At its best, a presidential biopic can delve into the monomaniacal focus—and potential narcissism—that might drive a person to run for the White House in the first place. That’s what Oliver Stone did in 1995’s Nixon, dramatizing the 37th president’s downfall with the exhilarating paranoia of the director’s best work. Though guilty of some fact-fudging, Stone retained empathy for Richard Nixon’s childhood trauma and lifelong inferiority complex, delivering a Shakespearean tragedy filtered through a grim vision of American power. As Nixon (played by a hunched, scotch-guzzling Anthony Hopkins) stalks the halls of a White House engulfed by scandal, and stews with jealousy at the late John F. Kennedy, the presidency never seemed so lonely.

A presidential biopic can also zoom in on a crucial juncture in a leader’s life: Steven Spielberg’s Lincoln explored its protagonist’s fraught final months, during which he pushed, at great political risk, for a constitutional amendment to abolish slavery. Spielberg’s film was captivating because it didn’t just re-create Lincoln’s famous speeches, but also imagined what the man was like behind the scenes—in backroom dealings, or in contentious confrontations with his wife, Mary Todd. Like its 1939 predecessor, Young Mr. Lincoln, the film wisely limits its scope; focusing on a pivotal period proves a defter approach than trying to capture the full sprawl of a president’s life, a task better left to hefty biographies.

And then there’s a movie like this year’s Reagan, the Ronald Reagan biopic starring Dennis Quaid. Reagan is a boyhood-to-grave survey of the 40th president’s life and administration, with a chest-beating emphasis on his handling of the Cold War that blurs the line between biopic and Hollywood boosterism. Filmed with all the visual panache of an arthritis-medication commercial, the movie is suffocating in its unflagging reverence for its titular hero. In its portrayal of Reagan’s formative years, secondary characters seem to exist primarily to give mawkish pep talks or to fill the young Reagan’s brain with somber warnings about the evils of communism. “God has a purpose for your life, something only you can do,” his mother tells him after he reads scripture at church. Later, in college, he is disturbed by a speech from a Soviet defector, who visits a local congregation and lectures wide-eyed students that they will not find a “church like this” in the U.S.S.R.

Unlike Lincoln, the film seems incapable of imagining what its protagonist was like in private moments or ascribing any interior complexity to him. Even his flirty exchanges with his wife, Nancy, feel like they were cribbed from a campaign ad. “I just want to do something good in this world,” he tells his future spouse on a horseback-riding date. “Make a difference.” The portrayal isn’t helped by the fact that the 70-year-old Quaid is digitally de-aged and delivers his lines in a tinny imitation of the politician’s voice. A bizarre narrative device further detaches the audience from Reagan’s perspective: The entire movie is narrated by Jon Voight doing a Russian accent, as a fictionalized KGB agent who surveilled Reagan for decades and is now regaling a young charge with stories of how one American president outsmarted the Soviet Union.

They say history is written by the winners. But sometimes the winners like to put on a bad accent and cosplay as the losers. Yet despite heavily negative reviews, Reagan remained in theaters for nearly two months and earned a solid $30 million at the box office, playing to an underserved audience and tapping into some of the cultural backlash that powered Donald Trump’s reelection. The film’s success portends a strange new era for the presidential biopic, one in which hokey hagiography might supplant any semblance of character depth—reinforcing what audiences already want to hear about politicians they already admire.

In retrospect, Lincoln, with its innate faith in the power of government to do good, was as much a product of the “Obamacore” era—that surge of positivity and optimism that flooded pop culture beginning in the early 2010s—as Lin-Manuel Miranda’s Broadway smash Hamilton. But the arrival of the Trump era threw cold water on those feel-good vibes, and since Lincoln, presidential biopics have largely failed to connect with crowds. Two lightweight depictions of Barack Obama’s young adulthood arrived in 2016, but neither reckoned with his complicated presidency. In 2017, Rob Reiner delivered the ambivalent and uneven LBJ, which sank at the box office and made little impression on audiences. Meanwhile, Martin Scorsese developed and seemingly abandoned a Teddy Roosevelt biopic.

In development for more than a decade, Reagan emerges from a more plainly partisan perspective. Its producer, Mark Joseph, once called The Reagans, the 2003 TV movie starring James Brolin, “insulting” to the former president. Though Reagan director Sean McNamara expressed hope that his film would unite people across political lines, its source material, The Crusader, is a book by Paul Kengor, a conservative who has written eight books about Reagan and who presently works at a right-wing think tank. And its star, Dennis Quaid, is among Hollywood’s most prominent Trump supporters. In July, Quaid appeared on Fox News live from the Republican National Convention, proclaiming that Reagan would help Americans born after 1985 “get a glimpse of what this country was.”     

The notable presidential biopics of the past were prestige pictures that at least tried to appeal to a wide swath of the moviegoing public, across political spectrums. Even 2008’s W., Stone’s spiritual sequel to Nixon—inferior by far, and disappointingly conventional in its biographical beats—is hardly the liberal excoriation many viewers might have expected from the director; it was even criticized for going too easy on George W. Bush. Released during the waning months of his presidency, when Bush-bashing was low-hanging fruit for audiences, the film portrays the 43rd president as a lovable screwup with crippling daddy issues. As Timothy Noah argued in Slate at the time, “W. is the rare Oliver Stone film that had to tone down the historical record because the truth was too lurid.”

Instead, new entries like Reagan and Ali Abbasi’s The Apprentice, the more nuanced film, reflect the market demands of a more fragmented moviegoing public—and reality. Rarely do two movies about the same era of American history have so little audience overlap. Set from 1973 to 1986, The Apprentice portrays Trump (Sebastian Stan) as a young sociopath-in-training, dramatizing his rise to business mogul and his relationship with mentor Roy Cohn (Jeremy Strong), a Svengali of capitalist chicanery molding a monster in his own image. In the most shocking scenes, the film depicts Trump brutally raping his wife, Ivana, and undergoing liposuction surgery. (Ivana accused Trump of rape in a 1990 divorce deposition, then recanted the allegation decades later. Trump’s campaign has called the movie a “malicious defamation.”) The film, in other words, gives confirmation—and a sleazily gripping origin story—to those who already believe Trump is a malevolent con man and irredeemable misogynist. It knows what its viewers want.

[Read: How the GOP went from Reagan to Trump]

So, seemingly, does Reagan, which shows its protagonist primarily as the Great Communicator who tore down that wall. But as the Reagan biographer Max Boot recently wrote, “the end of the Cold War and the fall of the Soviet Union were primarily the work of Soviet leader Mikhail Gorbachev—two consequences of his radically reformist policies … Reagan did not bring about Gorbachev’s reforms, much less force the collapse of the Soviet Union.” Reagan resists such nuance, hewing instead to a predictable hero’s narrative. Soviet leaders are swathed in visual clichés: grotesque men sipping vodka in cigar-filled rooms.

Meanwhile, the film renders Reagan’s domestic critics without sophistication or dignity. As Matthew Dallek chronicles in his book The Right Moment, Reagan spent much of his 1966 campaign to become California’s governor sensationalizing and condemning marches protesting the Vietnam War at UC Berkeley, and later called for a “bloodbath” against the campus left. In the film, we see Reagan, as the state’s governor, calling in the National Guard to crack down on Berkeley protesters, but we never learn what these students are protesting; Vietnam is scarcely referenced. (A nastier incident, in which Reagan-sent cops in riot gear opened fire on student protesters and killed one, goes unmentioned.)

A less slanted film might have interrogated the conflict between Reagan’s anti-totalitarian Cold War rhetoric and his crackdown on demonstrators at home. It might also have reckoned with the president’s devastating failure to confront the AIDS epidemic, a fact the movie only fleetingly references, via a few shots of ACT UP demonstrators slotted into a generic montage of Reagan critics set to Genesis’s “Land of Confusion.” But Reagan remains tethered to the great-man theory of history, in which Reagan single-handedly ended the Cold War, preserved America’s standing in the world, and beat back lefty Communist sympathizers. A match-cut transition, from a shot of newly retired Reagan swinging an axe at his ranch to young “wallpeckers” taking axes to the Berlin Wall in 1989, literalizes the message for grade-school viewers: The Gipper brought down the wall himself. It’s not that the movie is too kind to Reagan—but by flattening him in this way, it robs him of the conflicts and contradictions that made him a figure worth thinking about today.

In this way, too, Reagan forms a curious contrast to Nixon. A central message of Stone’s film is that even if Nixon had wanted to end the Vietnam War, he was powerless to act against the desires of the deep state (or “the beast,” as Hopkins’s Nixon calls it). In a defining scene, a young anti-war demonstrator confronts the president. “You can’t stop it, can you?” she realizes. “Because it’s not you. It’s the system. The system won’t let you stop it.” Nixon is stunned into stammering disbelief.

Indeed, Stone’s trilogy of films about U.S. presidents (JFK, Nixon, and W.) all reflect some paranoia about the dark forces of state power. (The unabashedly conspiratorial JFK suggests that Kennedy was eliminated by the CIA and/or the military-industrial complex because he didn’t fall in line with their covert objectives.) They are stories of ambitious leaders whose presidencies were hijacked or truncated by forces beyond their comprehension—movies whose villains are shadowy figures operating within the bowels of the U.S. government. It’s not just Stone’s view of state power that makes his films more interesting; it’s that he takes into account forces larger than one man, regardless of that man’s own accomplishments.   

Reagan’s vision of the institution is more facile. Its hero is endowed with near-mythical power to end wars and solve domestic woes; its villains are as clearly labeled as a map of the Kremlin. The film’s simplistic pandering vaporizes complexity and undercuts the cinematic aims of a presidential biopic. It’s a profitable film because it instead adheres to the market incentives of modern cable news: Tell viewers what they want to hear, and give them a clear and present enemy.     

In his 2011 book, The Reactionary Mind, the political theorist Corey Robin argues that the end of the Cold War had proven unkind to the conservative movement by depriving it of a distinct enemy. For today’s GOP, a good adversary is hard to find—in the past few years, its leaders have grasped around haphazardly in search of one: trans people, Haitian immigrants, childless women. (And, as always, Hillary Clinton.) In Reagan, though, the world is much simpler: There’s an evil empire 5,000 miles away, and a California cowboy is the only man who can beat it. It’s a flat narrative fit for one of his old B movies.

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In early 2017, just after Donald Trump took residency in the White House, the New York Times technology columnist Farhad Manjoo engaged in an experiment. He spent a week doing all he could to ignore the new president. He failed. Whether Manjoo was scrolling through social media or news sites, watching sitcoms or sports—even shopping on Amazon—Trump was there, somehow, in his vision. In those early days of his presidency, Trump had already become so ubiquitous that a studious effort to avoid him was doomed. “Coverage of Mr. Trump may eclipse that of any single human being ever,” Manjoo observed. Trump was no longer a single story; he was “the ether through which all other stories flow.”

This week, the former president made himself inescapable once more. He will have another four-year term in office, the Trump Show renewed for a second season. And his political power has been ratified, in part, by a dynamic that Manjoo observed at the start of Trump’s first presidency: His celebrity changes the politics that surround him.

Trump is a showman above all, which has proved to be a major source of his omnipresence. He is image all the way down. He is also narrative shed of its connection to grounded truth. He has endeared himself to many Americans by denigrating the allegedly unchecked power of “the media”; the irony is that he is the media.

The book that best explains Trump’s dominance may well have been published in 1962. In The Image: A Guide to Pseudo-Events in America, the historian Daniel J. Boorstin described the image as a medium—a photograph, a movie, a representation of life, laid out on pulp or screen—that becomes, soon enough, a habit of mind. The image doesn’t merely replicate reality; it also surpasses it. It normalizes spectacle so thoroughly—life, carefully framed and edited and rendered in Technicolor—that reality itself can seem boring by comparison. Images, in Boorstin’s framework, are intimately connected to many of the other phenomena that shape so much of American culture: celebrity, fantasy, all that gives rise to the “thicket of unreality which stands between us and the facts of life.”

[Read: ‘The Image’ in the age of pseudo-reality]

In describing imagery in action, Boorstin pointed to Phineas T. Barnum, the famous peddler of spectacular hoaxes and lustrous lies. Barnum was a 19th-century showman with a 21st-century sense of pageantry; he anticipated how reality could evolve from a truth to be accepted into a show to be produced. Barnum turned entertainment into an omen: He understood how much Americans would be willing to give up for the sake of a good show.

Trump is Barnum’s obvious heir—the ultimate realization of Boorstin’s warnings. The difference, of course, is that Barnum was restricted to brick-and-mortar illusions. The deceptions he created were limited to big tops and traveling shows. Trump’s versions go viral. His humbugs scale, becoming the stuff of mass media in an instant. Trump lost the 2020 election, and his refusal to accept the defeat became known, in short order, as the Big Lie. His resentments become other people’s anger, too. In the introduction to his 2004 book Trump: Think Like a Billionaire, the future president includes a quote from a book about the rich—a classic Trumpian boast doubling as an admission. “Almost all successful alpha personalities display a single-minded determination to impose their vision on the world,” it reads, “an irrational belief in unreasonable goals, bordering at times on lunacy.”

The assertion was borrowed from the writer Richard Conniff, who would later profess his shock that the line—he had intended it as an insult—had been used by Trump to bolster his own brand. Trump: Think Like a Billionaire was published not long after the premiere of The Apprentice, earlier in 2004; the show, as it reimagined reality as a genre, also transformed its host into a star. When Trump announced his first presidential candidacy, he staged the whole thing in the gilded atrium of the New York City tower emblazoned with his name, a building that was real-estate investment, brand extension, and TV set. Many, at the time, assumed that Trump was running, essentially, for the ratings—that he might try to channel his campaign into an expansion of his power as an entertainer.

In many ways, it turns out, Trump has done precisely that—despite, and because of, his ascendance to the presidency. Barnum, too, converted his fame as a showman into a second life as a politician. While serving in the Connecticut legislature, he crusaded against contraception and abortion, introducing a law that would become infamous for its repressions of both. Trump’s neo-Barnumian status has not only allowed him to exercise similar power over people’s lives; it has also enabled him to convince a large portion of the American electorate of the supreme rightness of his positions.

In 2015, during Trump’s first presidential campaign, HuffPost announced that it would not report on him as part of its political coverage; instead, it would write about his antics in its Entertainment section. “Our reason is simple: Trump’s campaign is a sideshow,” the publication declared. “We won’t take the bait.”

That category confusion explains a lot about Trump’s durability. He defies the old logic that tried to present politics and entertainment as separate phenomena. He is a traditional politician, and he isn’t at all. He is a man—a person shaped by appetites and whim and spleen—and a singular one, at that. But he has also styled himself as an Everyman: an agent of other people’s resentments, fear, and anger.

[Read: We’ve lost the plot]

It didn’t matter that Trump lost the presidency in 2020. It didn’t matter that he was impeached and impeached again, held liable for rape, convicted of fraud. In another time, with another figure, any one of those developments would have meant a culmination of the narrative, the disgraced politician slinking into obscurity. The end. But Trump has used his remarkable fame—its insulating power—to argue that he is not a politician, even as he has become an über-politician. Each of his might-have-been endings, as a result, has served for him as a new beginning. Each has been an opportunity for him to reset and begin the narrative anew, to double down on his threats and hatreds. The effect of attempting to hold Trump accountable, whether in the courts or in the arena of public opinion, has been only to expand the reach of the spectacle—to make him ever more unavoidable, ever more inevitable.

“It’s probably not a good idea for just about all of our news to be focused on a single subject for that long,” Manjoo wrote in 2017. He was absolutely correct. But he could not foresee what Trump had in store. “Politics is downstream from culture,” the old Breitbart saying goes. But Trump’s reelection is one more piece of evidence that politics and culture mingle, now, in the same murky water. Both seethe in the same dark sea. Trump once again has carte blanche to impose his vision on the world. And his audience has little choice but to watch.

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Maybe it was always building to this: thousands of people singing and dancing to “Macho Man,” some sporting neon safety vests, others in actual trash bags, a symbolic expression of solidarity with their authoritarian hero whose final week on the campaign trail has revolved around the word garbage.

Where will the MAGA movement go from here? Trump had an answer last night, at least for the short term. He wasn’t telegraphing an Election Day victory—he was preparing, once again, to label his opponents “cheaters” and to challenge a potential defeat.

The evening’s host, Tucker Carlson, said that for most of his life as a journalist, he’d imagined that one would have to be “bereft of a soul” to stand onstage and support a politician. “And here I am with a full-throated, utterly sincere endorsement of Donald Trump.”

On with the show.

As I wandered around Desert Diamond Arena, in Glendale, Arizona, last night, this iteration of Trumpism felt slightly different, if not wholly novel. Nine years ago, Trump held one of his first MAGA rallies not far from this venue. “Donald Trump Defiantly Rallies a New ‘Silent Majority’ in a Visit to Arizona” read a New York Times headline from July 11, 2015. Charlie Kirk, one of last night’s warm-up speakers, put it thusly: “This state helped launch the movement that has swept the globe.” All of the elements Trump needed to stoke the fire back then were still here last night: the Mexican border debate, inflamed racial tensions, metastasizing political extremism. Trump’s movement has grown, and his red MAGA hat has become a cultural touchstone. As the Arizona sun set, though, his nearly decade-long campaign of fear and despotism also had a surprising air of denouement.

Trump told Carlson he doesn’t like to look back. But last night, as he rambled (and rambled), he was sporadically reflective about all that had led to this point in his life. Trump sat in a leather chair with just a handheld mic—no teleprompter, no notes. He mostly ignored Carlson’s questions and instead tossed out ideas at random—what he calls “the weave.” In reality, it’s less lucid than he believes; more of a zigzag across years of personal triumphs and troubles. Remember “Russia, Russia, Russia”? Remember the “China virus”? Remember the time he courageously pardoned Scooter Libby? Remember how good he used to be at firing people on The Apprentice? Remember the crowd at that one Alabama rally? All of this, in his mind, amounted to something akin to a closing argument.

The event was a hurricane-relief benefit billed as Tucker Carlson Live With Special Guest Donald J. Trump. But Carlson barely spoke. Instead, he sat back in his own chair, occasionally picking at his fingers, looking somewhat mystified that this was where he’d ended up in his career, hosting Inside the Authoritarian’s Studio. He had taken the stage to the sounds of Kid Rock, but he looked as preppy as ever in a navy blazer, a gingham shirt, a striped tie, and khakis. He insisted, twice, that he had bent the knee to Donald Trump without shame. Trump, he marveled, had shown him what a sham D.C. was. He lamented how those inside the Beltway treated Trump “like he was a dangerous freak, like he’d just escaped from the state mental institution.”

Carlson has grown more radical since Fox News fired him. Last night, he claimed, for instance, that the CIA and the FBI have been working with the Democratic Party to take Trump down. He implied that funding for Ukraine isn’t going to the military but is instead lining the pockets of the Washington elite: “Have you been to McLean recently?”

The man he unabashedly endorsed, meanwhile, again spoke of “the enemy within,” and attacked the enemy of the people (the media). Trump once again demeaned his opponent, Vice President Kamala Harris, as a “low-IQ individual” and “dumb as a rock.” He claimed that members of the January 6 “unselect committee” had burned, destroyed, and deleted all the evidence it had collected because, in the end, they found out that Nancy Pelosi was at fault (this bit was especially hard to follow). He called for enlisting the “radical war hawk” Liz Cheney into combat: “Let’s put her with a rifle standing there with nine barrels shooting at her, okay? Let’s see how she feels about it, you know, when the guns are trained on her face.”

Trump blew some of his usual autocratic dog whistles, saying, for instance, that anyone who burns an American flag should be sentenced to a year in prison. He suggested that loyalists and extremists will fill his next administration, should it exist. He implied that he’d bring in Elon Musk to find ways to slash the federal budget, and let Robert F. Kennedy Jr., a vaccine skeptic and a conspiracy theorist, examine public-health matters. “He can do anything he wants,” Trump said of Kennedy.

But perhaps the most meaningful moment of the night was when Trump said matter-of-factly that he won’t run for president again. He instead hinted that his vice-presidential nominee, J. D. Vance, will be a top 2028 contender. Win or lose, this was it, his last dystopian rodeo. Trump spoke almost wistfully about suddenly approaching the end of his never-ending rally tour. He sounded like a kid moving to a new neighborhood and a new middle school. He told his friends he’d miss them. “We’ll meet, but it’ll be different,” he said. He was in no rush to leave the stage.

The big question going into Tuesday’s election is whether the MAGA movement will fizzle out should Trump lose. Although Trump himself seems more exhausted than usual these days, his supporters are as fired up as ever. “Fight! Fight! Fight!” chants— a reference to Trump’s now-infamous response to the July attempt on his life—broke out among the crowd as people waited to pass through Secret Service checkpoints. I passed a man in a brown wig, a pink blazer, and a green top that read Kamala Toe, the words gesturing toward his crotch. I saw a woman wearing gold Trump-branded sneakers, and many people with Musk’s Dark MAGA hat. The latter seemed particularly notable: In addition to getting behind Vance, Trump might be inclined to pass the torch to another nonpolitician—namely, someone like Musk.

For now, though, Trump is returning to his conspiratorial election denialism. Four years ago, he tried to undermine the results in Arizona, Georgia, and other states. Last night, he singled out Pennsylvania. (A day earlier, his campaign had filed a lawsuit in the state, alleging voter suppression.) “It’s hard to believe I’m winning, it seems by a lot, if they don’t cheat too much,” he said, alleging malfeasance in York and Lancaster counties. Whether he succeeds or fails, the detritus that Trump has left behind will likely linger. “Look around, Mr. President, because there’s a lot of garbage here!” Charlie Kirk said earlier in the night. “Go to the polls on Tuesday and make sure that we all ride that big garbage truck to Washington, D.C.,” Kennedy, who was one of the warm-up speakers, implored.

Trump, though, opined with uncharacteristic nostalgia: “When I was a young guy, I loved—I always loved the whole thing, the concept of the history and all of the things that can happen.” He sounded fleetingly earnest. He has undoubtedly cemented his place in history. Or, as Carlson put it earlier in the night: “Almost 10 years later, he has completely transformed the country and the world.”

Related:

Trump suggests training guns on Liz Cheney’s face. A brief history of Trump’s violent remarks

Today’s News

The White House altered its transcript of President Joe Biden’s call with Latino activists, during which official stenographers recorded that Biden called Trump supporters “garbage,” according to the Associated Press. The White House denied that Biden had been referring to Trump voters. During a meeting in Moscow, North Korea’s foreign minister pledged to support Russia until it wins the war against Ukraine. The price of Donald Trump’s social-media stock fell another 14 percent today, amounting to a loss of more than 40 percent over three days.

Dispatches

Atlantic Intelligence: Although AI regulation is the rare issue that Trump and Harris actually agree on, partisanship threatens to halt years of bipartisan momentum, Damon Beres writes. The Books Briefing: These books are must-reads for Americans before Election Day, Boris Kachka writes.

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Evening Read

Illustration by Katie Martin

This Might Be a Turning Point for Child-Free Voters

By Faith Hill

When Shannon Coulter first started listening to Kentucky Governor Andy Beshear’s speech at the Democratic National Convention in August, she thought it seemed fairly standard. “All women,” he said, “should have the freedom to make their own decisions, freedom over their own bodies, freedom about whether to pursue IVF.” But then he said something that she rarely hears from political leaders: Women should also have “freedom about whether to have children at all.” Beshear was recognizing that some Americans simply don’t want to be parents, Coulter, the president of the political-advocacy nonprofit Grab Your Wallet, told me. And that handful of words meant a great deal to her as a child-free person, someone who’s chosen not to have kids. “People are just looking,” she said, “for even the thinnest scraps of acknowledgment.”

Read the full article.

Culture Break

Robert Viglasky / Disney / Hulu

Watch. Rivals (streaming on Hulu) is the silliest, sexiest show of the year, Sophie Gilbert writes.

Listen. We Live Here Now, a podcast by Lauren Ober and Hanna Rosin, who found out that their new neighbors were supporting January 6 insurrectionists.

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At the end of June, in the afterglow of a debate performance that would ultimately prompt President Joe Biden to end his campaign for reelection, Donald Trump startled his aides by announcing that he’d come up with a new nickname for his opponent.

“The guy’s a retard. He’s retarded. I think that’s what I’ll start calling him,” Trump declared aboard his campaign plane, en route to a rally that evening, according to three people who heard him make the remarks: “Retarded Joe Biden.”

The staffers present—and, within hours, others who’d heard about the epithet secondhand—pleaded with Trump not to say this publicly. They warned him that it would antagonize the moderate voters who’d been breaking in their direction, while engendering sympathy for a politician who, at that moment, was the subject of widespread ridicule. As Trump demurred, musing that he might debut the nickname at that night’s event, his staffers puzzled over the timing. Biden was on the ropes. Polls showed Trump jumping out to the biggest lead he’d enjoyed in any of his three campaigns for the presidency. Everything was going right for the Republican Party and its nominee. Why would he jeopardize that for the sake of slinging a juvenile insult? (A campaign spokesperson, Steven Cheung, said the nickname “was never discussed and this is materially false.”)

Over the next several days—as Trump’s aides held their breath, convinced he would debut this latest slur at any moment—they came to realize something about Trump: He was restless, unhappy, and, yes, tired of winning. For the previous 20 months, he’d been hemmed in by a campaign built on the principles of restraint and competence. The former president’s ugliest impulses were regularly curbed by his top advisers; his most obnoxious allies and most outlandish ideas were sidelined. These guardrails had produced a professional campaign—a campaign that was headed for victory. But now, like a predator toying with its wounded catch, Trump had become bored. It reminded some allies of his havoc-making decisions in the White House. Trump never had much use for calm and quiet. He didn’t appreciate normalcy. Above all, he couldn’t stand being babysat.

“People are calling this the most disciplined campaign they’ve ever seen,” Trump remarked to friends at a fundraiser this summer, according to someone who heard the conversation. He smirked at the compliment. “What’s discipline got to do with winning?”

Trump never did deploy the nickname against Biden in public. Yet the restiveness he felt during that stretch of the race foretold a dramatic shift in the tone and tenor of his campaign. Within weeks, Trump would survive an assassination attempt, Biden would abandon his candidacy, Vice President Kamala Harris would replace him atop the Democratic ticket, and polls would show an election that once appeared finished suddenly reverting to coin-flip status. All the while, Trump became more agitated with what he saw as the trust-the-plan, run-out-the-clock strategy of his campaign—and more convinced that this cautious approach was going to cost him a second term.

[Read: This is exactly what the Trump team feared]

In conversations with nearly a dozen of the former president’s aides, advisers, and friends, it became apparent that Trump’s feeling of midsummer tedium marked a crucial moment in his political career, setting off a chain reaction that nearly destroyed his campaign and continues to threaten his chances of victory. Even as they battled Democrats in a race that refuses to move outside the margin of error, some of Trump’s closest allies spent the closing months of the campaign at war with one another: planting damaging stories, rallying to the defense of wronged colleagues, and preemptively pointing fingers in the event of an electoral defeat.

At the center of this tumult, people close to Trump agreed, is a candidate whose appetite for chaos has only grown—and serves as a reminder of what awaits should he win on November 5.

Chris LaCivita, who co-manages Trump’s campaign with Susie Wiles, at an event in Phoenix (Roger Kisby / Redux for The Atlantic)

Trump decided it was time to take matters into his own hands.

For the first 10 days following Biden’s departure from the race, Trump had listened dutifully as his campaign co-managers—a pair of longtime GOP consultants named Susie Wiles and Chris LaCivita—explained that the fundamentals of their strategy remained solid. Nothing dramatic needed to change with Harris taking over the ticket, they told Trump, because she was inheriting the vulnerabilities they had exploited so successfully against Biden. They argued that whatever burst of money and enthusiasm had accompanied her entry into the race would prove short-lived—and warned him against overreacting. Staying the course, they told Trump, was the surest recipe for electoral success.

[Read: Trump is planning for a landslide win]

He went along with their plan—for a while. But every hour his campaign spent attacking Harris as if she were a credible opponent—rather than bludgeoning her as the airheaded, unqualified, empty pantsuit Trump was sure she was—gnawed at the former president. Finally, he ran out of patience. On July 31, during an onstage interview with the National Association of Black Journalists, Trump publicly unloaded the sort of race-baiting barbs that his aides had, up until that point, succeeded in containing to his private diatribes.

“I didn’t know she was Black until a number of years ago when she happened to turn Black,” Trump told the journalists onstage, eliciting gasps from the audience. “I don’t know, is she Indian or is she Black?”

In the days after his NABJ appearance—as staffers scrambled to satisfy their boss’s appetite for pugilism without indulging his racist and misogynistic impulses—Trump began to lose confidence in his team. He had long dismissed the warnings from certain friends, such as his former acting director of national intelligence, Richard Grenell, that Wiles and LaCivita weren’t up to the job. But now he had reason to wonder. With Harris climbing rapidly in the polls and his own favorability numbers slipping, Trump was pondering, for the first time, a shake-up of his team. (Cheung said Trump never considered a change to his campaign leadership.)

In early August, Trump started courting two of his longtime allies and former campaign managers from 2016, Kellyanne Conway and Corey Lewandowski, discussing what it might look like if they rejoined his political operation in a formal capacity. Trump told Lewandowski—who promptly agreed to come aboard—that he missed the “fun,” freewheeling nature of that first run for the White House. He told Conway, meanwhile, that he worried he was being overly “managed” by his current team.

Trump’s conversations with Conway troubled Wiles and LaCivita. They knew that she and Trump were talking more and more frequently; they also knew she loved to take credit for electing him in 2016, and wouldn’t be eager to share accolades with her successors. Conway’s back-channeled criticisms of the 2024 campaign had been subtle but pointed; in an effort to placate her, LaCivita increased her monthly retainer at the Republican National Committee from $20,000 a month to $30,000. But in private conversations, Conway continued to point out the campaign’s shortcomings—especially, in her view, the mistaken selection of Ohio’s Senator J. D. Vance as Trump’s running mate. When Wiles and LaCivita met Trump at a fundraiser in the Hamptons the evening of August 2—having been tipped off that their boss just spent the day talking strategy with Conway at his Bedminster club in New Jersey—the campaign’s top advisers fretted that their days running the show might be numbered. (As The New York Times was reporting on Conway’s visit to Bedminster, Trump called reporter Maggie Haberman and angrily denied that changes were afoot, saying he was “thrilled” with Wiles and LaCivita.)

In truth, the real threat was Lewandowski.

A tough-talking operative who had famously accosted a female reporter in 2016 and later allegedly made unwanted sexual advances toward a Republican donor’s wife, Lewandowski had promised Trump a return to the “killer” vibes of 2016. But the details of his new role were left open to interpretation. Lewandowski believed—and told anyone who would listen—that he would outrank the existing campaign leadership. Trump himself, meanwhile, assured Wiles and LaCivita that Lewandowski would be a utility man, serving as a key surrogate while helping organize election-security efforts and field operations in swing states.

The honeymoon period was nonexistent. Before Lewandowski worked a single day on behalf of the campaign, he complained to friends that Wiles and LaCivita had leaked the news of his hiring in an unflattering light that downplayed his role—and timed it to coincide with when he was traveling and off the grid, unable to speak for himself.

Determined to assert himself, Lewandowski arrived at Palm Beach headquarters in mid-August with designs on running the place. Wiles accompanies Trump nearly everywhere on the trail, and LaCivita, when not joining them, often works from his home in Virginia, leaving Lewandowski with a free hand in Florida. He began taking aside junior staffers and department heads alike, one at a time, informing them that he spoke for Trump himself. He made it known that he would be in charge of all spending, and that he needed people to tell him what wasn’t working so he could fix it. Meanwhile, he began calling the campaign’s key operatives in the battleground states, probing for weaknesses in Trump’s ground game and assuring them that a strategy shift was in the works.

Even as colleagues grew tired of hearing Lewandowski describe himself as the former president’s personal proxy, they realized he wasn’t wrong. His arrival coincided with a marked shift in Trump’s mood and behavior. Gone, suddenly, was the candidate of 2024, who despite all the inevitable outbursts was at least receptive to direction and aware of consequences; in his place, as the summer progressed, was the alter ego of 2016, the candidate who did and said whatever he wanted and ignored anyone who sought to rein him in.

During the week of the Democratic National Convention, the former president shared a social-media post suggesting that Harris had performed oral sex in exchange for career advancement. He denigrated the Medal of Honor, the nation’s top award for military personnel, as less impressive than the civilian Medal of Freedom. He accused Harris of leading a “vicious, violent overthrow of a president of the United States.” He called into Fox News’s coverage of the convention and rambled so incoherently that the anchors cut his line 10 minutes into the interview. (Trump promptly dialed Newsmax to continue talking.) At a rally in North Carolina, after polling the audience about whether he should “get personal” with his attacks on Harris—the crowd responding rowdily to encourage his invective—Trump mused about firing his campaign advisers.

Around that time, Trump was asked by reporters about the tone of his candidacy. “I think I’m doing a very calm campaign,” he replied. “I have to do it my way.”

Kellyanne Conway at the Republic National Convention in July (Joseph Rushmore for The Atlantic)

As Trump was settling on Vance as his vice-presidential pick, one of the arguments he found most persuasive centered on an injection of youthful verve: The freshman senator, then just 39 years old, could complement a running mate four decades his elder with a style and media savvy that broadened the campaign’s appeal. With that promise, however, came a certain peril. Vance maintained an entourage of Very Online influencers who had little experience winning campaigns but lots of owned libs in their social-media mentions. Now some of those right-wing agitators would be joining an operation that was already struggling to keep its principal on message.

Vance’s first two months on the ticket were largely uneventful. His awkward, halting appearances fueled a sense of buyer’s remorse among some Trump confidants, but he made no mistakes of any real consequence. (The talk of “childless cat ladies” preceded his appointment to the GOP ticket, as did his remarks that he “would like abortion to be illegal nationally.”) And then came September 9. It was one day before Trump would meet Harris in Philadelphia for their first and only debate, and Vance, according to people familiar with the situation, was feeling punchy. Over the past several days, the young senator had marinated in right-wing agitprop stemming from Springfield, Ohio, where it was rumored that Haitian migrants were stealing and eating pets. When Vance’s allies on the campaign learned that he’d already spoken out about related issues in Springfield—how the influx of thousands of Haitian migrants who came legally to fill jobs had stressed the city—they urged him to seize on this conspiracist catnip and turn it into a crusade for the Trump campaign.

One staffer in particular—a young activist named Alex Bruesewitz—helped convince Vance and his team that this was an opportunity to put his stamp on the campaign. Vance agreed. “Reports now show that people have had their pets abducted and eaten by people who shouldn’t be in this country,” the senator posted on X, catching the Trump campaign’s leaders entirely off guard. Figuring there was no use in half measures, Bruesewitz led Vance’s minions in blasting the social-media post around their networks and urging officials on other GOP campaigns, as well as at the Republican National Committee, to join Vance’s assault on the migrant community of Springfield. (Bruesewitz did not respond to a request for comment about this story.)

Most Republicans refused to go along. But Trump himself found the shtick irresistible. Even as he was sequestered in debate prep, word reached him that Vance had amplified the sensational claims about Springfield. The former president’s advisers were bewildered by Vance’s post. Though they went out of their way to avoid any talk of Springfield for the duration of the debate prep, there was an ominous feeling that Trump wouldn’t be able to help himself.

Yet somehow, by the time Trump charged ahead onstage the following night—“They’re eating the dogs; the people that came in, they’re eating the cats”—his campaign was facing a more serious crisis.

Several days earlier, Trump had fielded a phone call from one of his superfans: Laura Loomer. A right-wing agitator best known for racist and conspiracist bombast—she has celebrated the deaths of migrants and called school shootings fake events put on by crisis actors—Loomer had remained one of Trump’s most loyal and vocal supporters even in the darkest moments of his post–January 6 exile at Mar-a-Lago. That loyalty gave her a direct line to the former president. After she had joined the candidate aboard his plane during crucial trips to Iowa and New Hampshire early in the year, campaign officials discussed ways to sideline Loomer without causing a scene. They neutralized a volatile situation at the convention this summer, for example, by providing Loomer with a front-row seat for Trump’s acceptance speech—putting her in close physical proximity to her idol while keeping her far from the VIP area that cameras would be shooting live.

But now, in the first week of September, Loomer was getting antsy. She called Trump and demanded to know why the campaign had been keeping her at bay; why she hadn’t been allowed back on the plane as the Republican nominee toured the country. Trump told Loomer not to worry: He would personally see to it that she was invited aboard the plane for his next trip. Later that day, when Trump relayed this request to Wiles—who, since the beginning of the campaign, had controlled the flight manifest—she registered disbelief. “Sir, our next trip is to Philadelphia for the debate,” Wiles told Trump, according to two people familiar with the conversation. “Are you sure that’s a good idea?”

Trump shrugged. “I don’t know,” he said. “Just stick her in the back of the plane.”

Wiles knew that nothing good could come of this. Still, after one more round of gentle pushback, she acquiesced. (Even people like Wiles, who have a track record of talking Trump out of certain reckless ideas, learn that you cannot retain a seat at the table if you tell the man “no” one time too many.) Wiles decided that allowing Loomer on the trip was not a hill to die on. Perhaps, she would later remark to friends, it should have been.

When Trump’s jet touched down in Philadelphia on September 10, and photographers captured Loomer disembarking, some of the former president’s allies were apoplectic. Republican elected officials began texting campaign aides demanding to know why she was traveling with Trump. But outside of Wiles and LaCivita, Trump’s own staffers hadn’t known she was on the manifest. They were as bewildered—and furious—as everyone else. (Why Trump’s employees find Loomer uniquely noxious, when their boss consorts with known racists and trafficks in cruel conspiracy theories himself, is a separate question.)

As the night unfolded, with Loomer watching the debate backstage and then joining other GOP surrogates in the spin room, campaign leaders weighed their next move. Yanking her from the plane risked turning the story into something bigger and messier: a jilted Loomer lashing out against corrupt RINO deep-state simps in the aftermath of Trump’s miserable debate performance. Wiles decided that Trump’s special guest would remain on the manifest for the duration of the itinerary. The only problem? They were headed straight from Philadelphia to New York City for a memorial ceremony the next morning, honoring victims of 9/11—which Loomer, naturally, had described as an inside job.

After the cameras showed Loomer standing near Trump at Ground Zero, the former president’s own phone lit up. For the rest of the day, friends and associates and donors dialed his number with a manic urgency. Some read him old tweets that Loomer had sent; others demanded that whoever let this woman aboard the plane be fired. Senator Lindsey Graham asked Trump if he was trying to lose the election. To all of this Trump pleaded ignorance. He began complaining to aides that nobody had ever explained to him, specifically, why Loomer was so toxic. They responded by pulling up Loomer’s most incendiary posts and showing them to the boss. Trump winced at some and seemed unaffected by others. But he agreed, by the end of the trip, that Loomer needed to go. What sealed Loomer’s fate, according to two people who were part of these conversations, wasn’t just her racist diatribes but also her appearance: Trump, who is generally appalled by plastic surgery, was disgusted to learn about the apparent extent of Loomer’s facial alterations. (When asked for comment, Cheung told me, “Laura was a hard worker in the primaries and President Trump appreciates a fighter.”)

Trump regarded the Loomer episode as a one-off nuisance. His advisers, however, feared that something more fundamental had gone amiss. The past month had seen the campaign spiral into a free-for-all. Lewandowski was going rogue. Morale was plummeting among the rank-and-file staff. And Trump himself seemed intent on sabotaging a message—curbing immigration, fighting inflation, projecting strength on the world stage—that had been engineered to win him the election. Privately, Wiles confided to friends that she and LaCivita felt they’d lost control of the campaign.

When she and LaCivita sat down with Trump in the middle of September, Wiles urged her boss to realize just how badly things were going. These recent mistakes could not be repeated; this current path was unsustainable. “We need to step back and think hard about what we’re doing,” Wiles told him, according to several people familiar with the conversation. “Because this can’t go on.”

Trump doesn’t take well to admonishment. Yet the only other time he’d heard Wiles address him like this was in late 2022, shortly after he’d announced his candidacy, when he’d dined with Nick Fuentes, a white supremacist, at Mar-a-Lago. Trump seemed to recognize now, as he had then, that he was engaging in self-sabotage. He told Wiles that he agreed: It was time to tighten things up.

Trump thought the conversation was over. But there was one more thing on Wiles’s mind.

Corey Lewandowski at the Republican National Convention (Jim Bourg / Redux)

Days before departing for that doomed East Coast swing through Philadelphia and Lower Manhattan, Lewandowski had told Trump that they needed to talk. There was information, he said, that the candidate deserved to know.

When they met at Mar-a-Lago, Lewandowski laid it all out. He’d spent several weeks digging into the finances of the campaign, he told Trump, and things weren’t adding up. Far too much money was being spent on programs insignificant to his electoral success, and there had been no apparent oversight of contracts and arrangements that created a windfall for certain campaign employees. Lewandowski told Trump that he’d taken the liberty of bringing in a private consultant—personally escorting this outsider into the campaign’s offices—to study the books. This person’s conclusion, Lewandowski said, was: “Your people are either completely incompetent, or they’re stealing from you.”

Trump seemed conflicted. Nothing angered him more than the idea of being taken advantage of. Then again, if there was one person in politics he’d come to rely upon—one person who, he believed, would never steal from him—it was Wiles. Ultimately, Trump instructed Lewandowski to take his concerns to her.

When Lewandowski did so, on a plane ride that same week, things quickly went sideways. He made no accusations about specific individuals, but shared his belief that certain tactical decisions had been made with big paydays in mind. Wiles told him that she took offense at such conjecture—and that she didn’t need to justify anything to him. Still, Wiles spent the next hour walking Lewandowski through the choices made about vendors, contracts, and costs. When he continued to suggest that things weren’t on the level, Wiles ended the conversation, preferring to focus on preparing Trump for the upcoming debate.

Once the debate was behind them—and with many on the inside fearing that the campaign was falling apart—Wiles sensed that Lewandowski was about to make a move. He had repeatedly gone back to Trump, asking for control over hiring and firing as well as veto power over all spending decisions, which would effectively put him in charge of the campaign. Now he was going all in, telling Trump that Wiles and LaCivita had invested tens of millions of dollars in direct-mail outreach aimed at mobilizing supporters during the early-voting period—money that just so happened to line the pockets of certain campaign staffers, including LaCivita, and that could have been spent instead on television advertising. Lewandowski understood that the only tactical component of campaigning that Trump cared about was TV ads. He was telling Trump not just that he was being stolen from, but that the money in question would have made him ubiquitous on TV.

On September 12, when Wiles told Trump, “This can’t go on,” she added that she wasn’t just talking about Loomer and Springfield. Lewandowski had parachuted into a well-run campaign and rolled grenades into every department, Wiles told Trump, sowing distrust and spreading rumors and making it impossible for her to do her job. “If there’s something you’re skeptical of, something you want answers to, let’s talk about it,” Wiles told her boss. “But if you don’t have confidence in me and Chris, just say so.”

It was an ultimatum. And if Trump struggled with the decision before him—fire Wiles and LaCivita, or keep them and banish Lewandowski—he didn’t let on. Then and there he gave Wiles a vote of confidence. The next day, on the campaign plane, Trump convened Wiles, LaCivita, and Lewandowski around a table in the front cabin, in a meeting first reported on by Puck. He spoke directly to Lewandowski. “We can’t afford to lose these guys,” Trump said, motioning toward Wiles and LaCivita. “They’re in charge.”

Lewandowski knew the fight was lost. “Sir, I’m the only fucking person on this plane who isn’t getting paid to be here right now,” he grumbled, according to multiple people familiar with the meeting. “I’m happy to go back to fucking New Hampshire.”

“No, I want you on TV for me every day,” Trump said. He paused. “And go win me New Hampshire, while you’re at it.”

Lewandowski slapped the table. “You’re not going to win New Hampshire,” he said. “But okay.”

When passengers reboarded the plane for the next leg of their trip, Lewandowski was not on it. Being evicted from the plane is a signature insult in Trump’s political sphere. Lewandowski told friends that he’d planned all along to fly commercial to his next destination; the former president told his traveling aides that Lewandowski’s absence was meant to send the message that dissent would no longer be tolerated. Trump had lost a lot of ground to Harris over the previous month, and victory was possible only if everyone on the campaign fell back in line.

Things appeared to stabilize from there. As September gave way to October, and Harris launched a major media offensive aimed at connecting with voters who still felt no familiarity with her, Trump’s campaign was delighted to cede the spotlight. Wiles and LaCivita believed that every moment Harris spent in front of live cameras translated to more Republican votes. Instead of trying to book Trump onto major networks, where his comments might produce negative news cycles, his team arranged a tour of podcasts, most of them aimed at young men. The effort was led by Bruesewitz, the impulsive young Vance sycophant who maintained an impressive network of right-wing influencers. The strategy appeared to work: For the first three weeks of October, Trump’s internal polling showed Harris’s momentum stalled—measured in both net favorability and vote share—while Trump’s numbers inched upward.

By the middle of October, Trump was being hounded with requests from Republican candidates for joint appearances—requests that had been conspicuously few and far between just a month earlier. Even vulnerable incumbents, such as Representative Ken Calvert of California, tried to grab hold of Trump’s coattails, campaigning with him in his decidedly purple district. Surveying the narrative shift, Trump’s allies marveled at how simple it had all been. Keeping voters’ attention on Harris—while, to the extent they could, keeping Trump out of his own way—had produced the most significant movement in his direction since her entry into the race.

Not that Trump wasn’t doing his best to muck things up. The 40 minutes he spent onstage in Pennsylvania swaying silently to music prompted aides to exchange frenzied messages wondering whether the audio could be cut to get him off the stage. (Ultimately, they decided, letting him dance was less dangerous than letting him rant.) A week later, back in the all-important commonwealth for another event, he left aides slack-jawed by marveling at the ample genitalia of the late golf legend Arnold Palmer.  

Even as the political class settled on Trump as the betting favorite, his allies couldn’t shake a pair of very bad feelings. The first was about ground game: With much of their party’s resources being diverted to legal efforts, the GOP’s field operation was struggling to keep pace with the Democrats. The patchwork strategy left Republicans heavily dependent on outside help. But good help is hard to find. Elon Musk’s canvassing program was fast becoming a punch line in Republican circles. Several GOP consulting firms saw young staffers take short leaves to knock doors for Musk, lured by the enormous commissions he offered. His new system proved easy to game, allowing workers to inflate the number of contacts they reported, and to pocket the rewards. (Musk’s political entity, America PAC, did not respond to a request for comment.)

The more urgent concern, however, was the acrimony that had fractured the Republican nominee’s political operation. Lewandowski had, within a month of his defenestration at 30,000 feet, worked his way back into Trump’s inner circle—and even, at times, onto the plane itself. Wiles had, around the time of their showdown with Lewandowski, told LaCivita that she could no longer deal with the headache of handling the manifest. She charged him with the thankless duty for the remainder of the campaign, making for awkward encounters whenever Trump announced that he wanted Lewandowski to accompany him somewhere.

Even when Lewandowski wasn’t around, his presence was felt. In one instance, South Dakota Governor Kristi Noem—with whom Lewandowski was reported to have carried on a romantic relationship (they have both denied this)—boarded the Trump plane after an event and joined the former president for a strategy briefing with his aides. As the candidate received a series of positive updates from the ground—early-voting metrics, state-based internal polling—Noem interrupted to say that the campaign was lagging behind the Democrats in terms of voter-registration numbers. Trump’s aides were stunned: Not only was she contradicting their own data, but those present were convinced that Lewandowski had put her up to it in order to make Wiles and LaCivita look bad. (Noem, through a spokesperson, denied this and took offense at the notion that “she needs a man to put her up to anything.”)

As the race moved toward its conclusion—and as the constellation of helpers and hangers-on surrounding Trump began positioning themselves to take credit or deflect blame—more than a few people close to the candidate were shopping dirt on their internal rivals. A sense of foreboding settled in over the campaign. There was so much bad blood, several aides told me, that something was bound to spill out into the open.

Sure enough, on October 15, the Daily Beast published an explosive story alleging that LaCivita had skimmed huge amounts off the top of TV ads, direct mail, and other expenditures, netting him some $22 million from his work on behalf of the campaign and a pair of related super PACs. Multiple campaign sources told me that the nature of these arrangements was exaggerated, and that although LaCivita had made plenty of money—and perhaps more than some people were comfortable with—it was nowhere near that amount. (“Not only is the $22 million number manufactured out of thin air,” LaCivita told me in a statement, “but it’s defamatory.”) His objections hardly mattered: Trump was livid. Even when Wiles tried to calm him down, arguing that Lewandowski had planted the story to eliminate LaCivita, the former president kept fuming, saying the story made him look like a fool and demanding to know why the campaign hadn’t stopped it from being published.

With everyone in the campaign watching to see how their boss would respond to the article, Trump made it known that LaCivita was not welcome on the plane for a planned trip to Georgia that evening. Trump was still beside himself a day later, ranting about the article and telling friends that he’d fire LaCivita—and possibly his entire team—if it weren’t for the PR hit that would cause just weeks out from Election Day. (Cheung denied that Trump was upset by the Daily Beast report, saying, “Everyone recognized it came from disgruntled individuals.”)

LaCivita was abruptly summoned to Trump Tower on the morning of Friday, October 18. There, he found himself climbing into the lead car of the former president’s motorcade, a limousine in which Trump often rides alone to recharge between events. On this occasion, there was another passenger, the businessman Howard Lutnick, who had recently been named a co-chair of Trump’s White House transition team. The three of them made small talk all the way to LaGuardia Airport, as LaCivita waited for the hammer to drop. It felt, LaCivita would later tell several friends, like an episode of The Apprentice: beckoned by the boss, shoved into the limo with a spectator on hand, only to ride in suspense for what seemed like an eternity, believing that at any moment Trump would turn and say, “You’re fired.”

Instead, when they arrived at LaGuardia and boarded the campaign plane, Trump signaled for LaCivita to join him in the cramped, four-seat office at the front of the cabin. As they settled across from each other, Trump reached for a small stack of paper: a printout of the Daily Beast story. LaCivita, in turn, produced a much thicker stack of paper. These were the exhibits for the defense: Federal Election Commission reports, bank-account statements, pay stubs, vendor agreements, and more. For the next half hour, according to several sources with knowledge of the exchange, the two men had it out—profanities flying but voices kept intentionally low—as LaCivita insisted to Trump that he wasn’t ripping the candidate off. Trump, the sources said, seemed to vacillate between believing his employee and seething over the dollar figure, wondering how something so specific could be wrong. Finally, after a couple of concluding f-bombs, Trump seemed satisfied. “Okay, I get it, I get it,” he told LaCivita, holding up his hands as if requesting that the defense rest. He added: “You should sue those bastards.”

The air was more or less cleared: Trump has not raised the issue of LaCivita’s pay since, aides told me, save for several episodes of the candidate teasingly—but conspicuously—calling LaCivita “my $22 million man!” Nevertheless, the alliance remains fragile. Less than a week after the détente, CNN unearthed LaCivita’s Twitter activity from January 6, 2021, including his having liked a tweet that called for Trump to be removed via the Twenty-Fifth Amendment. At that point, Trump told several people that LaCivita was dead to him—that he would ride out the remainder of the campaign, but would have no place in his administration or political operation going forward.

That was just fine by LaCivita; he had always viewed himself as a hired gun, and his reservations about working for Trump weren’t exactly a secret. Still, the word that Trump had iced one of his two key lieutenants sent a shiver through the rest of the staff. Many had noticed new faces poking around, asking questions about finances and compliance. With Trump’s suspicions piqued, every staffer, as well as every decision, would be under the microscope through Election Day.

Entering the final weekend of October, I noticed something in conversations with numerous Trump staffers: resignation. They had long since become accustomed to working in the high-intensity, zero-margin-for-error environment created by Wiles and LaCivita. But this home stretch of the campaign hadn’t just been hard and stressful; it had been disillusioning. Several campaign officials had told me, throughout the spring and summer, how excited they were about working in the next Trump White House. Now those same people were telling me—as paperwork was being distributed internally to begin the process of placing personnel on the transition team and in the prospective administration—that they’d had a change of heart. The past three months had been the most unpleasant of their careers. Win or lose, they said, they were done with the chaos of Donald Trump—even if the nation was not.

Donald Trump at a rally in Phoenix in June (Roger Kisby / Redux for The Atlantic)

Standing in the bowels of Madison Square Garden on the evening of Sunday, October 27, an irate group of Trump staffers, family members, and loyalists was looking for someone to blame.

The prime-time show playing out just beyond their corridor had been eight years in the making. Trump, hailed as “the man who built New York’s skyline” by a roster of celebrity speakers, would stage an elaborate homecoming to celebrate his conquest of the American political psyche. It seemed that nothing—not even the $1 million price tag for producing such an event—could put a damper on the occasion.

And then, before some in the audience had even found their seats, the party was over.

The first presenter, a shock comedian named Tony Hinchcliffe, told a sequence of jokes that earned little laughter but managed to antagonize constituencies Trump had spent months courting. One was about Black people carving watermelons for Halloween; another portrayed Jews as money-hungry and Arabs as primitive. The worst line turned out to be the most destructive. “I don’t know if you guys know this, but there’s literally a floating island of garbage in the middle of the ocean right now,” Hinchcliffe said. “I think it’s called Puerto Rico.”

The blowback was instantaneous. Elected officials—Democrats, and, before long, Republicans too—blasted the comedian’s remarks. Headlines from the world’s leading news organizations described the event as every bit the hate-fest Republicans had promised it wouldn’t be. Trump aides were blitzed with text messages from lawmakers and donors and lobbyists wanting to know who, exactly, had the bright idea of inviting a comic to kick off the most consequential event of the fall campaign.

In truth, some of Trump’s senior staff hadn’t actually watched Hinchcliffe’s set. The Garden was a labyrinth of security checkpoints and political processions, and the event had barely been under way when he spoke. Now they were racing to catch up with the damage—and rewinding the clock to figure out how Hinchcliffe had ended up onstage in the first place.

It didn’t take long to get to the answer: Alex Bruesewitz.

Technically a mid-level staffer—formally a liaison to right-wing media, informally a terminally online troll and perpetual devil on the campaign’s shoulder—Bruesewitz had grown his profile inside Trump’s orbit. The candidate’s appearances on various bro-themed podcasts were hailed as acts of strategic genius. But there was one guest booking Bruesewitz couldn’t secure: He wanted Trump to talk with Hinchcliffe on his show, Kill Tony. When word got around that Trump was looking for opening acts at the Garden, Bruesewitz made the introductions. Trump’s head of planning and production, Justin Caporale, ran with the idea. No senior staff ever bothered to vet Hinchcliffe themselves.

Now, with their grand celebration quickly morphing into a public-relations nightmare, Trump’s allies stewed. Two decisions needed to be made, and quickly: whether to inform the man of the hour about this disaster before he took the stage, and whether to issue a statement rebuking Hinchcliffe and his remarks. Some staffers feared throwing Trump off his game at such a crucial moment, and others argued that showing any weakness would just make things worse. But LaCivita dictated a short statement to the communications team that was blasted out to reporters across the arena, distancing the campaign from Hinchcliffe, while Wiles pulled the former president aside and explained the situation. (Trump, aides told me, was merely annoyed at the time; only after watching television coverage the next morning would he rage about how Wiles, LaCivita, and Caporale had “fucked this up.”)

Backstage at the Garden, in the blur of debate and indecision over damage control, it was Stephen Miller who pondered the bigger picture. (Miller did not respond to a request for comment.) According to two people who were present, Miller, the Trump policy adviser whose own nativist impulses are well documented, was not offended by Hinchcliffe’s racist jokes. Yet he was angered by them all the same: He knew the campaign had just committed a huge unforced error. He believed that Bruesewitz had done profound damage to Trump’s electoral prospects. And, in that moment, he seethed at what this lack of discipline portended for Trump should he return to power.

The irony, apparently, was lost on Miller. He and his colleagues would spend the coming days savaging Bruesewitz for his recklessness when really—as ever—the culprit was a man whose addiction to mayhem creates the conditions in which a comedian who was once dropped by his talent agency for using racial slurs onstage could be invited to kick off the closing event of the election without a single objection being raised.

“If we can’t trust this kid with a campaign,” Miller said to the group, according to one of the people present, “how can we trust him in the White House?”