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How Hollywood Fell Short for the Fall Guys

The Atlantic

www.theatlantic.com › culture › archive › 2024 › 05 › fall-guy-hollywood-stunt-community › 678423

On-screen, during an early scene in The Fall Guy, the stunt driver Logan Holladay pulls off a move that looks utterly chaotic. He steers an SUV that soars across a beach, parts of it breaking off as it tumbles over and over until landing upside down, in a mess of smoke and debris.  

But Holladay could feel, even before he was told, that he’d completed the stunt as planned. He’d spent months helping design and rehearse the sequence—called a “cannon roll”—in which he hits a high speed, deliberately triggering a device underneath the car that propels it into the air. During one attempt, he’d sent the car flying too high; during another, the car over-rotated and rolled vertically, end over end. This time, everything felt right. “I 100 percent will not throw myself into a situation that I don’t know every detail about,” Holladay told me. “I’m not going to just go for it and see what happens.”

The Fall Guy, which is now in theaters, is about that careful work. The film, loosely based on the campy 1980s television series about a stuntman who moonlights as a bounty hunter, is an action comedy with an endearing love story at its center—but it’s also a not-so-stealthy celebration of the stunt community. Directed by David Leitch, a former stunt performer himself, the film takes place on the set of a big-budget production, underlining just how much these professionals contribute to action filmmaking beyond their physical exploits.

Stunt performers exist in a uniquely tough position in today’s franchise-heavy Hollywood: They’re not household names, but the stunts they do have become a primary selling point for many action-thriller sequels. Their work is often flashy, which has contributed over time to the misconception of them as daredevils, making it hard for them to be taken seriously. And they’re often in the spotlight only when something goes wrong. They’re otherwise supposed to remain invisible—a goal seemingly at odds with long-running efforts to seek industry recognition at the Oscars, which doesn’t have a category awarding stunt work. “It’s our job as stunt performers to be in the shadows, and it’s our job to uphold the illusion of one character … I think we all want to keep that illusion alive for the audience,” Leitch told me. “We’re supposed to be hidden, so how do we celebrate?”

Making that campaign part of a mainstream, feel-good summer movie is one way. The Fall Guy, starring Ryan Gosling and Emily Blunt, is the most visible and notable push in the stunt community’s decades-long effort to be included at the Academy Awards. In February, the Academy announced that casting directors would be honored starting in 2026, the first time a new category has been added since 2001. In March, the ceremony itself aired a montage about stunt work. To many stunt performers I spoke with over the past month, these moves hinted at a turning point and provided far more encouragement than many of them have been used to.

[Read: The Hollywood pros finally getting their due]

Jack Gill, who has worked in stunts since the 1970s and was the coordinator behind several Fast and Furious films, began the campaign for Oscar inclusion in 1991. Since then, he told me, he’s been given a litany of reasons stunts can’t be a part of the show: the ceremony is already too long, an award might pressure stunt performers to strive for extra-dangerous acts, and, most of all, stunt work isn’t a creative endeavor. “Just trying to get even one award has been daunting,” he said, adding that when he began his campaign, he was told the process would take five years at most to complete. “I fought three to five years thinking, This is going to happen. And here we are, 30 years later.”

When the stunt coordinator Chris O’Hara tells people what he does for a living, he’s usually asked one of three questions: Have you ever been hurt? What movies have you been in? What’s the biggest stunt you’ve ever done?

They’re harmless questions, and O’Hara has answered them plenty of times, but they also convey a narrow understanding of what he does. His work isn’t really about getting hurt, or about being in movies, or about taking part in the biggest set pieces possible. The job is, he told me, “to create the illusion of danger by minimizing the risks.” In other words, his work requires intense, careful planning and rehearsing to get right.

The Fall Guy shows off the labor that goes into building a stunt by staging several giddy, over-the-top sequences that, one of the film’s producers, Kelly McCormick, told me, “were making dreams come true” for the team. The stunt performers broke personal and world records; Holladay told me that his eight and a half cannon rolls, which set a Guinness World Record, “still doesn’t even feel like it’s a real thing.” But their scenes dazzled not only because of, say, the height of a free fall or the length of a car jump; they also displayed how even minor adjustments to a stunt can deepen the story being told, making them an essential—and, yes, creative—part of the process.

Consider a climactic chase scene in The Fall Guy, when Gosling’s protagonist, Colt Seavers, executes a boat jump that ends in an explosion. The stunt involves steering a boat fast enough onto a ramp so that it’ll soar in midair before landing back in the water. In Colt’s case, however, he directs his boat toward explosives so he can attempt an escape. Shortly before filming the scene, Gosling received a vintage jacket promoting the Miami Vice live-stunt show—an actual tourist attraction, involving stunt performances inspired by the series, that ran in the 1980s and ’90s at the Universal Studios theme park.

The gift gave him the idea to incorporate one of the show’s tricks into his character’s extensive résumé. Gosling suggested that Colt steer the boat while facing backwards, with his hands tied behind his back, barely maneuvering the wheel. Leitch liked the idea; Colt’s narrative arc explores how, in his quest to impress his ex (Blunt) and prove his worth, he regains the self-confidence he lost after an on-set injury. Making the stunt appear just a little harder—a hidden stunt driver inside the boat meant Gosling’s double wasn’t actually driving it blind—fulfilled the actor’s creative inclinations and underscored the film’s themes. “It could have just been a boat jump, but now we’re defining this character moment for Colt,” Leitch explained.

A good stunt doesn’t have to be elaborate. Wade Eastwood, the stunt coordinator for several Mission: Impossible films, told me that work can start years before a film goes into production, and involve simply noting throughout a script where action might be required. If a story, he explained, has an ensemble traveling from one continent to another but little detail about how, he’ll design and pitch sequences to keep the audience’s adrenaline pumping. For instance, if the characters are in Buenos Aires but head to London, he said, “I will then write how they get to London. That’s a car chase into a motorbike chase into a skydive sequence into an aerial sequence … All that creativity is not the writer or the director. That’s actually the stunt coordinator.”

[Read: The sincerity and absurdity of Hollywood’s best action franchise]

For all of the stunt performers I spoke with, the work has been rewarding, even if Oscar trophies haven’t come along yet. Eastwood in particular emphasized how much he’d rather do his job than attend a single award show. He said he’s been told that he deserves an Oscar for what he’s done for the Mission: Impossible franchise, but he bristles at the idea. “I’m not thinking about if I’m going to get an award for the last Mission,” he said. “I’m thinking, What the hell am I going to do for the next Mission?

Even so, stunt performers being overlooked by the most prestigious industry award has only gotten more baffling as their work has become more multifaceted, the sophistication of the action seen on-screen proving the complexity of their jobs. “Back in the day, it was a bit of a live rodeo … You would just show up and have your bag of pads and athletic ability and willingness to do whatever it is that was asked of you,” said Melissa Stubbs, a stunt coordinator who has doubled for actors such as Margot Robbie and Angelina Jolie, referring to when her career began in the 1980s. “Now we are action designers.” An Oscar category honoring the head of a stunt department would signal that the craft is seen as equal in importance to every other creative element of production. “It’s not to say that our egos need to be stroked,” Jack Gill said. “It’s just that, around your peers, you’d like to be able to say, ‘I did something special.’”

After all, stunt performers typically downplay their work on set. Throughout The Fall Guy, Colt gives a thumbs-up at the end of his stunts, a gesture often used to underline how such performers are “stoics,” as McCormick put it: “They give the thumbs-up because a lot of times they can’t speak, let alone barely breathe, but they don’t want to stop production, because they know they’ll eventually be okay.”

Perhaps The Fall Guy will too. The film’s earnings underperformed at the box office compared with its reported $130 million budget, marking a muted start to the summer movie season, but its release has been meaningful for the stunt community. At the Los Angeles premiere of The Fall Guy, Stubbs, who had been invited to see the film along with many other members of the tight-knit stunt community, saw a colleague cry as the film played. Stunt workers are as emotionally invested in a movie as anyone else who made it. “Hopefully,” O’Hara said, “people will see us as more than those three questions.”

New 9/11 Evidence Points to Deep Saudi Complicity

The Atlantic

www.theatlantic.com › ideas › archive › 2024 › 05 › september-11-attacks-saudi-arabia-lawsuit › 678430

This story seems to be about:

For more than two decades, through two wars and domestic upheaval, the idea that al-Qaeda acted alone on 9/11 has been the basis of U.S. policy. A blue-ribbon commission concluded that Osama bin Laden had pioneered a new kind of terrorist group—combining superior technological know-how, extensive resources, and a worldwide network so well coordinated that it could carry out operations of unprecedented magnitude. This vanguard of jihad, it seemed, was the first nonstate actor that rivaled nation-states in the damage it could wreak.

That assessment now appears wrong. And if our understanding of what transpired on 9/11 turns out to have been flawed, then the costly policies that the United States has pursued for the past quarter century have been rooted in a false premise.

The global War on Terror was based on a mistake.

A new filing in a lawsuit brought by the families of 9/11 victims against the government of Saudi Arabia alleges that al-Qaeda had significant, indeed decisive, state support for its attacks. Officials of the Saudi government, the plaintiffs’ attorneys contend, formed and operated a network inside the United States that provided crucial assistance to the first cohort of 9/11 hijackers to enter the country.

The 71-page document, released in redacted form earlier this month, summarizes what the plaintiffs say they’ve learned through the evidence obtained in discovery and recently declassified materials. They allege that Saudi officials—most notably Fahad al-Thumairy, an imam at a Los Angeles mosque and an accredited diplomat at Saudi Arabia’s consulate in that city, and Omar al-Bayoumi, who masqueraded as a graduate student but was identified by the FBI as an intelligence operative—were not rogue operators but rather the front end of a conspiracy that included the Saudi embassy in Washington and senior government officials in Riyadh.

The plaintiffs argue that Thumairy and Bayoumi organized safe reception, transportation, and housing for hijackers Khalid al-Mihdhar and Nawaf al-Hazmi, beginning upon their arrival in California on January 15, 2000. (Both Thumairy and Bayoumi have denied aiding the plot. Bayoumi, along with Saudi Arabia, has also denied that he had any involvement with its intelligence operations.) The filing further argues that Thumairy and Bayoumi introduced the pair to local sympathizers in Los Angeles and San Diego who catered to their day-to-day needs, including help with immigration matters, digital and phone communications, and receiving funds from al-Qaeda by wire transfer. Saudi officials also helped the two al-Qaeda operatives—both Saudi nationals with little education or command of English, whose experience abroad consisted mostly of training and fighting for jihadist causes—to procure a car as well as driver’s licenses. This support network was crucial.

[Garrett M. Graff: After 9/11, the U.S. got almost everything wrong]

The filing, responding to a Saudi motion to dismiss the case, which is currently before the U.S. District Court for the Southern District of New York, makes extensive reference to FBI investigative reports, memos, communications records, and contemporaneous evidentiary materials that are still under seal but are likely to be made public in the coming weeks. One of us—Steven Simon—has been a plaintiffs’ expert in the case, enlisted to review and provide an independent assessment of the evidence. Some of the claims in the filing appear to be corroborated by a document, prepared by the FBI in July 2021 and titled “Connections to the Attacks of September 11, 2001,” as well as by other documents declassified under President Joe Biden’s Executive Order 14040. The materials produced thus far in the case deal mainly with Saudi support provided to these two California-based al-Qaeda operatives, and their fellow hijackers of American Airlines Flight 77, which was crashed into the Pentagon. Assuming that the case—now seven years old—goes forward, the presiding judge could order a further, broader discovery phase probing possible Saudi support for the other hijackers, most of whom came to the East Coast beginning in mid-2000.

The materials that have already surfaced, however, document the extent of the complicity of Saudi officials. The 9/11 Commission Report recounted numerous contacts between Bayoumi and Thumairy, but described only “circumstantial evidence” of Thumairy as a contact for the two hijackers and stated that it didn’t know whether Bayoumi’s first encounter with the operatives occurred “by chance or design.” But the evidence assembled in the ongoing lawsuit suggests that the actions Thumairy and Bayoumi took to support the hijackers were actually deliberate, sustained, and carefully coordinated with other Saudi officials.

In addition to the documents showing financial and logistical support, the evidence includes several videotapes seized by the U.K. during raids of Bayoumi’s properties there when he was arrested in Birmingham in September 2001. One video—a more complete version of a tape reviewed by the 9/11 Commission—shows Mihdhar and Hazmi at a welcome party arranged by Bayoumi after they moved to San Diego. The full video, the filing claims, shows that the party was organized by Bayoumi and Thumairy “to introduce the hijackers to a carefully curated group of likeminded community members and religious leaders.” The U.K. police also found, according to the filing, a notepad on which Bayoumi had sketched “a drawing of a plane, alongside a calculation used to discern the distance at which a target on the ground will be visible from a certain altitude.”

Another seized video contains footage of Bayoumi in Washington, D.C., where he met with Saudi religious officials posted as diplomats at the embassy and visited the U.S. Capitol. In the video, according to the filing, Bayoumi “carefully films and notes the Capitol’s structural features, entrances, and security posts,” addressing his narration to his “esteemed brothers.” The Capitol was the likely fourth target of the 9/11 attacks, the one that was spared when passengers aboard United Flight 93 wrestled with the hijackers and the plane crashed near Shanksville, Pennsylvania.

If Thumairy and Bayoumi were the front end of the support network for the hijackers, their control officers in the U.S. would have been in Washington at the Saudi embassy. In the pre-9/11 years, Saudi Arabia’s Ministry of Islamic Affairs had a sizable presence in the embassy, as well as at the consulate in Los Angeles. The ministry’s representatives oversaw the many Saudi imams like Thumairy in Saudi-supported mosques in the U.S., and posted Saudi “propagators” to Muslim communities in the United States. The Islamic Affairs offices and personnel appeared to operate according to different procedures than the other units within the embassy. And the support network for the hijackers had powerful backing in the Saudi capital. The FBI found evidence that when the Saudi consul general in Los Angeles sought to fire a member of the support network, who had been storing jihadist literature at the consulate, Thumairy was able to use his influence to save his job. As the new filing also documents, there was extensive phone traffic between Thumairy, Bayoumi and the embassy during crucial moments when the hijackers needed and received support.

The plaintiffs’ claims are contested by lawyers representing Saudi Arabia on a range of technical, jurisdictional, and factual grounds. They deny that Saudi officials directed support to the hijackers or were otherwise complicit in the attacks. Thumairy “did not assist the hijackers at all,” the lawyers have said, and his alleged actions would not have fallen within the scope of his official responsibilities. Bayoumi’s assistance was “minimal” and unrelated to terrorist activity, the lawyers argue, and neither he nor Thumairy belonged to a jihadist network. Some of the disputes are less about facts than about interpretation. The Capitol video, in the Saudi view, is nothing more than a typical home movie by an enthusiastic tourist; the San Diego video of Bayoumi’s party in the hijackers’ apartment is said to depict a gathering of mosque-goers for some purpose unrelated to the presence of two newly arrived al-Qaeda terrorists. If the court denies the Saudi motion to dismiss in the coming months, we will know whose view of the evidence has been the more persuasive.

After 9/11, President George W. Bush and his team argued that a nonstate actor like al-Qaeda could not have pulled off the attacks alone, and that some country must have been behind it all. That state, they insisted, was Iraq—and the United States invaded Iraq. In a savage irony, they may have been right after all about state support, but flat wrong about the state. Should we now invade Saudi Arabia?

The answer is no. The Saudi Arabia of 2001 no longer exists. The country is still capable of criminal action; witness the case of the journalist Jamal Khashoggi, victim in 2018 of a team of Saudi murderers in Istanbul. But the Islamic extremism that coursed through central institutions of the Saudi state appears to have been largely exorcised. Few countries in the world have been so consistently misunderstood by the U.S. as Saudi Arabia, though, so that judgment is necessarily a provisional one.

To understand why, a little history is necessary. At the time al-Qaeda emerged as full-fledged terrorist organization, in the 1990s, the country’s religious establishment wielded tremendous power, controlling the judiciary; the Ministry of Islamic Affairs; an array of large institutions such as the al-Haramain Foundation, the Muslim World League (MWL) and the World Assembly of Muslim Youth (WAMY); and other well-funded NGOs. The power of the religious establishment was rooted in the compact at the heart of the Saudi state: The legitimacy of the ruling family has been bound up with the Wahhabi clergy since Muhammad ibn Saud, the patriarch of the royal family, and the religious reformer Muhammad ibn Abd al-Wahhab joined in an alliance in 1744 that would conquer the Arabian Peninsula.

[From the April 2022 issue: Absolute power]

The MWL, WAMY, and other religious charities were established for the purpose of dawa, or spreading the faith. The Wahhabi clerical establishment had strict notions of how Saudi society should be regulated and believed that it would be best for Muslims worldwide to be subject to Wahhabi rules, but they were not predisposed to declare war to propagate Wahhabism. The pact the Wahhabi clerics formed relegated matters of statecraft to the house of Saud. It was a system that worked, until it didn’t.

Change came because of the counterinsurgency that the Egyptian government waged against the radical Islamists who had assassinated President Anwar al-Sadat in 1981. That campaign augmented an existing effort to suppress the Muslim Brotherhood, which continues today. Many who escaped the wrath of the Egyptian government fled to Saudi Arabia, flooding into the religious universities and teaching positions, or obtaining jobs in the religious bureaucracy. The result was a new ideological framework that meshed Wahhabi doctrine together with Muslim Brotherhood activism. The hunger for jihad among young Saudis was stoked by the thrilling stories of the war in Afghanistan against the Soviets told by fathers and uncles returning from their “jihad jollies,” as Western officials referred to these expeditions—which mostly took place far behind the front lines of that conflict.

As a concession to the clergy’s demands and the realities of the new environment, the monarchy authorized the creation of a religious-affairs ministry. But the youthful radicals soon had access to both the ministry’s gigantic budget, which mixed public and private money in a helter-skelter way, and an apparatus that could deploy ministry personnel abroad under diplomatic cover, including to the United States.

Thus, from the mid-1990s, the ministry was staffed and run by a growing number of people who shared with Osama bin Laden the view that the world was gripped by a cosmic struggle between believers and infidels. In short, they saw the United States as the leader of “world infidelity,” and believed that true Muslims had a duty to fight the infidels. Complementing those beliefs was the distinctive additional bit of jihadist dogma—of which bin Laden became the greatest proponent—holding that restoring the realm of Islam to its historic greatness required striking the United States on its own territory. Only through violence could the U.S. be forced to end its support for the apostate regimes that plagued the Muslim world. And only once the props were kicked out from under those regimes—Egypt, Syria, and Iraq—could truly Islamic governments take charge. That was the idea behind 9/11 and the campaign that was supposed to follow.

The United States, in the 1990s and after, was aware of some activities of the Saudi religious establishment, especially, for example, in Pakistan, Afghanistan, and Bosnia, where fighters—including the future hijackers Mihdhar and Hazmi, to name just two— were supported through Saudi charities. The picture became more ominous as the decade progressed as such charities, including al-Haramain, were implicated in the East Africa embassy bombings, which killed 224 people, injured nearly 5,000, and destroyed U.S. diplomatic posts in Nairobi and Dar es Salaam. As staff members working on counterterrorism on the National Security Council staff, we watched a succession of our colleagues from the White House and the State Department visit Riyadh to ask for better policing of these “charities.” Routinely, they came back with nothing to show for their efforts, while other weighty issues on the U.S.-Saudi bilateral agenda—containing Iran, achieving Middle East peace, lowering energy prices—ensured that Riyadh never felt any serious pressure.

Why there wasn’t much more of a response from the monarchy won’t be fully understood until the royal archives are opened, assuming that internal discussions were even recorded. But it does seem, in general, that the house of Saud ruled but did not govern; governance was typically for commoners. Without inquiring closely into the day-to-day operations of the religious and foreign-affairs ministries, the royals could not have had a clear idea of what was being done in their name, including the deployment of Saudis with diplomatic visas for the purpose of attacking the kingdom’s strongest, most reliable transactional partner.

Astonishingly, the attacks of 9/11 had little effect on the Saudi approach to religious extremism, as diplomats and intelligence officials have attested. What finally changed royal minds was the experience of suffering an attack on Saudi soil. In May 2003, gunmen and suicide bombers struck three residential compounds in Riyadh, killing 39 people. The authorities attributed the attacks to al-Qaeda, and cooperation with the U.S. improved quickly and dramatically. Mohammed bin Nayef, son of one of the country’s most powerful princes and its interior minister, emerged as the national counterterrorism chief and later interior minister. MBN, as he is known, transformed Saudi intelligence into America’s most valuable foreign partner in the fight against terrorism, providing tips that led to later plots being thwarted. MBN himself became a friend to a succession of CIA directors.

When King Abdullah died, in 2015, his half brother Salman bin Abdulaziz succeeded him, and MBN was made crown prince. Two years later, however, Salman removed MBN, stripped him of his ministry and other offices, and installed his own son Mohammed bin Salman. MBN was soon detained and subjected to execrable conditions, and disappeared from public view.

Mohammed bin Salman (widely known as MBS), now the country’s de facto ruler, may have seen MBN as a rival, but he certainly shared his opposition to extremism. During his time in power, the influence of the Wahhabi establishment appears to have been drastically curtailed. The country’s notorious religious police have largely disappeared from sight, and the Ministry of Islamic Affairs has been reformed, along with the massive Islamic organizations. In 2018, Mohammad bin Abdulkarim Al-Issa, the new head of the Muslim World League, visited the United States Holocaust Memorial Museum—a development that for his predecessors would have been utterly unthinkable.

There will be plenty of tension and recriminations if the exhibits in the New York case become public and the case progresses. Should the plaintiffs overcome the Saudi motion to dismiss, an extended period of merits discovery and a potential trial on liability for 9/11 will exacerbate matters. But many years after the attacks, it seems likely that judicial determination—not military action—is the most viable means by which to close the books on 9/11.

Revelations from the legal case are also likely to set off another round of self-flagellation over the failures of America’s law-enforcement and intelligence agencies. The 9/11 Commission Report and other accounts—including our own—showed the FBI to be shamefully asleep at the switch before the attacks. Indeed, some 9/11 Commission investigators thought the report went soft on the FBI to prevent morale from collapsing entirely. In light of the new revelations, we can expect renewed criticism. How could the bureau have been so ignorant of what the staff of a foreign embassy were doing under its nose? Counterintelligence, after all, is a core bureau responsibility. And the FBI’s conduct on this case is inexplicable. Curiously, agents continued investigating until at least 2021 and, to judge by the 2021 document, knew about the Saudis’ indispensable support for the hijackers. But their work was shut down by the Justice Department. There will be lots of questions to answer.

[Ben Rhodes: The 9/11 era is over]

If the criticism over these missteps is sharp, it will pale—or at least it should—next to how we reevaluate the global War on Terror, which defined American life and international affairs for some 20 years. The spectacle of 9/11 suggested that there was a new breed of super-terrorists, and the coordination, tradecraft, and sophistication behind the attack on the Twin Towers made that contention persuasive. It would have been foolhardy after that enormity not to expect more catastrophic attacks, and no one could say with any certainty how large al-Qaeda was or how capable it might be. Bin Laden had sought to galvanize the angry masses of the Muslim world in support of his movement. Approving reactions to 9/11, indicating that many Muslims around the world thought the U.S. had finally gotten what it deserved, led policy makers to believe that there was a reservoir of individuals who might be radicalized and line up behind al-Qaeda.

And there were. But the question was whether these Muslims in Africa, Asia, the Middle East, and South America could be marshaled into a force capable of inflicting grievous harm on the U.S. homeland. In the aftermath of the attacks, U.S. law enforcement at all levels turned to deal with the newly revealed terrorist threat. The FBI and local authorities showed up at Saudi-backed mosques around the country, hundreds of Muslim men were detained for immigration violations or under material-witness laws, and the Saudi support network went to ground. Washington secured the country’s borders following the attacks and, building on already-existing no-fly lists, made travel to the U.S. by would-be terrorists exceedingly difficult.

The next big attack never materialized. Indeed, al-Qaeda’s record after 2001 was a fizzle—a fact that has puzzled experts. Most years brought no more terrorist deaths in the U.S. than the pre-2001 period had, and some saw fewer. Al-Qaeda managed to organize no attacks against the American homeland for 18 years after 9/11. The deadly Islamist attacks of this period—including the Boston Marathon attack in 2013, the San Bernardino shootings in 2015, and the Pulse club massacre in Orlando in 2016—were the work of Muslims inspired by the jihadist terrorists but who had no notable contact with bin Laden’s organization. In December 2019, a Saudi air cadet killed three people in a shooting at the Navy’s Pensacola Air Station, an attack that was the first—and to date only—since 9/11 in which investigators traced a line back to al-Qaeda.

Abroad, terrorist strikes in Bali, Madrid, Paris, and London killed in the double and low triple digits—attacks on a scale the world was largely accustomed to, even if several of the attacks came tightly bunched. But there was nothing remotely like 9/11. In the U.S., the near-miss of the “underwear bomber,” a young man who tried to blow up Northwest Airlines Flight 253 to Detroit in December 2009 with a bomb in his briefs, prompted the Washington bureaucracy to further tighten screening procedures. American and foreign intelligence and law-enforcement agencies disrupted terrorist cells around the world. After the obliviousness that preceded 9/11, America demonstrated an extraordinary capacity to act decisively and effectively.

But above all else, without a support network in the U.S. that could provide cash and documents, facilitate travel, and secure lodging, large-scale terrorist attacks by foreign groups became nearly impossible.

Al-Qaeda did not exactly shrivel and die, but as many of its most capable operatives, such as Khalid Sheikh Mohammed, an architect of 9/11, were captured, the group became much less dangerous, and jihad against the U.S. lost some of its appeal. The eventual consequence was what became known as the “relocalization of jihad,” a return to settling scores against leaders and governments principally in Muslim parts of the world. In North Africa, al-Qaeda affiliates kidnapped foreigners and killed government forces. In places as diverse as Yemen and Southeast Asia, like-minded groups fought the local regimes and murdered civilians. Former imperial powers of Europe, situated close to the Middle East and North Africa, also faced, by virtue of their colonial histories, a continued threat of radicalization embedded within their own society.

[From the March 2015 issue: What ISIS really wants]

The most dramatic instance of this relocalization occurred in Iraq, where America’s removal of Saddam Hussein lifted the lid on the antipathies among the Shia, Sunni, and Kurdish communities. As the U.S. dismantled the Iraqi army and much of the Iraqi state, these sectarian and ethnic groups turned against one another in pursuit of an elusive security. War is the great incubator of extremism, and out of the civil conflict that the U.S. triggered emerged a jihadist entity that dwarfed al-Qaeda in its geographic and ideological reach. The Islamic State was the brainchild of extremists who understood that Sunni fury at the loss of their privileges in the new Shia-dominated Iraq could burn far hotter than the implausible global jihad of Osama bin Laden. Indeed, just as al-Qaeda seemed to be collapsing in 2014, ISIS conquered nearly half of Iraq. The turmoil of civil war in neighboring Syria gave ISIS a haven that grew to cover a third of that country as well. The Islamic State’s achievement in holding territory—something al-Qaeda never managed—attracted recruits from throughout the Arab world and Europe who yearned to create their vision of a truly Islamic polity. ISIS, an unwanted child of the U.S. occupation of Iraq, came closest to achieving the mass mobilization that U.S. policy makers feared after 9/11. But in the end, the group’s threat to the region’s states and its external terrorist operations galvanized a broad coalition of countries that crushed it. The U.S. contributed a great deal militarily to the effort, but at home, the only hint of a threat came from fearmongering in the media.

What would we have done differently if our intelligence and law-enforcement agencies had learned shortly after the 9/11 attacks that officials of our close friend Saudi Arabia had given regular, reliable, and essential support to terrorists seeking to kill Americans in large numbers?

We would, at a minimum, have immediately compelled Riyadh to dismantle the jihadi infrastructure within its institutions and to liquidate what was left of it on our soil and in countries around the world. We likely would still have toppled the Taliban in Afghanistan and tried to destroy what was left of al-Qaeda there. But if we had understood that the attacks of 9/11 had depended on state support—and if we had eliminated that state support—we might well have had the confidence to leave Afghanistan quickly, instead of lingering for 20 years. As additional attacks failed to materialize, we would also have been more prepared to rely on strong border controls and intelligence to keep us safe. Of course, the discovery of Saudi involvement in 9/11 would have thrown a massive roadblock in front of the George W. Bush administration’s rush to topple Saddam Hussein, although perhaps nothing could have restrained a heedless president from that course of action. But perhaps we would have felt secure enough to close the detention camp at Guantánamo, which has been a permanent demonstration of our disregard for the rule of law. And perhaps as well, we would not have subordinated almost all our other foreign-policy goals to our counterterrorism efforts—a practice that undermined American efforts to support democracy and human rights abroad.

Today, for most Americans, the global War on Terror has become a hazy memory from the time before Donald Trump. In Washington, policy makers avoid discussing the subject. Yet it bears remembering: It cost us $6 trillion, and that number is expected to go higher because of the long-term health-care costs for veterans. It turned the Middle East upside down, increasing the regional influence of Iran. More than 7,000 American servicemen and women died in action; 30,000 more, an extraordinary number, died by suicide. In all, more than 800,000 Iraqis, Afghans, and others, most of them civilians, perished in the war.

The War on Terror and its origins in 9/11 are seen in retrospect as farce and tragedy. But the emerging picture of the preparations for 9/11 make recognizing the sheer scale of the blunder inescapable.

The Key to Understanding HBO’s The Sympathizer

The Atlantic

www.theatlantic.com › culture › archive › 2024 › 05 › the-sympathizer-hbo-tv-show › 678421

In a recent scene from HBO’s The Sympathizer, a communist spy whom we only know as the Captain (played by Hoa Xuande) sits outside a Los Angeles car-repair station, staking out the man he’s planning to kill. His target is a former senior military officer, Major Oanh, who fled with him from Vietnam to the U.S., and who is starting over as a mechanic. When the Captain learns that Oanh is importing expired Vietnamese candy as a side hustle, he confronts him. To his shock, the man embraces him. “It’s a new world here,” Oanh tells the Captain. “If you fully commit to this land, you become fully American. But if you don’t, you’re just a wandering ghost living between two worlds forever.”

Adapted from Viet Thanh Nguyen’s 2015 Pulitzer Prize–winning novel, The Sympathizer follows a protagonist who seems perennially trapped in this between. The Captain is a North Vietnamese secret-police agent embedded high up in the Southern Vietnamese military. As a biracial, half-French man, the Captain is at once strikingly visible in public and yet socially invisible; he’s been, as he says early in the first episode, “cursed to see every issue from both sides.” But what vexes him even more is the realization that he uses his identity as an excuse to avoid taking firm moral stances. By circumstance and by choice, he moves through society as a specter.

Although The Sympathizer isn’t a literal ghost story, this is a compelling prism to view the adaptation through. The series, created by Park Chan-wook and Don McKellar, introduces the Captain after he’s been captured by the North Vietnamese army (which he’s spying for), sent to a reeducation camp, and stuck in a room to write his confession. He begins by writing words we hear in a voice-over: “I am a spy, a sleeper, a spook, a man of two faces,” a nod to the opening of Ralph Ellison’s 1952 novel, Invisible Man, whose similarly unnamed narrator unpacks feeling adrift and anonymous “because people refuse to see me.” In The Sympathizer, the word spook takes on a dual meaning, describing a spy—a job that hinges on being imperceptible—and also a disembodied presence that’s neither dead nor alive.

The Captain narrates his imperfectly detailed memories, which span decades and move between Vietnam and the U.S. He jumps back and forth through time, revealing a man caught as much between physical and psychic worlds as between loyalties. The two people he cares most about in the world—his best friends and “blood brothers” Man and Bon—were on different sides of the war: the former was a higher-up in North Vietnamese leadership, the latter was a South Vietnamese paratrooper and assassin.

[Read: Viet Thanh Nguyen on why writing is a process of “emotional osmosis”]

But unlike in many traditional ghost stories, the Captain isn’t an omniscient figure narrating from the afterlife. He is wrestling with competing political and cultural ideologies and with Vietnam’s legacy of colonialism and war. He is a frequent subject of derision as a mixed-race man: In one scene in Vietnam, the Captain explains that he’s long endured acquaintances and others “spitting on me and calling me bastard,” dryly adding that “sometimes, for variety, they call me bastard before they spit.” Even those who the Captain believes respect him see his humanity as conditional. In the novel, his longtime boss—known only as the General—fires him for flirting with his daughter: “How could you ever believe we would allow [her] to be with someone of your kind?” the General asks.

This sense of alienation is exacerbated in the U.S., where the Captain embeds within the exiled South Vietnamese community. There, he and his fellow countrymen are, as he describes in the novel, “consumed by the metastasizing cancer called assimilation and susceptible to the hypochondria of exile.” At one point in the show, a fellow émigré and journalist named Sonny (Alan Trong) tells him, “Arguably, I’m more Vietnamese than you … biologically”—and yet the Captain is regarded as being too Vietnamese by many of those he meets in the U.S. In an especially atrocious scene after the Captain’s arrival in Los Angeles, a former professor he connects with (Robert Downey Jr.) gives him the dehumanizing assignment of writing down his “Oriental and Occidental qualities” side by side. Afterward, the professor pressures the Captain to read the list aloud to university donors at a cocktail party.

[Read: The Vietnam War, as seen by the victors]

Not even the Captain’s Marxist proclivities can anchor him after he moves to America, a bastion of capitalism that he's been taught to hate but secretly enjoys. Though he technically identifies as a Communist, in the series he doesn’t come off as an active, passionate believer. He also becomes involved in American pop culture, when he's asked to be a cultural consultant on an Apocalypse Now–esque film. Yet the Captain is frustratingly static in these Hollywood scenes. He’s unconvincing when he implores a movie director named Niko Damianos (also played by Downey Jr.) to hire Vietnamese actors in speaking roles. Even the way he pushes back against the inclusion of an unnecessarily violent scene feels tepid; when the director fires him, the Captain walks away in indifferent silence.

In interviews, Nguyen has said that hauntings are inextricable from stories about war and the trauma it leaves behind. He has also noted that Vietnamese culture is full of ghost stories, whose spirits bear both malicious and benevolent intent. The visual language of The Sympathizer takes care to point out that those hovering in the afterlife stay close to the living. Shrines to the deceased, many adorned with fruits, incense, and vases full of flowers, pervade the show’s world, including in the Captain’s home and in the General’s office. Later in the series, literal ghosts also take shape: Major Oanh and another person the Captain murders constantly reappear to taunt him and offer unsolicited opinions.

As the series progresses, the Captain becomes more and more numb, stymied by the realization that neither communism nor capitalism—nor either of the two countries, or racial identities, or best friends he’s torn between—will make him whole. The Sympathizer drives home the salient point that social invisibility has a way of hollowing someone until they’re unrecognizable, even to themselves. It gestures toward a haunting truth: To stand for everything is akin to standing for nothing.