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Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer reveals what’s keeping them entertained. Today’s special guest is the staff writer and author Mark Leibovich. Mark has recently written about the long-shot presidential candidate who has the White House worried, and how Moneyball broke baseball.

First, here are three Sunday reads from The Atlantic:

Streaming has reached its sad, predictable fate. Hip-hop’s fiercest critic A knockout technique for achieving more happiness

The Culture Survey: Mark Leibovich

Mark wrote a little introductory note for our newsletter readers, so I’ll attach that here before we get to his culture-survey responses:

Okay, I will admit to just rereading a bunch of these recent culture surveys and marveling at how well-read, well-watched, and well-listened some of my Atlantic colleagues are. Intimidating! They set such a high and considered bar. Now allow me to lower it.

In comparison, my tastes are a hodgepodge of high-low delights that I pick up from random films, TV shows, or social-media feeds, which then lead me down various other rabbit holes. In other words, my tastes tend to be a meandering mess, depending on my moods, whereabouts, chemical intakes, endorphin bursts, and general exposures (or maybe I just flatter myself, and some algo-god is reading this from a Menlo Park lair, laughing like hell).

Here’s an example from an hour ago: I was driving my daughter to school, hopped up on espressos and flipping around on SiriusXM. Thankfully, Franny (my daughter) shares my quickness to punch the presets, my need for better options at all times, and my jumpy attention span (shorter version: ADHD). I happened to land on the ’80s-on-8 station and somehow found myself hooked on a cover of Bruce Springsteen’s “Pink Cadillac” by Natalie Cole (!). Who knew that existed? I didn’t until this morning, and wouldn’t you know it, the song stuck to my predilection lobes like bubble gum. Then, for some reason, the DJ—the former MTV VJ Mark Goodman—felt the need to come on and trash Natalie’s effort. Totally bogus, dude. And wrong.

This also reminded me that I once had tea with Nat King Cole’s widow, Maria, sometime in the ’90s, at the Ritz Carlton in Boston, where she happened to be living. Lovely woman, since departed. I have a cool story about Mrs. Cole too, which I started to tell Franny, but she was by then deep into her phone.

Anyway …

The upcoming event I’m most looking forward to: I’m writing this on the first weekend of the NFL season. There’s a reason most of the top-rated television shows every single year are NFL games. America’s most successful sports league is such a juggernaut, and I’m definitely part of the problem. Why problem? Because, among other things, football is morally precarious, causes incalculable damage to its players’ bodies and brains, and is run and owned by some of the worst people in the world, nearly all of them billionaires.

Even so, I will definitely tune in to a bunch of games this weekend, with generous bowls of Trader Joe’s kettle corn and reheated leftover pad thai on my lap. Which is a great segue into …

A favorite story I’ve read recently in The Atlantic: One of the teams that kicked off the season Thursday night, the young and promising Detroit Lions, is the subject of a great romp by the long-suffering, lionhearted Tim Alberta. The story is packed with poignancy, hitting many levels and themes: futility and resilience, legacies and character, fathers and sons. Also, faith rewarded: Lions 21–Chiefs 20. [Related: The thrill of defeat]

I’m going to cheat and suggest another article from The Atlantic, even though I read an early version and it is not yet online: next month’s cover story, by my desk-neighbor and pal Jenisha Watts. I have truly never read a story like this in my life, ever, and can’t even begin to describe the wonder of its triumph, or the triumph that is Jenisha, whom I am so proud to know.

The television show that I’m most enjoying right now: Daisy Jones and the Six (on Amazon Prime Video). A total joy. L.A. in the ’70s, road trips, and “you regret me, and I regret you” (that’s a lyric). Speaking of which …

Best work of nonfiction I’ve read recently: The Daisy Jones title cut is “Dancing Barefoot,” by Patti Smith, which led me to Smith’s memoir, Just Kids, which I purchased at my favorite local independent bookstore, Politics and Prose, because screw Amazon, even though it gave us Daisy Jones. (Like football, it’s complicated. Or maybe not.)

Aside: Riley Keough, if you or your reps are reading this, I want to interview you.  MLeibovich@TheAtlantic.com.

An author I will read anything by: Christopher Buckley. The maestro’s been on my mind lately because I just finished Make Russia Great Again, an utterly hilarious Trump-era novel. And yes, there actually is a “Trump-era novel” genre (another pearl being The Captain and the Glory, by Dave Eggers).

I’ll also mention that Buckley once reviewed one of my books, and it was pretty much the highlight of my life—and damn right I’m linking to it.

Something I recently rewatched, reread, or otherwise revisited: The Worst Person in the World and Licorice Pizza. These were two of the few movies I’ve seen in theaters since (or during) the pandemic, both of which I rewatched on a long flight this summer. Each got into my bones, in their own wanderlusting, generationally particular way. The Norwegian film Worst Person is better than anything the Oslo Chamber of Commerce could ever have spawned (salmonlike!). It also led me to Todd Rundgren’s glorious song “Healing,” which has been feeding my heart ever since.

As for Licorice (again, L.A. in the ’70s), the film blissfully reacquainted me with a long-lost friend of a song, “Let Me Roll It,” by Paul McCartney and Wings. We’ve kept in touch since via Spotify, usually while I’m on my stationary bike, which I try to ride every day in an attempt to mitigate the various erosions of being in my 50s. Speaking of aging and life cycles and the transience of it all … [Related: Licorice Pizza is a tragicomic tale of 1970s Hollywood.]

A poem, or line of poetry, that I return to: “Nothing Gold Can Stay,” by Robert Frost. The title is also the last line of the poem, and is now the last entry in this scavenging of serendipity. May the golden wisdom of these words stay, eternally.

The Week Ahead

A Haunting in Venice, Kenneth Branagh’s supernatural mystery film (in select theaters Friday) The Vaster Wilds, a new novel by Lauren Groff (out Tuesday) How I Won a Nobel Prize, a novel by Julius Taranto (out Tuesday)

Essay

Bob Berg / Getty

The Album That Made Me a Music Critic

By Spencer Kornhaber

Smash Mouth has long been, as its guitarist, Greg Camp, once said, “a band that you can make fun of.” The pop-rock group’s signature hit, 1999’s “All Star,” combines the sounds of DJ scratches, glockenspiel, and a white dude rapping that he “ain’t the sharpest tool in the shed.” Fashionwise, the band tended to dress for a funky night at the bowling alley. And over nearly three decades, Smash Mouth has remained famous partly because of the flatulent cartoon ogre Shrek.

But the affection Smash Mouth commands is serious—the result of music so simultaneously pleasing and odd that it could rewire a young listener’s brain. In fact, the sad news of the death of original front man Steve Harwell at age 56 has me wondering if the band’s 1999 album, Astro Lounge, is the reason I’m a music critic. Most people can point to songs that hit them in early adolescence, when their ears were impressionable but their interest in other people’s judgment was still, blessedly, undeveloped. Smash Mouth’s second album, the one with “All Star,” came out when I was 11. Every goofy organ melody is still engraved in my mind, and today, the album holds up as an ingeniously crafted pleasure capsule.

Read the full article.

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Catch Up on The Atlantic

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Photo Album

This picture, taken on September 2, 2023, shows a player scoring a try during Water Rugby Lausanne by jumping into Lake Geneva from a floating rugby field. The match was part of a three-day tournament organized by LUC Rugby that gathered more than 240 players in Lausanne, Switzerland. (Fabrice Coffrini / AFP / Getty)

The World Tango Championship in Argentina, a scene from the 80th Venice Film Festival, a cricket game in Afghanistan, and more in our editor’s selection of the week’s best photos.

Isabel Fattal contributed to this newsletter.

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This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Jimmy Buffett, the chiller laureate of Key West, died on Friday at 76. His legacy goes well beyond music: He also parlayed the power of his loyal community into a business empire.

First, here are four new stories from The Atlantic:

How American democracy fell so far behind How telling people to die became normal A DeSantis speech too dangerous to teach in Florida You already got into Yale. Now prepare to be rejected.

A Distinctly American Figure

If you have never spent a lunch hour in Times Square at the Margaritaville restaurant, or a cocktail hour at the 5 o’Clock Somewhere bar upstairs, allow me to paint a picture: An enormous shiny flip-flop greets you at the door of the restaurant cum bar cum resort tower. A massive replica of the Statue of Liberty holding a margarita glass pokes through the floor of the restaurant. Should you choose to ascend, a long elevator ride delivers you to the top-floor bar, which features turquoise furniture, tequila drinks on offer, and a beautiful view of Manhattan. Some elements of Margaritaville are kitschy, and some are charming. But above all, when you’re there, you don’t forget for one second that you are in a Margaritaville.

Jimmy Buffett, the troubadour and celebrant of a good-times lifestyle, deserves to be remembered for more than just his music (fun though it may be). Buffett also parlayed his name recognition into a business empire that, starting with the first Margaritaville in Key West, Florida, swelled to include resorts, restaurants, food, and merchandise; Buffett became a billionaire later in life. He was beloved by his many fans, known as Parrot Heads, and he leveraged that fan base into a loyal community of customers. Beyond the Parrot Heads, he also reached hungry and thirsty visitors of all stripes: Some 20 million people visit Margaritaville-branded establishments annually.

In recent years, a variety of brands have become obsessed with building community. Tech start-ups in particular have glommed on to it as a marketing buzzword. If people feel connected to a brand, the thinking goes, they will buy more stuff. Buffett was an early master of this art: He was selling goods and services, but he was also offering a sense of belonging. And though it has become de rigueur for celebrities to peddle branded products, be it skin care or tequila, Buffett has been translating pop-culture recognition into product sales for decades.

Buffett was a multi-hyphenate before it was cool. He first became known as a musician, with his beach hit “Margaritaville” in 1977 and, the next year, his cheeky “Cheeseburger in Paradise.” He was also an author: Starting in 1989, both his fiction and nonfiction books topped the New York Times best-seller lists (a distinction he shares with an elite smattering of writers, including Ernest Hemingway, John Steinbeck, and Dr. Seuss). He had a Broadway show. Margaritaville sold frozen shrimp, blenders, margarita mixes, and a lifestyle. The New York Times reported that Margaritaville Enterprises, a corporation with ties to more than 100 restaurants and hotels, brought in $2.2 billion in gross annual revenue last year, largely through licensing and branding deals. Though Margaritaville Resort Times Square recently began Chapter 11 bankruptcy proceedings, Margaritaville Enterprises is reportedly still investing in new properties.

For a man who made his name on visions of relaxation, Buffett got things done. As Taffy Brodesser-Akner wrote in The New York Times Magazine in 2018, “Mr. Buffett is still the lone occupant in the Venn diagram of People Who Outearn Bruce Springsteen and People Who Are Mistaken for Men of Leisure.” Though a 23andMe test reportedly confirmed that Jimmy was not related to Warren Buffett, the two men became friends, and the latter offered business advice to the former; Jimmy called him “Uncle Warren.” (The Oracle of Omaha is also an investor in Margaritaville Enterprises through subsidiaries of Berkshire Hathaway.)

Jimmy Buffett even created literal Margaritaville communities: Last year, Nick Paumgarten wrote a long dispatch in The New Yorker recounting his time visiting Latitude Margaritaville, a “55 and better” active-living community in Florida. Paumgarten notes the sense of belonging that Latitude Margaritaville provides its older residents—even if it comes with a heavy dose of hedonism. “If it’s isolation that ails us—our suburban remove, our reliance on cars, our dwindling circles of friends, our lack of congregation and integration and mutual understanding, of the kind described by Robert Putnam in ‘Bowling Alone,’” Paumgarten writes, “then the solution, especially for those tilting into their lonelier elderly years, would seem to be fellowship, activity, fun. In the Margaritaville calculus, the benefits of good company outweigh the deleterious effects of alcohol.” (As it happened, Paumgarten’s article was published the day before my first visit to the Times Square location next to my then-office; the sweet—and also thoroughly capitalist—context about Buffett’s empire enhanced what was already a novel experience.)

Buffett’s Florida development, Paumgarten wrote, “came off both as an escape from America and as the most quintessentially American setting of all.” And Buffett himself was a distinctly American figure—a canny self-mythologizer who brought people joy and made very good money along the way. I hope you all will embrace your license to chill in his honor. As they might say at Margaritaville: Fins up. It’s 5 o’clock somewhere.

Related:

Make the collabs stop. Why celebrities partner with cannabis companies

Today’s News

All the defendants in the election-interference case in Fulton County, Georgia, have now pleaded not guilty. Enrique Tarrio, the former Proud Boys national chairman, was sentenced to 22 years in prison, after being convicted for seditious conspiracy in the January 6, 2021, attack. Senator Mitch McConnell released a letter from Congress’s attending physician stating that evaluations ruled out a stroke or seizure, after McConnell visibly froze on camera on two recent occasions.

Evening

Vivian Maier / Howard Greenberg Gallery

The Novel That Helped Me Understand American Culture

By Rafaela Bassili

Growing up in São Paulo, Brazil, I spent many of my waking hours reading American young-adult books, rigorously studying the mechanics of American teenage life. These books weren’t always beautifully written, but I loved them all the same, the way another kid might have loved dinosaurs: I was compelled by their exoticism; their observations about proms, parking lots, and malls; their descriptions of what girls in the U.S. ate and how they lived. None of it had anything to do with me, so I was surprised when, at 16, I saw myself in Esther Greenwood, the heroine of Sylvia Plath’s The Bell Jar and a thinly veiled avatar for Plath herself. Plath’s acerbic prose paralyzed me with envy; her novel unlocked a sorrowful and rage-filled side to a language I had only experienced as functional and rigid.

With a diligent thirst for knowledge, I began to understand Plath’s reputation as an archetypal mid-century American girl. The legend of Plath is inextricable from the visual mythology of postwar prosperity—white picket fences, images of John and Jackie Kennedy sailing—that developed alongside the baby boom.

Read the full article.

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Watch. Gran Turismo, in theaters, is luxuriously familiar.

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P.S.

Tom here, peeking in after reading Lora’s essay on Jimmy Buffett. Buffett’s last public appearance was just up the way from me here at a venue in Rhode Island, and when I heard he’d died, I was on my way to a nearby beach. I reminisced with my wife a bit as we drove to the shore about how I didn’t appreciate Buffett when I was growing up, mostly because “Margaritaville” was overplayed when I was a teenager. Also, I didn’t really get that whole Gulf and Western sound. My New England (I was raised near the mountains) doesn’t seem like Jimmy Buffett’s natural environment: The beach is far, the water’s cold, and the first snows come soon after the last beach day.

But when I moved to Rhode Island in my 20s, I spent my first summer at the beach and the Newport bars, where Buffett’s music was everywhere. One day, I heard “Son of a Son of a Sailor,” and it clicked. The beach wasn’t really the point. The palm trees and tropical nights and steel drums? Those were just the decor. That day in Newport, I realized that you didn’t need a beach to love Jimmy Buffett, whose music was so kind, so American, and so fun. The next day, I went to the local record store and bought my first Buffet CD. After that, no matter where I lived, I always had a beach and a friend.

— Tom

Isabel Fattal contributed to this newsletter.

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