materialized, and local militia soon cut off the bridges that were the only escape route. Brown and his men blockaded themselves in the armory’s fire-engine house, where they exchanged intermittent gunfire with the troops surrounding them. On October 18, Colonel Lee and a regiment of U.S. Marines broke down the engine-house door. Wounded by a saber cut, Brown was taken prisoner and transported to the nearby Charles Town jail. Ten of Brown’s men, including two of his sons, were killed; seven, including Brown, were captured and later executed. Four civilians were killed, as was one Marine. To the great dismay of the Secret Six, Brown’s papers and correspondence were found at the farm where Brown had been living in Maryland.

The Six were stunned. In the press and in government offices, accusations flew. Many suspected that Frederick Douglass must have played a role. More than a decade before the raid, Douglass had met Brown and been moved by their conversations to question his own belief in the possibility of a peaceful end to slavery. “My utterances,” he later wrote, “became more and more tinged by the color of this man’s strong impressions.” When Brown took up arms in Kansas, Douglass’s appreciation for his boldness and conviction was only enhanced. Yet Douglass proved unwilling to join Brown when he revealed his Harpers Ferry plans. The scheme struck him as dangerously impractical and risky—“a steel-trap.”

In the aftermath of the raid, Douglass seemed almost embarrassed that he had not offered Brown more support, that he had permitted realism to trump daring. He could not conceal his admiration for the would-be liberator’s courage, but concerns for his own survival won the day. Douglass fled north to Canada and then to England, where he remained for nearly half a year.

Although Douglass was all too aware of his vulnerability, the Six, protected by their social position, had been defying authority with seeming impunity for years. Their recognition of personal peril came as a shock. The Six had embraced violence out of both entitlement and desperation. In public and private communications, they frequently invoked their revolutionary heritage, their biological connections to the country’s Founders—to those who had pitched tea into Boston Harbor and fought at Lexington and Bunker Hill. This was a legacy—and a responsibility—that required them to act with equivalent courage and decisiveness. They believed that in some sense, they owned the nation, and their sense of privilege fueled a confident assumption of immunity from serious consequence. But with Harpers Ferry, it seemed, they might have gone a step too far.

Letters from Smith, Stearns, Howe, and Sanborn were found among Brown’s papers and featured in the press before the end of October. Five of the Six were quickly exposed and excoriated. (Parker, who had left the country before the raid in a futile search for a cure to his tuberculosis, was identified within a few months.) Smith fell into a frenzy of worry about being indicted. After becoming, according to his physician, “quite deranged, intellectually as well as morally,” he was committed in early November to the Utica Lunatic Asylum. After consulting a Boston lawyer, Sanborn, Stearns, and Howe made their way to Canada (and Howe published an article disavowing Brown). All three returned to the U.S., but Canada remained a refuge. Howe and Sanborn went back and forth twice. Higginson, both at the time and later, was contemptuous of his fellow conspirators’ cowardice. John Brown deserved better from them. “We of the Six,” he maintained years later, “were not—are not—great men.” But Brown, he believed, was.

Higginson neither hid nor fled. He busied himself raising money for Brown’s defense and endeavoring to devise a scheme to facilitate Brown’s escape. But even for Higginson, who seems never to have contemplated a battle or a risk he didn’t relish, these plans seemed too far-fetched. Instead, with admiration, Higginson watched Brown’s display of undaunted courage throughout his trial as he refused to plead insanity or back down in his commitment to ending slavery through whatever means necessary. Brown would do far more from the grave than he could have ever imagined accomplishing in life. Higginson spent the day of his sentencing with Brown’s wife and the remaining members of his family on their bleak and remote upstate–New York farm.

The congressional committee appointed in December to investigate the origins and supporters of Brown’s raid proved only a feeble threat to the six conspirators. Higginson, to his disappointment, was never called to testify at all. Howe and Stearns dodged, equivocated, and at times outright lied. Smith was judged too unwell to attend. Parker died in Italy in May 1860 without ever returning to the United States. Sanborn’s fears were at last realized when the U.S. Marshals he had eluded for so long arrived at his house in Concord to compel his testimony. Citizens of the town rose up to prevent his removal while a judge sympathetic to Sanborn was located to issue a writ of habeas corpus. In the end, the congressional hearings were a tepid affair, likely because southern representatives came to recognize that the less attention given to abolitionist voices, the better.

The next battle in the war that Brown had begun would not be long in coming. While he bided his time, Higginson published in February 1860 the first of a series of articles in The Atlantic that he referred to as his “Insurrection Papers.” After writing essays on “The Maroons of Jamaica” and “The Maroons of Surinam”—Black groups who had escaped enslavement to establish their own independent societies on the fringes of white settlement—he proceeded to publish admiring essays on Denmark Vesey, Nat Turner, and Gabriel, men who had embraced violence in their efforts to overturn American slavery. In addition to his writing, Higginson devoted the 16 months between Brown’s execution and the firing on Fort Sumter to reading about military strategy and drills, and to practicing shooting and swordplay. In 1862, this man of words returned to the world of action. He would fulfill “the dream of a lifetime” as the colonel commanding the First South Carolina Volunteers, a regiment of the formerly enslaved. This commission embodied what he had believed in for so long: the mobilization of force in the cause of Black freedom, as well as the arming of Black men in their own liberation.

Both during and after the war, the careers of the Secret Six fell along a spectrum. Stearns never went to war himself but recruited thousands of Black troops into what he referred to as “John Brown regiments”; when the war was over, he helped found the Freedmen’s Bureau, which provided land and other assistance to newly freed African Americans. Howe worked with the Sanitary Commission, a relief agency founded to support sick and wounded soldiers, and, like Stearns, was involved with the Freedmen’s Bureau after the war. Smith emerged from the Utica asylum fragile and aversive to any conversation about Harpers Ferry. He gave a significant amount of money to Stearns’s Black regiments. And yet, in 1867, he was also among those who paid the bond that freed Jefferson Davis from prison. Sanborn appointed himself the custodian of Brown’s legacy, publishing four books and some 75 articles about him. (Many of the articles appeared in this magazine.) Sanborn cultivated the memory of a kinder, gentler Brown, downplaying the violence he had perpetrated. He did not know until the 1870s that Brown had lied to him about his central and murderous role at Pottawatomie.

Higginson was unapologetic. In 1879, when he remarried after the death of his first wife, Higginson chose Harpers Ferry as the site for their honeymoon, introducing his bride to prominent landmarks from the raid, the trial, and the hanging. Higginson never forgave himself for not doing more to support Brown and for failing to persuade him to adopt a plan that was more likely to succeed. To commemorate the 50th anniversary of the raid, in 1909, Higginson joined Sanborn, the only other surviving member of the Secret Six, and Howe’s widow, Julia, in Concord, where they were interviewed by a journalist. (Julia Ward Howe had in 1862 published on the cover of The Atlantic different lyrics for the tune of “John Brown’s Body”: the immortal words of “Battle Hymn of the Republic.”) As a writer and an activist, Higginson had remained deeply engaged in public life, notably on behalf of women’s rights; his views on race and Black suffrage tended to shift with time and circumstance, and he was far from the radical of the prewar years. But in the Concord interview, he expressed no second thoughts about his commitment to violence on behalf of abolition—either at Harpers Ferry or within the legitimating framework of the Civil War.

I learned the story of John Brown at an early age. It might have been that my father told my siblings and me about the history of Harpers Ferry as we drove along Route 340, peering down the cliffsides at the town and the rushing water below. Or Brown might have been one of those historical personages whose names we just knew, inhaled from the Virginia air around us. People like Stonewall Jackson and John Mosby and Turner Ashby, who had all likely ridden across the very fields surrounding our house. When I was growing up, I was always proud to live in a place associated with so many famous forebears. It was many years before I thought to question what their fame and vaunted heroism had been in service of.

[From the August 2019 issue: Drew Gilpin Faust on race, history, and memories of a Virginia girlhood]

But I knew from the outset that Brown’s renown was different. He was, I was told, a madman, undertaking a scheme that was doomed to fail—a suicide mission. When I wrote about Brown for my first term paper in high school, that was the story I told.

From 1859 onward, many observers, reporters, and, later, historians adopted the view that Brown was insane, and by the mid-20th century, when I was in school, it had become a widely held assumption among white Americans. Rather than a “meteor” anticipating or inaugurating the larger war that would end slavery, Brown became no more than an aberration. Violence was reduced to a mental-health problem. The interpretation reassuringly diminished the moral force of Brown’s actions and suggested that only madness could lead to dreams of overthrowing white dominance and Black subordination. This message was intended to emphasize the strength and immutability of the racial hierarchies that remained in place well after slavery’s end, surviving Reconstruction and enshrined in Jim Crow. It minimized the threat Brown posed and by implication all but removed him—and his insistence on the moral evil of slavery—from any place in explanations of the Civil War’s origins. The Lost Cause portrait of a conflict fought by two honorable opponents who differed primarily on constitutional views about states’ rights could remain intact and unchallenged.

Even in the days just after the raid, though, there were those who insisted on acknowledging the historic import of Harpers Ferry as well as the sanity and determination of John Brown. Governor Henry Wise of Virginia came to Harpers Ferry to interview Brown after his capture and rejected the idea that Brown was a lunatic: “They are mistaken who take him to be a madman,” he said. He left with an impression of him as “a man of clear head … cool, collected, and indomitable.” A sane Brown was far more dangerous. If his actions were rational, then the South must regard them as proof that the North was plotting the violent overthrow of slavery. The South, Wise insisted, needed to take active measures to defend itself and its way of life. One South Carolina politician described the raid as “fact coming to the aid of logic”: the South’s worst fears made real. Harpers Ferry was the moment that changed everything. The rabidly proslavery Wise and the radical abolitionist Higginson agreed on little else, but this they regarded as self-evident.

To accept slavery as the cause of the Civil War dictates setting the conflict within a longer trajectory of violence, one that starts at least with John Brown rather than Fort Sumter. Higginson would perhaps have us date the war from his saber cut in 1854. Douglass might well argue that it began in 1619. And when did the Civil War end? Historians studying the era after Appomattox have in recent years emphasized the persistence of violence through and beyond Reconstruction, as intransigent former Confederates turned from organized military force to beatings, burnings, whippings, shootings, and lynchings in the effort to suppress newly gained Black freedom. The war, the historians argue, simply continued in other forms. It is as difficult and complicated to say when the Civil War ended as to determine when it began.

In the years since 1859, John Brown and his raid have become a touchstone in America’s struggle to reconcile—or at least represent—the complex connections between force and freedom. The United States was founded in violent resistance and then guaranteed its survival as a nation eight decades later in a bloody Civil War. Violence is at the heart of our national mythology. The Secret Six drew explicitly on that mythology in their writing. It is central to our national creed. But violence has also, as Frederick Douglass reminds us, rested at the core of the social and legal order that mandated and sustained the oppression of millions of Americans from the early 17th century into our own time. Violence could enslave and violence could free. The purpose mattered. As Douglass declared, looking back on the Civil War in a Decoration Day speech honoring the Union dead in 1883, “Whatever else I may forget, I shall never forget the difference between those who fought for liberty and those who fought for slavery.”

The Black community did not forget that Brown had fought for liberty. After the war, his raid and his death continued to be commemorated across the North. In a stirring address at Storer College, founded in Harpers Ferry in 1867 to educate African Americans, Douglass insisted that Brown had not failed, but had begun the “war that ended slavery.” W. E. B. Du Bois held Brown in similarly high esteem. In 1906, the second gathering of the Niagara Movement, the predecessor of the NAACP, was held at Harpers Ferry in acknowledgment of Brown’s contributions to Black rights. Delegates from the NAACP met there in 1932 intending to dedicate a plaque in Brown’s honor. In a speech at that meeting titled “The Use of Force in Reform,” Du Bois expressed few compunctions about the use of violence: Brown, he said, “took human lives … He took them in Kansas and he took them here. He meant to take them. He meant to use force to wipe out an evil he could no longer endure.”

Langston Hughes used poetry rather than oratory to address African American readers as he invoked the lingering memory of John Brown. Hughes, whose grandmother had been married to one of the Black conspirators killed in the raid, celebrated “John Brown / Who took his gun, / Took twenty-one companions / White and black, / Went to shoot your way to freedom.” Hughes recalled that his grandmother had preserved her husband’s bullet-ridden shawl. As a small boy, he was sometimes wrapped in it. “You will remember / John Brown,” Hughes insisted.

But, fittingly, given his defining commitment to nonviolence, Martin Luther King Jr. remained silent on Brown. Even as the keynote speaker at a centennial observance of Brown’s raid, King did not mention the man once. The place of violence in the centuries of struggle for Black freedom has been long contested, and by the mid-1960s, King faced growing demands from Black activists urging forceful resistance to white threats and assaults instead of the Gandhian passivity that underpinned his philosophy. Malcolm X regarded Brown as “the only good white the country’s ever had.” The Black Power movement that challenged King’s vision of a Beloved Community could claim deep roots.

Barack Obama reflected the long tradition of Black appreciation for Brown in his 2006 book, The Audacity of Hope. Brown’s “willingness to spill blood,” Obama said, demonstrated that “deliberation alone” would not suffice to end slavery. “Pragmatism,” he concluded, “can sometimes be moral cowardice.”

As a nation, we are unable to get over John Brown. And as a nation, we have not figured out what violence we will condemn and what we will celebrate. I found myself unspeakably moved as I stood before Nat Turner’s Bible in the National Museum of African American History and Culture. At the same time, I am horrified by the violence of the January 6 rioters and by what I regard as widespread threats to the rule of law. We pride ourselves on being a country with a written Constitution that sets peaceful parameters for government. Yet the Supreme Court established by that Constitution has issued rulings providing that the citizenry may be armed not just for recreational hunting, but with weapons, including assault rifles, that are frequently purchased with an eye toward resisting that very government. Lawmakers walk the floors of the Capitol with pins shaped like AR-15s in their lapels. The rule of law seems historically and inextricably enmeshed in the tolerance—even the encouragement—of violence.

In the years leading up to the Civil War, antislavery Americans like the Secret Six turned to what Higginson—with a keen awareness of the oxymoron—called conscientious lawbreaking. Douglass came to embrace the legitimacy of violence, but recognized it as justified “only when all other means of progress and enlightenment have failed”—and only when there is a “thing worse than” violence that makes it necessary.

The existence and endurance of our nation has depended on that careful discernment, on that conscientiousness, in deciding when we truly face a “thing worse than.” It is not merely a historical question. A deep-seated ambivalence about violence defines us still.

This article appears in the December 2023 print edition with the headline “The Men Who Started the Civil War.” When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.

A Traitor to the Traitors

The Atlantic

www.theatlantic.com › magazine › archive › 2023 › 12 › james-longstreet-civil-war-confederate-general › 675817

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Illustrations by Justin Jenkins

Editor’s Note: This article is part of “On Reconstruction,” a project about America’s most radical experiment.

During the summer of 1997, my wife and I picked up our 9-year-old daughter from a ballet camp in Carlisle, Pennsylvania, and drove to the nearby Gettysburg National Military Park, which they had never seen and I barely remembered from a boyhood visit. The park’s presentation of history left much to be desired. The visitor center’s small museum and the numerous monuments scattered across the battlefield conveyed a great deal about how the battle had been fought in July 1863, while offering almost no explanation of why the combatants were fighting. The park commemorated the Union’s greatest military victory, but its emotional centerpiece was the disastrous southern assault known as Pickett’s Charge, identified, in the romantic glow of nostalgia, as the “high-water mark” of the Confederacy. In labels accompanying the display of historic artifacts and images, the words valor and glory were almost always applied to soldiers who fought for the South, not for the Union.

That the place where the Civil War reached its turning point had become a shrine to the courage of those who fought to destroy the nation and preserve slavery should not have been a surprise. It has long been a commonplace that the South lost the Civil War but won the battle over historical memory. For decades, almost from the moment of surrender, the ideology of the Lost Cause shaped both popular and scholarly understanding of the conflict.

As Elizabeth R. Varon observes in Longstreet: The Confederate General Who Defied the South, her compelling new biography of James Longstreet, Robert E. Lee’s second in command, the Lost Cause was far more than a military narrative. It provided a comprehensive account of the war’s origins, conduct, and consequences. The conflict, in this telling, had little to do with slavery, but instead was caused, depending on which book you read, by the protective tariff, arguments over states’ rights, or white southerners’ desire for individual liberty. Confederate soldiers were defeated not by superior generalship or greater fighting spirit but by the Union’s advantages in manpower, resources, and industrial technology. And the nation’s victory was marred by what followed: the era of Reconstruction, portrayed as a time of corruption and misgovernment, when the southern white population was subjected to the humiliation of “Negro domination.” This account of history was easily understandable and, like all ideologies, most convincing to those who benefited from it—proponents of white supremacy.

Just how widely and publicly memorialized the Lost Cause narrative remained more than 150 years later became glaringly clear in the fallout from tragic events such as the Charleston, South Carolina, church massacre in 2015; the deadly altercation in Charlottesville, Virginia, in 2017; and the murder of George Floyd by Minneapolis police officers in 2020. The legacy of slavery was propelled to center stage in today’s culture wars. With unexpected rapidity, the Confederate battle flag came down from many public buildings. And dozens of monuments to southern military leaders—most of them erected in the late 19th and early 20th centuries to help provide historical legitimacy for the Jim Crow system of racial inequality, then being codified into law—were removed from their pedestals.

[From the June 2021 issue: Why Confederate lies live on]

Of course, omission, not simply falsehood, can be a form of lying (as Alessandra Lorini, an Italian historian, noted earlier this year in an excellent survey of debates about historical monuments, titled Le Statue Bugiarde, or, roughly, “Statues That Lie”). For many years, the Civil War was remembered as a family quarrel among white Americans in which their Black countrymen played no significant role—a fiction reflected in the paucity of memorials indicating that enslaved men and women had been active agents in shaping the course of events. Lately, some historical erasures have begun to be remedied. For example, a memorial honoring Robert Smalls, the enslaved Civil War hero who famously sailed a Confederate vessel out of Charleston Harbor and turned it over to the Union navy, and later served five terms in the U.S. House of Representatives, is now on display in Charleston’s Waterfront Park.

Back when we visited, the Gettysburg battlefield was beginning to be swept up in changing views of history. The site is strewn with monuments, memorials, markers, and plaques—1,328 of them, according to the National Park Service, approximately a quarter of which memorialize Confederate officers and regiments. (Visitors sometimes ask guides whether all these monuments “got in the way of the battle.”) The Park Service and the Gettysburg Foundation, which jointly administer the site, were raising funds to build a new museum and visitor center. And in 1998, an equestrian statue was installed of James Longstreet, one of the Confederacy’s most successful generals, present at the battle but never before memorialized at Gettysburg. Longstreet had warned Lee in vain that Pickett’s Charge courted disaster. (To Lee’s credit, after the attack, which left about half of the 12,500 Confederate troops dead or wounded, he declared, “All this has been my fault.”)

But the defeat at Gettysburg was not what explained Longstreet’s exclusion from the pantheon of southern heroes. Rather, his conduct during Reconstruction was the problem—an assessment that was endorsed by the branch of the Sons of Confederate Veterans that commissioned his statue. The general, the group explained, was being honored for his “war service,” not his “postwar activities.” What were those activities? After the war, Longstreet had emerged as a singular figure: the most prominent white southerner to join the Republican Party and proclaim his support for Black male suffrage and officeholding. Leading the biracial Louisiana militia and the New Orleans Metropolitan Police, he also battled violent believers in white supremacy.

Among the challenges of writing the history of the Reconstruction period is avoiding the language devised by the era’s contemporary opponents as terms of vilification. One such word is scalawag, applied to a white southerner who supported Reconstruction. White-supremacist Democrats viewed scalawags, who could be found in many parts of the South, as traitors to their race and region. The largest number were small farmers in up-country counties where slavery had not been a major presence before the Civil War—places such as the mountainous areas of western North Carolina and northern Alabama and Georgia. There, many white residents had opposed secession and more than a few had enlisted in the Union army. Even though supporting Reconstruction required them to overcome long-standing prejudices and forge a political alliance with Black voters, up-country scalawags saw Black male suffrage as the only way to prevent pro-Confederate plantation owners from regaining political power in the South. All scalawags were excoriated in the white southern press, but none as viciously as Longstreet.

Longstreet’s life (1821–1904) spanned the era of sectional conflict, Civil War, and Reconstruction. Although unique in many ways, his postwar career illuminates both the hopes inspired by the end of slavery and the powerful obstacles to change. To write his biography requires a command of numerous strands of the era’s complex history. Varon, a history professor at the University of Virginia, is the author of a general account of the conflict. She has also written books about the coming of the war and Lee’s surrender at Appomattox, and is as adept at guiding the reader through the intricacies of Civil War military campaigns as she is at explaining the byzantine factional politics of Reconstruction Louisiana. Her knowledge of the historical context is matched by her balanced appraisal of Longstreet’s attitudes, personal and political.

Longstreet’s unusual postwar political career, Varon insists, did not arise from lack of enthusiasm for slavery or doubts about southern independence. The owner of several slaves, he was a true believer in the Confederate cause. His grandfather was a plantation owner in Edgefield District, South Carolina, widely known as a center of cotton production, proslavery ideology, and secessionism. He was brought up by his uncle Augustus Longstreet, a prominent jurist who made very clear his belief in Black inferiority. Educated at West Point, Longstreet resigned from the U.S. Army in 1861 to join the Confederate war effort. Varon points out that unlike Lee, who on occasion recklessly risked casualties that his army could not afford by attacking Union forces, Longstreet preferred to fight on the defensive. This is why he advised Lee not to send Major General George E. Pickett’s troops to assault the well-fortified Union lines at Gettysburg. But defenders of the Lost Cause—especially those who could never forgive Longstreet’s strong embrace of political rights for former slaves—would blame him retroactively for the defeat at Gettysburg, accusing him of sabotaging Pickett’s Charge by deliberately arriving late on the battlefield with his troops.

[Michel Paradis: The Lost Cause’s long legacy]

Longstreet was at Lee’s side in the tiny village of Appomattox Court House in April 1865 when a note arrived from Ulysses S. Grant demanding the surrender of Lee’s army to avert further bloodshed. Longstreet, who had known Grant since their West Point days, was impressed by the leniency of his old friend’s terms of surrender, which allowed Confederate soldiers to return home on “parole.” They would remain unpunished, and even keep their personal weapons, so long as they did not take up arms against the nation or violate local laws.

In her earlier work on the Appomattox surrender, Varon offered a provocative interpretation of the long-term consequences of Grant’s generosity, making a case that Lee’s officers and many ordinary soldiers saw it as a kind of homage to Confederate bravery. Indeed, a substantial number, she now writes, expected to receive another call to go to war for southern independence. They later argued that the radical expansion of Black rights forced on them during Reconstruction violated the terms of surrender. Those terms, they claimed, did not empower the Union to impose its will on the white South. Thus, resistance to Reconstruction did not violate the promise that paroled soldiers would obey the law.

Longstreet rejected any such interpretation of Lee’s surrender, seeing in it “the flaw of hubris.” He understood that Grant’s terms were an effort to facilitate reconciliation (among white citizens) in the reunited nation and in no way justified political violence. In urging the white South to accept the reality of defeat, Longstreet made the obvious point that the losing party should not expect to impose its perspective on the victor. The white South, Longstreet declared in 1867, had “appealed to the arbitrament of the sword,” and had a moral obligation to accept the outcome: “The decision,” he wrote, “was in favor of the North, so her construction becomes the law.” He believed Confederates should accept that the Union’s victory demonstrated the superiority of a society based on free labor over one based on slavery, and seize the opportunity presented by Reconstruction to modernize the South. Longstreet’s understanding of the lessons and consequences of Confederate defeat, Varon writes, helps explain the mystery of how a man who went to war to destroy the nation and protect slavery decided to join the Republican Party and work closely with Black political leaders during Reconstruction.

Soon after the surrender, Longstreet moved his family to New Orleans, where he established a cotton brokerage and became the president of an insurance company. Then, as now, New Orleans was a city with a distinctive history and an unusually diverse population. Occupied by Union forces early in the war, it harbored a large anti-secession white population. Its well-educated, economically successful free Black community was positioned to take a leading role in the Reconstruction project of revamping southern society, eliminating the vestiges of slavery, and establishing the principle of equal citizenship across racial lines. Many Black men—both those recently liberated and those already free before the war—were elected to public office after Congress, in 1867, ordered the creation of new governments in most of the former Confederate states. New Orleans, and by extension Louisiana, seemed to be a place where Reconstruction could succeed. But the newly created Republican Party was beset by factionalism as various groups jockeyed for political influence. The city was also home to a belligerent population of former Confederates willing to resort to violence to restore their dominion over Black residents.

Very quickly, Longstreet plunged into Louisiana politics, having applied for a pardon from President Andrew Johnson, Abraham Lincoln’s successor. This would enable him to hold public office and retain his property, except for slaves. Johnson refused, but in 1868, as provided in the Fourteenth Amendment, Longstreet received amnesty from the Republican Congress. Lee, who had appealed to Grant personally for immunity from charges of treason but declined to condemn the violence of the Ku Klux Klan, chastised Longstreet for recognizing the legitimacy of Congress’s Reconstruction policy.

But Longstreet, as Varon relates, was adamant that he was anything but a traitor to the white South. The first requirement of reconciliation, he wrote, was to accept frankly that “the political questions of the war” had been settled and should be “buried upon the fields that marked their end.” There was no avoiding Black suffrage and the participation of Black men in southern government. In 1868, Governor Henry Clay Warmoth, a former Union-army officer, created the biracial Metropolitan Police Force, where Longstreet went on to play a leading role. The sight of armed Black men patrolling the streets of New Orleans outraged much of the local white population. Longstreet was also appointed adjutant general of the state militia, which was racially segregated but had Black and white officers.

Over the course of eight years, Longstreet was active on a remarkable number of fronts in Reconstruction New Orleans. Grant appointed him to the lucrative position of customs surveyor. He sat on the New Orleans school board, which began operating the city’s public-education system on a racially integrated basis. Meanwhile, the legislature enacted a pioneering civil-rights law, barring racial discrimination by transport companies and in some public accommodations. Louisiana Republicans split over this measure, with many white leaders—including Governor Warmoth, who vetoed it—opposing it as too radical, while Black officials embraced it. Realizing that Black voters constituted, to use a modern term, the Republican Party’s “base,” Longstreet aligned himself with the state’s activist Black leaders, including P. B. S. Pinchback, who served briefly as the country’s first Black governor after Warmoth was impeached. Uniquely among prominent ex-Confederates, Longstreet frequently spoke out in favor of Black voting rights, further eroding his reputation among white Democrats. Being condemned as a Judas only bolstered his support for Reconstruction.

[From the December 2023 issue: The Black roots of American education]

Violence was endemic in Reconstruction Louisiana, and Longstreet played a major role in trying to suppress it. Terrorist groups such as the White League and the Knights of the White Camellia flourished. In 1874, after a series of disputed elections in Louisiana, the White League launched an armed assault on the state’s Reconstruction government. In charge of defending the city, Longstreet took part in the fighting. But the militia and police were overwhelmed, and only the intervention of federal soldiers restored order. The event exposed a reality that recent scholars such as Gregory Downs have strongly emphasized: The presence of Union troops was essential to Reconstruction’s survival. In 1891, anti-Reconstruction Democrats erected a stone obelisk paying tribute to what they called the Battle of Liberty Place. The accompanying text, added in 1932, celebrated the insurrection as an attempt to restore “white supremacy.” The memorial was removed in 2017, two years after then-Mayor Mitch Landrieu had approved a city-council resolution to do so.

Illustration by Justin Jenkins

By 1875, the persistent violence had convinced Longstreet that Reconstruction should proceed more slowly and try not to “exasperate the Southern people”—by whom he meant white people. Meanwhile, in response to what Varon calls a giant “misinformation campaign” by southern newspapers and Democratic politicians that depicted the South as mired in government corruption, northern support was on the wane, an ominous sign for the future of Reconstruction. Longstreet essentially abandoned participation in Louisiana politics and moved his family to Georgia, where he soon became a leader of that state’s Republican Party.

With Reconstruction ending, southern Republicans searched for ways to stabilize their party and maintain a presence in southern government. In Georgia, Longstreet pursued a strategy different from the course he had embraced in New Orleans. Instead of cultivating alliances with Black leaders, he now worked more closely with white Republicans, many of them scalawags, who urged northern Republicans to help “southernize” the party by boosting the power of its white members and limiting that of Black politicians. The “colored man,” Longstreet wrote to Thomas P. Ochiltree, a politician from Texas, had been “put in the hands of strangers who have not understood him or his characteristics.” By “strangers,” he was alluding to carpetbaggers (another of those tainted terms), northerners who took part in Reconstruction in the South and were derided by Democrats as merely seeking the spoils of office. Varon calls this letter “a blatantly racist piece of paternalist pandering.” Despite Longstreet’s efforts to reduce the political power of Black Republicans, white Democrats accused him of trying to “Africanize the South.” He remained popular, however, with Black Americans after Reconstruction ended, even winning praise from Frederick Douglass for his continued endorsement of Black suffrage and his condemnation of lynching. Longstreet also spent much of his time setting the record straight, as he saw it, regarding his wartime accomplishments. In 1896, he published a 690-page memoir, roundly denounced by adherents of the Lost Cause.

Varon offers a mixed verdict on Longstreet’s career. He could be arrogant and opportunistic, eager to bolster his own reputation. He benefited personally from the numerous positions to which he was appointed (in particular the patronage posts he enjoyed after the end of Reconstruction, including ambassador to the Ottoman empire and federal marshal for northern Georgia). But he also demonstrated remarkable courage, refusing to abandon the Republican Party, as many scalawags eventually did, or to change his mind about Black citizens’ political and civil rights.

Longstreet seems to have thought of himself, Varon writes, as “a herald of reunion.” And yet, she notes, his life exemplified the “elusiveness” of various kinds of postwar reconciliation—between white northerners and white southerners, between white and Black Americans, between upholders of the Lost Cause and advocates of a “New South.” His willingness to work closely with Black Americans, speak out in favor of their rights, and even lead them into battle in the streets of New Orleans overshadowed his military contributions to the Confederacy in the eyes of most white southerners. As a letter to a Georgia newspaper declared, when “it became a question of [the] negro or white man,” Longstreet chose the former and could never be forgiven. No statues of Longstreet graced the southern landscape.

Varon closes with a brief look at memorialization, focusing on the efforts of Longstreet’s second wife in the 1930s and ’40s to raise money to build a statue at Gettysburg. A formidable woman 42 years his junior, Helen Longstreet at age 80 worked as a riveter in a factory building bombers during World War II. The service of Black soldiers inspired her to defend Black voting rights, a stance much praised in the African American press. She died in 1962 at the age of 99. One wonders what she would have thought of the descendants of Confederate veterans who finally installed her husband on horseback at Gettysburg yet felt obliged as late as 1998 to dissociate themselves from his efforts to secure the equal rights of all Americans.

Longstreet believed that peaceful and just reunion would be possible only when the white South moved beyond the myth of the Lost Cause. The end of his erasure from historical memory highlights what a long and complicated evolution that has proved to be. Perhaps his restoration is also a sign that the time has come to shift attention from taking down old monuments to erecting new ones, including some to the Black and white leaders of Reconstruction, who braved white-supremacist violence in an effort to bring into being the “new birth of freedom” that Abraham Lincoln envisioned at Gettysburg.

This article appears in the December 2023 print edition with the headline “A Traitor to the Traitors.”

The Questions That Most Need Asking

The Atlantic

www.theatlantic.com › magazine › archive › 2023 › 12 › jeffrey-goldberg-reconstruction-issue-editors-note › 675804

Editor’s Note: This article is part of “On Reconstruction,” a project about America’s most radical experiment.

“Reconstruction,” by Frederick Douglass, appeared in the December 1866 issue of this magazine. It was the most important article that The Atlantic published in the immediate postwar era. It was also, for its time, unusually concise, coming in at a mere 2,703 words. By contrast, The Atlantic’s 1860 endorsement of Abraham Lincoln, written by James Russell Lowell, had run to 7,331 words, and Lincoln himself was not mentioned until the 1,747th word. (The editorial did succeed, of course. And yes, I’m taking credit on behalf of The Atlantic for Lincoln’s presidency.)

Douglass published his call for a radical reimagining of the American idea at an ambiguous but promising moment. Already, the infant project of Reconstruction—­of the South, of the lives of newly liberated Black Americans, of the Constitution itself—was stimulating opposition that would, by 1877, prove shattering to the cause of equality. And yet Doug­lass was correct, as his biographer David W. Blight writes in this issue, in understanding that “the United States had been reinvented by war and by new egalitarian impulses rooted in emancipation.” Douglass’s essay, which Blight brilliantly annotates for us, is “full of radical brimstone, cautious hope, and a thoroughly new vision of constitutional authority.”

The Reconstruction period has been a topic for The Atlantic across the centuries. This special issue, edited by our senior editor Vann R. Newkirk II, working alongside our editor-at-large, Cullen Murphy, and our managing editor John Swansburg, is meant to examine the enduring consequences of Reconstruction’s tragic fall at a moment—­yet another moment—when the cause of racial progress faces sustained pressure. The idea for this issue emerged from a conversation I had not long ago with Lonnie G. Bunch III, the secretary of the Smithsonian Institution and the founding director of the Smithsonian’s National Museum of African American History and Culture. Bunch is, among other things, a stupendous builder, a conscientious American patriot, and an impresario of memory. He is also a scholar of the Freedmen’s Bureau archives, and the author of a moving article about the bureau’s work.

Our conversation at first focused on the need to complete the exploration and digitization of the imperishably important archives, but then it ranged more widely. Both of us felt that, in this period of political and social reaction, revisiting the centrality of Reconstruction, and of promises made and broken, would be an apt subject for this magazine. Bunch writes in his article:

Librarians around the nation feel the chilling effects of book bans. Some individuals who seek to occupy the highest office in the land fear the effects of an Advanced Placement class that explores African American history—a history that, as education officials in Florida have maintained, “lacks educational value”; a history that does not deserve to be remembered.

As Newkirk, who has written a fascinating article about the Fisk University choir, noted to me, “If the last seven years in this country have proven anything, it is to show just how un­finished, and fragile, the project of Reconstruction actually is.”

In the interest of memory, we asked our deputy editor Yoni Appelbaum, a historian by trade, to examine The Atlantic’s mixed record on questions of Reconstruction. I would prefer to tell you that Frederick Douglass spoke singularly for this magazine on the subject, but there is also the matter of Woodrow Wilson, a frequent contributor to The Atlantic in the years before he became president. Wilson was a prime contributor to a 1901 series in this magazine focused on Reconstruction. The series, which also featured W. E. B. Du Bois (thank goodness), has too much of a “good people on both sides” air about it. As Appelbaum notes, Wilson’s critique of Reconstruction was appalling. “The negroes were exalted; the states were misgoverned and looted in their name,” Wilson wrote. This went on, he continued, until “the whites who were real citizens got control again.”

Illumination is the point of this issue. We have great scholars, including Peniel E. Joseph, whose article, “The Revolution Never Ended,” focuses on the Black Americans who continued the work of Reconstruction even after federal troops withdrew from the South, and Drew Gilpin Faust, a former president of Harvard and a noted Civil War scholar, who writes about the Secret Six, the men exposed after the war for having funded John Brown’s raid on Harpers Ferry. Eric Foner, in many ways the dean of Reconstruction scholarship, writes on James Longstreet, the Confederate general who accepted the Union’s victory and took up the cause of rebuilding the nation.

At the center of this issue, spread across 32 pages, you will find something surprising and glorious: an original play by Anna Deavere Smith, a contributing writer at The Atlantic as well as a playwright, a performer, and an actual genius. I don’t doubt that you will one day see the play, This Ghost of Slavery, on Broadway. When I first started talking with Smith about writing for this issue, she had predictably brilliant ideas for a long exploration of juvenile justice and its roots in the slave system, but we soon realized that an essay couldn’t contain all that she was trying to achieve. So I suggested that she write a play. We recruited our national editor, Scott Stossel, to serve as her dramaturge. Spend time with this play. It will move you. Spend time with this whole issue, in fact: It asks, and answers, the questions that most need to be asked.

This editor’s note appears in the December 2023 print edition with the headline “The Questions That Most Need Asking.”