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The Secrets to a Successful Potluck Dish

The Atlantic

www.theatlantic.com › newsletters › archive › 2024 › 11 › the-secrets-to-a-successful-potluck-dish › 680776

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition.

Thanksgiving means sharing food with friends and loved ones, which also means that many potluck guests will spend the next few days scouring the web for easy and last-minute recipes. To help inspire readers looking for suggestions, The Atlantic’s writers and editors answer the question: What’s your go-to dish to bring to a potluck?

There is a calculus to potlucks. The dish you bring must be not only tasty but also impressive, affordable, transportable, easy to serve, and not overly time-consuming—not to mention thematically appropriate. Years of doing the math led me to a simple solution: No matter the party, I bring meatballs. Roll them, bake them, and serve with toothpicks—and don’t forget the dips.

The great thing about them is that they are endlessly adaptable. A fancier gathering might call for veal-and-ricotta balls with a spiced tomato sauce; kids might prefer chicken balls with ketchup. And, of course, they can be made vegetarian.

At a previous job, I was asked to contribute to a cookie-themed potluck. Anxiety struck; I’m a deeply mediocre baker. But the math saved me once again. As I set down a plate of beef-and-pork balls next to trays of whoopie pies and chocolate-chip biscotti, my bemused colleagues waited for an explanation. I pulled out a label: “Meat truffles.” By the end of the meal, not a single one was left.

— Yasmin Tayag, staff writer

***

A staple of my family’s Thanksgiving dinners and summer barbecues is a painstaking mid-century masterpiece we call “rainbow Jell-O”: layers of red, orange, yellow, and green gelatin, partitioned by sweetened condensed milk and cut into bite-size cubes. Making the Jell-O is an all-day affair; each level needs to set in the fridge before the next can be built on top (we skip blue, indigo, and violet as a practical matter).

The recipe, scrawled by my grandmother on a now-yellowed piece of paper, comes from the Japanese American side of my family, which traces its roots through Hawaii, where rainbow Jell-O is sold in convenience stores. The origins of the Jell-O are unclear, but if I had to guess, it might be born of the islands’ unique culinary tradition of drawing magic from shelf-stable foods and wartime rations—in the spirit of Spam musubi.

Is making the Jell-O worth clearing an afternoon and a shelf in your fridge? That perhaps depends on your tolerance for wobbly foods. When one of my college roommates was passed the plate of Jell-O squares on his first Thanksgiving visit, he watched them quake from side to side and politely declined.

— Andrew Aoyama, deputy managing editor

***

I’m a self-conscious cook, even in private; I prefer to stick with minimal ingredients for my meals instead of experimenting with my seasonings and, inevitably, my sensitive stomach. My palate is pretty limited, probably as a result of my boring diet—so I also have no idea if anything I eat tastes good to the average person.

That’s why, when I’m invited to a potluck, I designate myself the Prepacked-Snacks Person. But I make it fun by leveraging my experience as an Oreo connoisseur: My potluck contribution is whatever wacky, seasonally appropriate Oreo flavor is on the market right now. It’s both something you know everyone is somewhat familiar with and more exciting than showing up with the basic snacks you get at the bodega. Plus, I would rather have my friends taste and judge my Pumpkin Spice or Coca-Cola Oreos than watch them pretend to like my homemade chili.

— Allegra Frank, senior editor

***

I’m pretty sure I first made caramel rolls for my mom’s birthday when I was in high school, but I started sharing them at a Friendsgiving potluck in college. They are basically cinnamon rolls, but instead of topping the buns with frosting, you drown them in a caramel sauce, creating a dish that is soft, sticky, and supremely sweet. Although you can use an online recipe for the bread portion, I use my grandmother’s recipe for the caramel, which lives on a bright-blue note card in a wooden box at my parents’ house, along with all of the other cooking instructions we inherited after she passed away. I’ve heard that caramel is notoriously hard to make, but I’ve never had an issue with hers, which includes two whopping tablespoons of white corn syrup. Her side of the family—my mom’s side—comes from North Dakota, so I always feel like I’m sharing a dish that’s a little folksy: simple and delicious. Caramel rolls don’t just work as a hefty addition to potlucks and as a dessert for any occasion; the leftovers can be breakfast too!

— Elise Hannum, assistant editor

***

I am a man of vanity who likes to appear impressive in mixed company; I am also a man of convenience who likes to expend as little energy as possible, if possible. In a potluck scenario, the latter instinct takes over—largely because there’s just less time and attention to spend on any one dish.

Hence my love of making pulled pork, which maxes out several factors: cheapness of ingredients, ease of preparation, quantity of yielded food, wow factor with friends. The recipe I use is perhaps not the best recipe; it is, however, one of the first recipes I found when I Googled best pulled-pork recipe a few years ago. You can really blow people’s minds by bringing along the appropriate accoutrement—pickles, barbecue sauce, buns—but even by itself, the meat goes with anything.

I first made pulled pork for a Super Bowl party, when I had a sneaking suspicion—informed by my expansive curiosity about flavor combinations, and my history of alcohol consumption—that it would pair well with chips and beer. I will be honest: Despite the ease of “slather in spices and hit the slow-cooker button,” I somehow kind of screwed it up—the cut of meat was too large for the lid to fully cover, and I didn’t let it cook for long enough. But even made poorly, pulled pork is a novel delight—everyone loved it, even as I was mildly ashamed of this inaugural effort. Made well, you’ll be the talk of the party.

— Jeremy Gordon, senior editor

***

This season of life doesn’t seem to afford much time for hobbies, but I do love baking, either solo or with the “help” of my 6-year-old daughter (she is an expert sugar sprinkler). My favorite—and most consistently delicious—thing to bake is challah. I got the recipe, adaptations, and all relevant advice from my sister; it has completely ruined all those dry store-bought versions for any purpose but making French toast.

I learned the art of baking challah during the pandemic, when everyone else was busy with their sourdough starters. Back then, my husband, my daughter, and I had no choice but to eat it all ourselves—fortunately, this recipe freezes well. That was by far not the worst part of COVID, but I prefer to share challah; Jewish food is always best enjoyed in the company of others. I never mastered the traditional braiding of the dough, so I mostly shape it into large, fluffy buns—all the better for tearing apart with your hands. Try topping the challah with everything-bagel seasoning, za’atar, or something more creative. Then bring it to a communal Shabbat or a holiday meal, and enjoy watching your loved ones go back for just one more hunk of soft, warm bread, and then another, and another.

— Janice Wolly, copy chief

Here are three Sunday reads from The Atlantic:

The business-school scandal that just keeps getting bigger Three ways to become a deeper thinker The Atlantic gift guide

The Week Ahead

Moana 2, an animated sequel about a village chief’s wayfinding daughter who must travel into the dangerous waters of Oceania (in theaters Wednesday) The Agency, a thriller series starring Michael Fassbender as a CIA agent who is ordered to leave his undercover life (premieres Friday on Paramount+ with Showtime) This Is Why We Can't Have Nice Things, a collection of short stories by Naomi Wood about motherhood, femininity, and modern love (out Tuesday)

Essay

Illustration by The Atlantic. Source: Getty.

Your Armpits Are Trying to Tell You Something

By Yasmin Tayag

The last time I sweated through my shirt, I vowed that it would never happen again. Sweat shame had dogged me for too many years. No longer would armpit puddles dictate the color of my blouse. Never again would I twist underneath a hand dryer to dry my damp underarms. It was time to try clinical-strength antiperspirant.

Read the full article.

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When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic.

What to Watch if You Need a Distraction This Week

The Atlantic

www.theatlantic.com › newsletters › archive › 2024 › 11 › what-to-watch-if-you-need-a-distraction-this-week › 680492

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Welcome back to The Daily’s Sunday culture edition.

The thought of Election Day may bring a twinge of anxiety for some people. “A big event should prompt big feelings,” our staff writer Shayla Love recently observed. But waiting for the results also leaves plenty of downtime for many Americans, whose nerves are unlikely to abate until after the race is called. Today, The Atlantic’s writers and editors answer the question: What should you watch if you’re feeling overwhelmed by election anxiety?

What to Watch

Marcel the Shell With Shoes On (streaming on Max)

When thinking of movies that ease my anxiety, election-related or not, this one is a no-brainer. Allow me to introduce you to Marcel, the shell with shoes on, who will likely give you some hope for the future.

In this mockumentary for all ages, Marcel (co-created and voiced by Jenny Slate) faces tough situations with incredible grace—something we could all aim to do right now. He takes care of his grandmother while also looking for the rest of his family and community, who all disappeared one night. But this heartbreaking situation is no match for Marcel’s relentless positivity, corny sense of humor, and cheesy-but-adorable observations (for example, he says that a documentary is “like a movie, but nobody has any lines and nobody even knows what it is while they’re making it”). And when things don’t go his way or he wants to back down, his grandmother steps in to show us where Marcel got his cheerfulness from—and to tell him to be more like Lesley Stahl from 60 Minutes.

— Mariana Labbate, assistant audience editor

The Verdict (available to rent on YouTube), Darkest Hour (streaming on Netflix)

I should probably recommend something uplifting and funny and distracting, but whenever I feel down or stressed, I return to two rather heavy movies that inspire me. Both of them are about the determination of one person to do the right thing, even when all seems lost.

Start with The Verdict, a 1982 courtroom drama starring Paul Newman as Frank Galvin, a down-and-out lawyer trying to win a medical-malpractice case against a famous Boston hospital. Once a rising legal star, Frank is now just a day-drinking ambulance chaser. But he rediscovers himself—and his sense of justice—as he fights the hospital and its evil white-shoe law firm.

After that, watch Darkest Hour, in which Winston Churchill—magnificently portrayed by Gary Oldman—fights to save Western civilization during the terrifying days around the time of the fall of France in 1940. The United Kingdom stands alone as British politicians around Churchill urge him to make a deal with Hitler. Instead, the prime minister rallies the nation to stand and fight.

No matter what happens on Election Day, both movies will remind you that every one of us can make a difference each day if we stay true to our moral compass.

— Tom Nichols, staff writer

Outrageous Fortune (available to rent on YouTube)

Bette Midler and Shelley Long star in this campy 1987 flick, which starts out as a satire of the New York theater scene before escalating into a buddy comedy slash action thriller (with a healthy dose of girl-power revenge).

Some scenes haven’t aged all that well. But the dynamic between the two stars as they careen into truly absurd situations is winning enough to carry the film. To keep track of who is who—and who mustn’t be trusted—you will need to put down your phone and focus (doubly true because some elements of the plot are slightly underbaked). The blend of slapstick antics and pulpy suspense should help take your mind off the race, as will the costume jewelry, shots of 1980s New York, Shakespeare references, and explosions. Through the plot’s various twists and turns, one takeaway is clear: The power of dance should never be underestimated. This movie may not exactly restore anyone’s faith in humanity, but it will definitely help pass the time as you wait for results to roll in.

— Lora Kelley, associate editor

The Hunt for Red October (streaming on Max)

There are three movies I’ll watch at the drop of a hat: Arrival, a genre-bender in which Amy Adams plays a linguist who learns to speak backwards and forward in time; The Devil Wears Prada, as long as we skip through the scenes with Andy’s annoying friends; and the Cold War underwater thriller The Hunt for Red October. I consider all three films a balm in anxious times, but this week, I’m setting sail with Sean Connery and Alec Baldwin.

Maybe because I write about war, I don’t consider a plotline centered on the threat of nuclear Armageddon an unusually nerve-racking experience. This movie transports me. The script is as tight as the hull of a Typhoon-class submarine. James Earl Jones is near perfect as an admiral turned CIA honcho. Baldwin was super hot then. And a bonus: The supporting performances by Scott Glenn, Courtney B. Vance, Sam Neill, and Tim Curry (Tim Curry!) are some of the most memorable of their careers. (Fight me.) If you haven’t seen this movie, treat yourself—if only for the opening minutes, so you can hear Connery, in Edinburgh-tinged Russian, proclaim morning in Murmansk to be “Cold … and hard.”

— Shane Harris, staff writer

How I Met Your Mother (streaming on Netflix and Hulu)

The right sitcom can cure just about anything. If you, like me, somehow missed out on watching How I Met Your Mother when it first aired, it’s the perfect show to transport you back to a not-so-distant past when TV still had laugh tracks and politics was … not this. For the uninitiated, the series is exactly what it sounds like, featuring a dorky romantic named Ted as he tells his kids the seemingly interminable story of, well, how he met their mother.

The roughly 20-minute episodes are both goofy and endearing. Although the plot, which follows Ted and his four best friends, centers on the characters’ romantic entanglements, the story is fundamentally about friendship. As Kevin Craft wrote in The Atlantic in the run-up to the series finale, the show’s unstated mantra is “We’re all in this together.” Over the next few days, this is perhaps the most important thing we can remember.

— Lila Shroff, assistant editor

Here are three Sunday reads from The Atlantic:

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The Week Ahead

Heretic, a horror-thriller film starring Hugh Grant, about a man who traps two young missionaries in a deadly game inside his house (in theaters Friday) Season 4 of Outer Banks, a series about a group of teenagers hunting for treasure (part two premieres Thursday on Netflix) You Can’t Please All, a memoir by Tariq Ali about how his years of political activism shaped his life (out Tuesday)

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Illustration by Jan Buchczik

Why You Might Need an Adventure

By Arthur C. Brooks

Almost everyone knows the first line of Herman Melville’s 1851 masterpiece Moby-Dick: “Call me Ishmael.” Fewer people may remember what comes next—which might just be some of the best advice ever given to chase away a bit of depression:

“Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet … then, I account it high time to get to sea as soon as I can.”

Read the full article.

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When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic.